excours.io

Website beoordeling excours.io

excoursio

 Gegenereerd op Februari 02 2026 23:23 PM

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excours.io is a platform for immersive guided tours, turning one-time walkthroughs into lasting learning experiences.

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locale en_US
type website
title excoursio
description excours.io is a platform for immersive guided tours, turning one-time walkthroughs into lasting learning experiences.
url https://excours.io/
site_name excoursio

Headings

H1 H2 H3 H4 H5 H6
0 0 165 0 0 0
  • [H3] Menu
  • [H3] About
  • [H3] Stay tuned
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Trumpism
  • [H3] If our soup can could speak: Mikhail Lifshitz and the Soviet Sixties
  • [H3] Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994
  • [H3] FEATURING NOW: Communities and Collective Identities
  • [H3] Actually, the Dead Are Not Dead. Una forma de ser. | Introduction
  • [H3] Clemens von Wedemeyer – Mehrheiten [Majorities]
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Protest
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Discrimination
  • [H3] Sourtna. Carte Blanche to Yoriyas. Moroccan Photographers of Today and Tomorrow
  • [H3] Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994
  • [H3] CLUBS of the FUTURE. Common Spaces in Transitional Societies
  • [H3] Whispers of the Forest
  • [H3] “Rage and Desire — The Beating Heart of Men” by photographer Gérard Rancinan and writer Caroline Gaudriault
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Carina Plath
  • [H3] Hanbok, Poetics of Line and the Passage of Life
  • [H3] Tobias Zielony. Maskirovka [Concealment]
  • [H3] Victoria Lomasko. Other Russias
  • [H3] Maya Schweizer – Voices
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Introduction
  • [H3] 110 Years, 110 Works. Société Générale Collection
  • [H3] Katrin Nenasheva. Between Here and There: Stories of City Isolations
  • [H3] Arts
  • [H3] Sourtna. Carte Blanche to Yoriyas. Moroccan Photographers of Today and Tomorrow
  • [H3] If our soup can could speak: Mikhail Lifshitz and the Soviet Sixties
  • [H3] Curators in Panic
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Right-wing Shift
  • [H3] Requiem: Cats, Portraits, and Yokoo Tadanori
  • [H3] Implicit Modernism. Roman Babichev’s Collection. Part II.
  • [H3] Implicit Modernism. Roman Babichev’s Collection. Part I.
  • [H3] CLUBS of the FUTURE. Common Spaces in Transitional Societies
  • [H3] History of the Photo Club “Riga”
  • [H3] Hanbok, Poetics of Line and the Passage of Life
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Postcolonialism
  • [H3] Train Arrival
  • [H3] Whispers of the Forest
  • [H3] Actually, the Dead Are Not Dead. Una forma de ser. | Introduction
  • [H3] Bauhaus – Shanghai – Stalinallee – Ha-Neu. The life of architect Richard Paulick, 1903­–1979
  • [H3] Yokoo Tadanori: Wow! ★ Y-Junctions
  • [H3] Anthropocene Island. The Tallinn Architecture Biennale 2017
  • [H3] Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994
  • [H3] “Rage and Desire — The Beating Heart of Men” by photographer Gérard Rancinan and writer Caroline Gaudriault
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Feminism
  • [H3] Human Condition. Session III. “Time And Senses”: Trauma, Memory, Oblivion, Knowledge. Exhibition “The Haunted House”
  • [H3] Yokoo Tadanori: Forest in Soul
  • [H3] Forward to the Past: Yokoo Tadanori’s Road to Hanshan and Shide
  • [H3] Raqs Media Collective. Everything Else is Ordinary
  • [H3] Victoria Lomasko. Other Russias
  • [H3] Culture
  • [H3] Yokoo Tadanori: 100 Takes of Hanshan and Shide
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Discrimination
  • [H3] From Kerenkа to Sovznak: Money and Revolution
  • [H3] Yokoo in Wonderland
  • [H3] Maya Schweizer – Voices
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Valérie Favre & Carina Plath
  • [H3] Requiem: Cats, Portraits, and Yokoo Tadanori
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Feminism
  • [H3] Yokoo Tadanori Collection Gallery 2021
  • [H3] Mr. Yokoo’s Palette
  • [H3] Bauhaus – Shanghai – Stalinallee – Ha-Neu. The life of architect Richard Paulick, 1903­–1979
  • [H3] GASTEV. How to Work
  • [H3] 110 Years, 110 Works. Société Générale Collection
  • [H3] “Heart of a Dog” : Adventures of a Banned Book. A Monstrous Story
  • [H3] “Your Feedback is Very Important for Us”
  • [H3] Sourtna. Carte Blanche to Yoriyas. Moroccan Photographers of Today and Tomorrow
  • [H3] Klaus Staeck. Sand for the Gears
  • [H3] Museum Choreography
  • [H3] “Rage and Desire — The Beating Heart of Men” by photographer Gérard Rancinan and writer Caroline Gaudriault
  • [H3] Implicit Modernism. Roman Babichev’s Collection. Part II.
  • [H3] Only by faith! On the occasion of the 500th Anniversary of the Reformation
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Right-wing Shift
  • [H3] KOMAR & MELAMID
  • [H3] History
  • [H3] From Kerenkа to Sovznak: Money and Revolution
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Discrimination
  • [H3] “Heart of a Dog” : Adventures of a Banned Book. A Monstrous Story
  • [H3] If our soup can could speak: Mikhail Lifshitz and the Soviet Sixties
  • [H3] Actually, the Dead Are Not Dead. Una forma de ser. | Introduction
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Introduction
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Feminism
  • [H3] Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994
  • [H3] Revolved Revolutions. On the Occasion of Centenary of the Great October Socialist Revolution
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Jean-Pascal Flavien & Carina Plath
  • [H3] 110 Years, 110 Works. Société Générale Collection
  • [H3] Haim Sokol. Testimony
  • [H3] Klaus Staeck. Sand for the Gears
  • [H3] Clemens von Wedemeyer – Mehrheiten [Majorities]
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Protest
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Valérie Favre & Carina Plath
  • [H3] GASTEV. How to Work
  • [H3] CLUBS of the FUTURE. Common Spaces in Transitional Societies
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Postcolonialism
  • [H3] Yokoo Tadanori Collection Gallery 2021
  • [H3] Train Arrival
  • [H3] Maya Schweizer – Voices
  • [H3] When I see the future, I close my eyes: Chapter II
  • [H3] Agitprop Trains
  • [H3] Music
  • [H3] Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994
  • [H3] Tobias Zielony. Maskirovka [Concealment]
  • [H3] Actually, the Dead Are Not Dead. Una forma de ser. | Introduction
  • [H3] Museum Choreography
  • [H3] Philosophy
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Feminism
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Carina Plath
  • [H3] Hyogo Prefectural Yokoo Emergency Hospital
  • [H3] Abdellatif Laâbi: A Poet Passes Through
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Valérie Favre & Carina Plath
  • [H3] Forward to the Past: Yokoo Tadanori’s Road to Hanshan and Shide
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Introduction
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Postcolonialism
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Right-wing Shift
  • [H3] “Rage and Desire — The Beating Heart of Men” by photographer Gérard Rancinan and writer Caroline Gaudriault
  • [H3] Yokoo Tadanori: Forest in Soul
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Discrimination
  • [H3] Requiem: Cats, Portraits, and Yokoo Tadanori
  • [H3] Yokoo Tadanori’s Game of Life
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Protest
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Jean-Pascal Flavien & Carina Plath
  • [H3] If our soup can could speak: Mikhail Lifshitz and the Soviet Sixties
  • [H3] Yokoo Tadanori’s Haunted Museum
  • [H3] Yokoo in Wonderland
  • [H3] Actually, the Dead Are Not Dead. Una forma de ser. | Introduction
  • [H3] GASTEV. How to Work
  • [H3] Yokoo Tadanori: 100 Takes of Hanshan and Shide
  • [H3] Raqs Media Collective. Everything Else is Ordinary
  • [H3] BIG D@T@! BIG MON€Y!
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Trumpism
  • [H3] Society & Politics
  • [H3] “A” fell down, “B” is gone. Glossary of Soviet censorship. Censorship practices in the USSR from the first to the last day of the Soviet authorities
  • [H3] GASTEV. How to Work
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Trumpism
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Discrimination
  • [H3] Raqs Media Collective. Everything Else is Ordinary
  • [H3] CLUBS of the FUTURE. Common Spaces in Transitional Societies
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Jean-Pascal Flavien & Carina Plath
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Carina Plath
  • [H3] Sergiy Bratkov. My Brother’s Cats | Immersive Artist Tour
  • [H3] Abdellatif Laâbi: A Poet Passes Through
  • [H3] “Heart of a Dog” : Adventures of a Banned Book. A Monstrous Story
  • [H3] Victoria Lomasko. Other Russias
  • [H3] Whispers of the Forest
  • [H3] Actually, the Dead Are Not Dead. Una forma de ser. | Introduction
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Postcolonialism
  • [H3] BIG D@T@! BIG MON€Y!
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Valérie Favre & Carina Plath
  • [H3] Sourtna. Carte Blanche to Yoriyas. Moroccan Photographers of Today and Tomorrow
  • [H3] Human Condition. Session III. “Time And Senses”: Trauma, Memory, Oblivion, Knowledge. Exhibition “The Haunted House”
  • [H3] KOMAR & MELAMID
  • [H3] “Rage and Desire — The Beating Heart of Men” by photographer Gérard Rancinan and writer Caroline Gaudriault
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Introduction
  • [H3] Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994
  • [H3] Revolved Revolutions. On the Occasion of Centenary of the Great October Socialist Revolution
  • [H3] Technology
  • [H3] Anthropocene Island. The Tallinn Architecture Biennale 2017
  • [H3] Train Arrival
  • [H3] BIG D@T@! BIG MON€Y!
  • [H3] Actually, the Dead Are Not Dead. Una forma de ser. | Introduction
  • [H3] Explore
  • [H3] Network
  • [H3] Transparency
  • [H3] Latest guided tour films
  • [H3] Stay tuned

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Ankertekst Type samenstelling
- Intern doFollow
Arts Intern doFollow
Culture Intern doFollow
History Intern doFollow
Music Intern doFollow
Philosophy Intern doFollow
Society & Politics Intern doFollow
Technology & Science Intern doFollow
Collections Intern doFollow
Tags Intern doFollow
Institutions Intern doFollow
Contributors Intern doFollow
All Films Intern doFollow
Random Film Intern doFollow
About Intern doFollow
In When I see the future, I close my eyes: Chapter II, Heba Y. Amin critically explores the intersection of colonialism, technology, and modern warfare, drawing attention to the lingering effects of these forces on contemporary society. Through installations, photography, and reconstructions, Amin revisits historical moments, such as early colonial photography and WWII landmines in Egypt, to highlight how visual and technological tools have been used to exert control and perpetuate violence. The exhibition asks us to reflect on how these past dynamics continue to shape narratives of power and oppression, urging us to confront the neocolonial tendencies of today’s technologies. Intern doFollow
The exhibition is dedicated to one of the most enigmatic, mysterious, and controversial philosophers of the USSR and his famous anthology of polemical texts, The Crisis of Ugliness, which criticizes the art of the 20th century. The retrospective showcases never presented before archive documents, Lifshitz’s texts, and artworks in ten interiors, each representing a milestone in the development of modernism or Lifshitz’s thought: 10 rooms – 10 stages of Soviet history – 10 knots in Lifshitz’s biography. The project is the first large-scale analysis attempt of the tense relationship between so-called progressive art and politics in the XX-XXI century. Intern doFollow
The Yokoo Tadanori Collection Gallery presents a comprehensive view of the artistic world and deep influences shaping the practice of Japanese artist Yokoo Tadanori. This permanent space, established in 2021 within the Yokoo Tadanori Museum of Contemporary Art in Hyogo Prefecture, Japan, displays his original drawings, color proofs, and project designs. The collection offers insight into the cultural and historical contexts that fed Yokoo’s aesthetic, illuminating the wider network of artistic references he engaged with. Visitors can study archive materials and works by figures he admired, such as Francis Picabia and Giorgio de Chirico, revealing the sources that informed his output. The gallery ultimately encourages visitors to recognize the enduring dialogue between personal vision and international creative lineage that defines lasting contemporary art. Intern doFollow
The exhibition “Your review is very important to us” delves into the evolving landscape of reader engagement with classical literature, inviting visitors to explore how expressions of opinion have transformed from the 19th century to today’s digital era. Through a compelling blend of research by philologist Anna Gerasimova and innovative works from contemporary Russian artists, the show raises thought-provoking questions about the interplay between amateur reviews and literary criticism. Viewers will experience how machine learning interprets text, engage with an audio installation that echoes voices from the past and present, and even connect Nabokov’s correspondence to modern digital discourse. Intern doFollow
The exhibition Hanbok, Poetics of Line and the Passage of Life presents the story of traditional Korean attire, tracing its cultural significance and transformation through time. With a basic style originating in the Three Kingdoms period (37 BCE – 668 CE), the Hanbok shown primarily reflects that of the Joseon dynasty (1392 – 1910). The exhibition explores how this clothing embodies Korean ancestral values, worldview, and reverence for nature through its use in life’s milestone ceremonies and its symbolic colours derived from Yin-Yang theory. Curated by EuiJung McGillis, the presentation showcases items from a baby’s first birthday dress to royal robes, alongside modern reinterpretations by early twentieth-century shinyeoseong (new women). Visitors will discover Hanbok as a transmitter of tradition and a dynamic symbol of Korean identity in a global context. Intern doFollow
Museum Kunstpalast Intern doFollow
TIME FOR OUTRAGE! Art in Times of Social Anger | Trumpism Intern doFollow
Garage Museum of Contemporary Art Intern doFollow
Academy of Arts Intern doFollow
Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994 Intern doFollow
The Wuerttemberg Art Association Stuttgart Intern doFollow
Actually, the Dead Are Not Dead. Una forma de ser. | Introduction Intern doFollow
Gallery for Contemporary Art Leipzig (GfZK) Intern doFollow
Clemens von Wedemeyer – Mehrheiten [Majorities] Intern doFollow
TIME FOR OUTRAGE! Art in Times of Social Anger | Protest Intern doFollow
TIME FOR OUTRAGE! Art in Times of Social Anger | Discrimination Intern doFollow
The National Photography Museum in Rabat Intern doFollow
Sourtna. Carte Blanche to Yoriyas. Moroccan Photographers of Today and Tomorrow Intern doFollow
Kunstverein am Rosa–Luxemburg–Platz Intern doFollow
CLUBS of the FUTURE. Common Spaces in Transitional Societies Intern doFollow
Korean Cultural Center (KCC) Intern doFollow
Whispers of the Forest Intern doFollow
Mohammed VI Museum of Modern and Contemporary Art (MMVI Rabat) Intern doFollow
“Rage and Desire — The Beating Heart of Men” by photographer Gérard Rancinan and writer Caroline Gaudriault Intern doFollow
Sprengel Museum Hannover Intern doFollow
HOW TO SURVIVE ― Art as Survival Strategy | with Carina Plath Intern doFollow
KOW Berlin Intern doFollow
Tobias Zielony. Maskirovka [Concealment] Intern doFollow
Cartoonmuseum Basel – Centre for Narrative Art Intern doFollow
Victoria Lomasko. Other Russias Intern doFollow
Museum Villa Stuck Intern doFollow
Maya Schweizer – Voices Intern doFollow
TIME FOR OUTRAGE! Art in Times of Social Anger | Introduction Intern doFollow
110 Years, 110 Works. Société Générale Collection Intern doFollow
GROUND Solyanka (formerly Solyanka State Gallery) Intern doFollow
Katrin Nenasheva. Between Here and There: Stories of City Isolations Intern doFollow
Arts Intern doFollow
Yokoo Tadanori Museum of Contemporary Art Intern doFollow
Curators in Panic Intern doFollow
TIME FOR OUTRAGE! Art in Times of Social Anger | Right-wing Shift Intern doFollow
Requiem: Cats, Portraits, and Yokoo Tadanori Intern doFollow
Moscow Museum of Modern Art (MMOMA) Intern doFollow
Implicit Modernism. Roman Babichev’s Collection. Part II. Intern doFollow
Implicit Modernism. Roman Babichev’s Collection. Part I. Intern doFollow
Latvian Museum of Photography Intern doFollow
History of the Photo Club “Riga” Intern doFollow
TIME FOR OUTRAGE! Art in Times of Social Anger | Postcolonialism Intern doFollow
The Ekaterina Cultural Foundation Intern doFollow
Train Arrival Intern doFollow
Bauhaus Dessau Foundation Intern doFollow
Bauhaus – Shanghai – Stalinallee – Ha-Neu. The life of architect Richard Paulick, 1903­–1979 Intern doFollow
Yokoo Tadanori: Wow! ★ Y-Junctions Intern doFollow
Estonian Museum of Architecture Intern doFollow
Anthropocene Island. The Tallinn Architecture Biennale 2017 Intern doFollow
TIME FOR OUTRAGE! Art in Times of Social Anger | Feminism Intern doFollow
Human Condition. Session III. “Time And Senses”: Trauma, Memory, Oblivion, Knowledge. Exhibition “The Haunted House” Intern doFollow
Yokoo Tadanori: Forest in Soul Intern doFollow
Forward to the Past: Yokoo Tadanori’s Road to Hanshan and Shide Intern doFollow
K21, Art Collection Nordrhein-Westfalen Intern doFollow
Raqs Media Collective. Everything Else is Ordinary Intern doFollow
Culture Intern doFollow
Yokoo Tadanori: 100 Takes of Hanshan and Shide Intern doFollow
The History of Money Museum of GOZNAK Intern doFollow
From Kerenkа to Sovznak: Money and Revolution Intern doFollow
Yokoo in Wonderland Intern doFollow
HOW TO SURVIVE ― Art as Survival Strategy | with Valérie Favre & Carina Plath Intern doFollow
Mr. Yokoo’s Palette Intern doFollow
Na Shabolovke Gallery / Avant-Garde Museum Intern doFollow
GASTEV. How to Work Intern doFollow
International Memorial Association Intern doFollow
“Heart of a Dog” : Adventures of a Banned Book. A Monstrous Story Intern doFollow
The New Wing of the Gogol House Intern doFollow
Museum Folkwang Intern doFollow
Klaus Staeck. Sand for the Gears Intern doFollow
Tartu Art Museum Intern doFollow
Museum Choreography Intern doFollow
The State Museum of Religion History Intern doFollow
Only by faith! On the occasion of the 500th Anniversary of the Reformation Intern doFollow
KOMAR & MELAMID Intern doFollow
History Intern doFollow
The State Museum of Oriental Art Intern doFollow
Revolved Revolutions. On the Occasion of Centenary of the Great October Socialist Revolution Intern doFollow
HOW TO SURVIVE ― Art as Survival Strategy | with Jean-Pascal Flavien & Carina Plath Intern doFollow
Haim Sokol. Testimony Intern doFollow
Zilberman Gallery Intern doFollow
Agitprop Trains Intern doFollow
Music Intern doFollow
Philosophy Intern doFollow
Hyogo Prefectural Yokoo Emergency Hospital Intern doFollow
Abdellatif Laâbi: A Poet Passes Through Intern doFollow
Yokoo Tadanori’s Game of Life Intern doFollow
Yokoo Tadanori’s Haunted Museum Intern doFollow
HALLE 14 – Centre for Сontemporary Art Intern doFollow
BIG D@T@! BIG MON€Y! Intern doFollow
“A” fell down, “B” is gone. Glossary of Soviet censorship. Censorship practices in the USSR from the first to the last day of the Soviet authorities Intern doFollow
The art museum Kloster Unser Lieben Frauen Intern doFollow
Sergiy Bratkov. My Brother’s Cats | Immersive Artist Tour Intern doFollow
Technology Intern doFollow
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contemporary 38

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