excours.io

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excoursio

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excours.io is a platform for immersive guided tours, turning one-time walkthroughs into lasting learning experiences.

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locale en_US
type website
title excoursio
description excours.io is a platform for immersive guided tours, turning one-time walkthroughs into lasting learning experiences.
url https://excours.io/
site_name excoursio

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H1 H2 H3 H4 H5 H6
0 0 165 0 0 0
  • [H3] Menu
  • [H3] About
  • [H3] Stay tuned
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Trumpism
  • [H3] If our soup can could speak: Mikhail Lifshitz and the Soviet Sixties
  • [H3] Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994
  • [H3] FEATURING NOW: Communities and Collective Identities
  • [H3] Actually, the Dead Are Not Dead. Una forma de ser. | Introduction
  • [H3] Clemens von Wedemeyer – Mehrheiten [Majorities]
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Protest
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Discrimination
  • [H3] Sourtna. Carte Blanche to Yoriyas. Moroccan Photographers of Today and Tomorrow
  • [H3] Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994
  • [H3] CLUBS of the FUTURE. Common Spaces in Transitional Societies
  • [H3] Whispers of the Forest
  • [H3] “Rage and Desire — The Beating Heart of Men” by photographer Gérard Rancinan and writer Caroline Gaudriault
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Carina Plath
  • [H3] Hanbok, Poetics of Line and the Passage of Life
  • [H3] Tobias Zielony. Maskirovka [Concealment]
  • [H3] Victoria Lomasko. Other Russias
  • [H3] Maya Schweizer – Voices
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Introduction
  • [H3] 110 Years, 110 Works. Société Générale Collection
  • [H3] Katrin Nenasheva. Between Here and There: Stories of City Isolations
  • [H3] Arts
  • [H3] Sourtna. Carte Blanche to Yoriyas. Moroccan Photographers of Today and Tomorrow
  • [H3] If our soup can could speak: Mikhail Lifshitz and the Soviet Sixties
  • [H3] Curators in Panic
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Right-wing Shift
  • [H3] Requiem: Cats, Portraits, and Yokoo Tadanori
  • [H3] Implicit Modernism. Roman Babichev’s Collection. Part II.
  • [H3] Implicit Modernism. Roman Babichev’s Collection. Part I.
  • [H3] CLUBS of the FUTURE. Common Spaces in Transitional Societies
  • [H3] History of the Photo Club “Riga”
  • [H3] Hanbok, Poetics of Line and the Passage of Life
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Postcolonialism
  • [H3] Train Arrival
  • [H3] Whispers of the Forest
  • [H3] Actually, the Dead Are Not Dead. Una forma de ser. | Introduction
  • [H3] Bauhaus – Shanghai – Stalinallee – Ha-Neu. The life of architect Richard Paulick, 1903­–1979
  • [H3] Yokoo Tadanori: Wow! ★ Y-Junctions
  • [H3] Anthropocene Island. The Tallinn Architecture Biennale 2017
  • [H3] Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994
  • [H3] “Rage and Desire — The Beating Heart of Men” by photographer Gérard Rancinan and writer Caroline Gaudriault
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Feminism
  • [H3] Human Condition. Session III. “Time And Senses”: Trauma, Memory, Oblivion, Knowledge. Exhibition “The Haunted House”
  • [H3] Yokoo Tadanori: Forest in Soul
  • [H3] Forward to the Past: Yokoo Tadanori’s Road to Hanshan and Shide
  • [H3] Raqs Media Collective. Everything Else is Ordinary
  • [H3] Victoria Lomasko. Other Russias
  • [H3] Culture
  • [H3] Yokoo Tadanori: 100 Takes of Hanshan and Shide
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Discrimination
  • [H3] From Kerenkа to Sovznak: Money and Revolution
  • [H3] Yokoo in Wonderland
  • [H3] Maya Schweizer – Voices
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Valérie Favre & Carina Plath
  • [H3] Requiem: Cats, Portraits, and Yokoo Tadanori
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Feminism
  • [H3] Yokoo Tadanori Collection Gallery 2021
  • [H3] Mr. Yokoo’s Palette
  • [H3] Bauhaus – Shanghai – Stalinallee – Ha-Neu. The life of architect Richard Paulick, 1903­–1979
  • [H3] GASTEV. How to Work
  • [H3] 110 Years, 110 Works. Société Générale Collection
  • [H3] “Heart of a Dog” : Adventures of a Banned Book. A Monstrous Story
  • [H3] “Your Feedback is Very Important for Us”
  • [H3] Sourtna. Carte Blanche to Yoriyas. Moroccan Photographers of Today and Tomorrow
  • [H3] Klaus Staeck. Sand for the Gears
  • [H3] Museum Choreography
  • [H3] “Rage and Desire — The Beating Heart of Men” by photographer Gérard Rancinan and writer Caroline Gaudriault
  • [H3] Implicit Modernism. Roman Babichev’s Collection. Part II.
  • [H3] Only by faith! On the occasion of the 500th Anniversary of the Reformation
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Right-wing Shift
  • [H3] KOMAR & MELAMID
  • [H3] History
  • [H3] From Kerenkа to Sovznak: Money and Revolution
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Discrimination
  • [H3] “Heart of a Dog” : Adventures of a Banned Book. A Monstrous Story
  • [H3] If our soup can could speak: Mikhail Lifshitz and the Soviet Sixties
  • [H3] Actually, the Dead Are Not Dead. Una forma de ser. | Introduction
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Introduction
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Feminism
  • [H3] Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994
  • [H3] Revolved Revolutions. On the Occasion of Centenary of the Great October Socialist Revolution
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Jean-Pascal Flavien & Carina Plath
  • [H3] 110 Years, 110 Works. Société Générale Collection
  • [H3] Haim Sokol. Testimony
  • [H3] Klaus Staeck. Sand for the Gears
  • [H3] Clemens von Wedemeyer – Mehrheiten [Majorities]
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Protest
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Valérie Favre & Carina Plath
  • [H3] GASTEV. How to Work
  • [H3] CLUBS of the FUTURE. Common Spaces in Transitional Societies
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Postcolonialism
  • [H3] Yokoo Tadanori Collection Gallery 2021
  • [H3] Train Arrival
  • [H3] Maya Schweizer – Voices
  • [H3] When I see the future, I close my eyes: Chapter II
  • [H3] Agitprop Trains
  • [H3] Music
  • [H3] Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994
  • [H3] Tobias Zielony. Maskirovka [Concealment]
  • [H3] Actually, the Dead Are Not Dead. Una forma de ser. | Introduction
  • [H3] Museum Choreography
  • [H3] Philosophy
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Feminism
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Carina Plath
  • [H3] Hyogo Prefectural Yokoo Emergency Hospital
  • [H3] Abdellatif Laâbi: A Poet Passes Through
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Valérie Favre & Carina Plath
  • [H3] Forward to the Past: Yokoo Tadanori’s Road to Hanshan and Shide
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Introduction
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Postcolonialism
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Right-wing Shift
  • [H3] “Rage and Desire — The Beating Heart of Men” by photographer Gérard Rancinan and writer Caroline Gaudriault
  • [H3] Yokoo Tadanori: Forest in Soul
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Discrimination
  • [H3] Requiem: Cats, Portraits, and Yokoo Tadanori
  • [H3] Yokoo Tadanori’s Game of Life
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Protest
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Jean-Pascal Flavien & Carina Plath
  • [H3] If our soup can could speak: Mikhail Lifshitz and the Soviet Sixties
  • [H3] Yokoo Tadanori’s Haunted Museum
  • [H3] Yokoo in Wonderland
  • [H3] Actually, the Dead Are Not Dead. Una forma de ser. | Introduction
  • [H3] GASTEV. How to Work
  • [H3] Yokoo Tadanori: 100 Takes of Hanshan and Shide
  • [H3] Raqs Media Collective. Everything Else is Ordinary
  • [H3] BIG D@T@! BIG MON€Y!
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Trumpism
  • [H3] Society & Politics
  • [H3] “A” fell down, “B” is gone. Glossary of Soviet censorship. Censorship practices in the USSR from the first to the last day of the Soviet authorities
  • [H3] GASTEV. How to Work
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Trumpism
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Discrimination
  • [H3] Raqs Media Collective. Everything Else is Ordinary
  • [H3] CLUBS of the FUTURE. Common Spaces in Transitional Societies
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Jean-Pascal Flavien & Carina Plath
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Carina Plath
  • [H3] Sergiy Bratkov. My Brother’s Cats | Immersive Artist Tour
  • [H3] Abdellatif Laâbi: A Poet Passes Through
  • [H3] “Heart of a Dog” : Adventures of a Banned Book. A Monstrous Story
  • [H3] Victoria Lomasko. Other Russias
  • [H3] Whispers of the Forest
  • [H3] Actually, the Dead Are Not Dead. Una forma de ser. | Introduction
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Postcolonialism
  • [H3] BIG D@T@! BIG MON€Y!
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Valérie Favre & Carina Plath
  • [H3] Sourtna. Carte Blanche to Yoriyas. Moroccan Photographers of Today and Tomorrow
  • [H3] Human Condition. Session III. “Time And Senses”: Trauma, Memory, Oblivion, Knowledge. Exhibition “The Haunted House”
  • [H3] KOMAR & MELAMID
  • [H3] “Rage and Desire — The Beating Heart of Men” by photographer Gérard Rancinan and writer Caroline Gaudriault
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Introduction
  • [H3] Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994
  • [H3] Revolved Revolutions. On the Occasion of Centenary of the Great October Socialist Revolution
  • [H3] Technology
  • [H3] Anthropocene Island. The Tallinn Architecture Biennale 2017
  • [H3] Train Arrival
  • [H3] BIG D@T@! BIG MON€Y!
  • [H3] Actually, the Dead Are Not Dead. Una forma de ser. | Introduction
  • [H3] Explore
  • [H3] Network
  • [H3] Transparency
  • [H3] Latest guided tour films
  • [H3] Stay tuned

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Anchor Type Juice
- Internal Passing Juice
Arts Internal Passing Juice
Culture Internal Passing Juice
History Internal Passing Juice
Music Internal Passing Juice
Philosophy Internal Passing Juice
Society & Politics Internal Passing Juice
Technology & Science Internal Passing Juice
Collections Internal Passing Juice
Tags Internal Passing Juice
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About Internal Passing Juice
In When I see the future, I close my eyes: Chapter II, Heba Y. Amin critically explores the intersection of colonialism, technology, and modern warfare, drawing attention to the lingering effects of these forces on contemporary society. Through installations, photography, and reconstructions, Amin revisits historical moments, such as early colonial photography and WWII landmines in Egypt, to highlight how visual and technological tools have been used to exert control and perpetuate violence. The exhibition asks us to reflect on how these past dynamics continue to shape narratives of power and oppression, urging us to confront the neocolonial tendencies of today’s technologies. Internal Passing Juice
The exhibition is dedicated to one of the most enigmatic, mysterious, and controversial philosophers of the USSR and his famous anthology of polemical texts, The Crisis of Ugliness, which criticizes the art of the 20th century. The retrospective showcases never presented before archive documents, Lifshitz’s texts, and artworks in ten interiors, each representing a milestone in the development of modernism or Lifshitz’s thought: 10 rooms – 10 stages of Soviet history – 10 knots in Lifshitz’s biography. The project is the first large-scale analysis attempt of the tense relationship between so-called progressive art and politics in the XX-XXI century. Internal Passing Juice
The Yokoo Tadanori Collection Gallery presents a comprehensive view of the artistic world and deep influences shaping the practice of Japanese artist Yokoo Tadanori. This permanent space, established in 2021 within the Yokoo Tadanori Museum of Contemporary Art in Hyogo Prefecture, Japan, displays his original drawings, color proofs, and project designs. The collection offers insight into the cultural and historical contexts that fed Yokoo’s aesthetic, illuminating the wider network of artistic references he engaged with. Visitors can study archive materials and works by figures he admired, such as Francis Picabia and Giorgio de Chirico, revealing the sources that informed his output. The gallery ultimately encourages visitors to recognize the enduring dialogue between personal vision and international creative lineage that defines lasting contemporary art. Internal Passing Juice
The exhibition “Your review is very important to us” delves into the evolving landscape of reader engagement with classical literature, inviting visitors to explore how expressions of opinion have transformed from the 19th century to today’s digital era. Through a compelling blend of research by philologist Anna Gerasimova and innovative works from contemporary Russian artists, the show raises thought-provoking questions about the interplay between amateur reviews and literary criticism. Viewers will experience how machine learning interprets text, engage with an audio installation that echoes voices from the past and present, and even connect Nabokov’s correspondence to modern digital discourse. Internal Passing Juice
The exhibition Hanbok, Poetics of Line and the Passage of Life presents the story of traditional Korean attire, tracing its cultural significance and transformation through time. With a basic style originating in the Three Kingdoms period (37 BCE – 668 CE), the Hanbok shown primarily reflects that of the Joseon dynasty (1392 – 1910). The exhibition explores how this clothing embodies Korean ancestral values, worldview, and reverence for nature through its use in life’s milestone ceremonies and its symbolic colours derived from Yin-Yang theory. Curated by EuiJung McGillis, the presentation showcases items from a baby’s first birthday dress to royal robes, alongside modern reinterpretations by early twentieth-century shinyeoseong (new women). Visitors will discover Hanbok as a transmitter of tradition and a dynamic symbol of Korean identity in a global context. Internal Passing Juice
Museum Kunstpalast Internal Passing Juice
TIME FOR OUTRAGE! Art in Times of Social Anger | Trumpism Internal Passing Juice
Garage Museum of Contemporary Art Internal Passing Juice
Academy of Arts Internal Passing Juice
Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994 Internal Passing Juice
The Wuerttemberg Art Association Stuttgart Internal Passing Juice
Actually, the Dead Are Not Dead. Una forma de ser. | Introduction Internal Passing Juice
Gallery for Contemporary Art Leipzig (GfZK) Internal Passing Juice
Clemens von Wedemeyer – Mehrheiten [Majorities] Internal Passing Juice
TIME FOR OUTRAGE! Art in Times of Social Anger | Protest Internal Passing Juice
TIME FOR OUTRAGE! Art in Times of Social Anger | Discrimination Internal Passing Juice
The National Photography Museum in Rabat Internal Passing Juice
Sourtna. Carte Blanche to Yoriyas. Moroccan Photographers of Today and Tomorrow Internal Passing Juice
Kunstverein am Rosa–Luxemburg–Platz Internal Passing Juice
CLUBS of the FUTURE. Common Spaces in Transitional Societies Internal Passing Juice
Korean Cultural Center (KCC) Internal Passing Juice
Whispers of the Forest Internal Passing Juice
Mohammed VI Museum of Modern and Contemporary Art (MMVI Rabat) Internal Passing Juice
“Rage and Desire — The Beating Heart of Men” by photographer Gérard Rancinan and writer Caroline Gaudriault Internal Passing Juice
Sprengel Museum Hannover Internal Passing Juice
HOW TO SURVIVE ― Art as Survival Strategy | with Carina Plath Internal Passing Juice
KOW Berlin Internal Passing Juice
Tobias Zielony. Maskirovka [Concealment] Internal Passing Juice
Cartoonmuseum Basel – Centre for Narrative Art Internal Passing Juice
Victoria Lomasko. Other Russias Internal Passing Juice
Museum Villa Stuck Internal Passing Juice
Maya Schweizer – Voices Internal Passing Juice
TIME FOR OUTRAGE! Art in Times of Social Anger | Introduction Internal Passing Juice
110 Years, 110 Works. Société Générale Collection Internal Passing Juice
GROUND Solyanka (formerly Solyanka State Gallery) Internal Passing Juice
Katrin Nenasheva. Between Here and There: Stories of City Isolations Internal Passing Juice
Arts Internal Passing Juice
Yokoo Tadanori Museum of Contemporary Art Internal Passing Juice
Curators in Panic Internal Passing Juice
TIME FOR OUTRAGE! Art in Times of Social Anger | Right-wing Shift Internal Passing Juice
Requiem: Cats, Portraits, and Yokoo Tadanori Internal Passing Juice
Moscow Museum of Modern Art (MMOMA) Internal Passing Juice
Implicit Modernism. Roman Babichev’s Collection. Part II. Internal Passing Juice
Implicit Modernism. Roman Babichev’s Collection. Part I. Internal Passing Juice
Latvian Museum of Photography Internal Passing Juice
History of the Photo Club “Riga” Internal Passing Juice
TIME FOR OUTRAGE! Art in Times of Social Anger | Postcolonialism Internal Passing Juice
The Ekaterina Cultural Foundation Internal Passing Juice
Train Arrival Internal Passing Juice
Bauhaus Dessau Foundation Internal Passing Juice
Bauhaus – Shanghai – Stalinallee – Ha-Neu. The life of architect Richard Paulick, 1903­–1979 Internal Passing Juice
Yokoo Tadanori: Wow! ★ Y-Junctions Internal Passing Juice
Estonian Museum of Architecture Internal Passing Juice
Anthropocene Island. The Tallinn Architecture Biennale 2017 Internal Passing Juice
TIME FOR OUTRAGE! Art in Times of Social Anger | Feminism Internal Passing Juice
Human Condition. Session III. “Time And Senses”: Trauma, Memory, Oblivion, Knowledge. Exhibition “The Haunted House” Internal Passing Juice
Yokoo Tadanori: Forest in Soul Internal Passing Juice
Forward to the Past: Yokoo Tadanori’s Road to Hanshan and Shide Internal Passing Juice
K21, Art Collection Nordrhein-Westfalen Internal Passing Juice
Raqs Media Collective. Everything Else is Ordinary Internal Passing Juice
Culture Internal Passing Juice
Yokoo Tadanori: 100 Takes of Hanshan and Shide Internal Passing Juice
The History of Money Museum of GOZNAK Internal Passing Juice
From Kerenkа to Sovznak: Money and Revolution Internal Passing Juice
Yokoo in Wonderland Internal Passing Juice
HOW TO SURVIVE ― Art as Survival Strategy | with Valérie Favre & Carina Plath Internal Passing Juice
Mr. Yokoo’s Palette Internal Passing Juice
Na Shabolovke Gallery / Avant-Garde Museum Internal Passing Juice
GASTEV. How to Work Internal Passing Juice
International Memorial Association Internal Passing Juice
“Heart of a Dog” : Adventures of a Banned Book. A Monstrous Story Internal Passing Juice
The New Wing of the Gogol House Internal Passing Juice
Museum Folkwang Internal Passing Juice
Klaus Staeck. Sand for the Gears Internal Passing Juice
Tartu Art Museum Internal Passing Juice
Museum Choreography Internal Passing Juice
The State Museum of Religion History Internal Passing Juice
Only by faith! On the occasion of the 500th Anniversary of the Reformation Internal Passing Juice
KOMAR & MELAMID Internal Passing Juice
History Internal Passing Juice
The State Museum of Oriental Art Internal Passing Juice
Revolved Revolutions. On the Occasion of Centenary of the Great October Socialist Revolution Internal Passing Juice
HOW TO SURVIVE ― Art as Survival Strategy | with Jean-Pascal Flavien & Carina Plath Internal Passing Juice
Haim Sokol. Testimony Internal Passing Juice
Zilberman Gallery Internal Passing Juice
Agitprop Trains Internal Passing Juice
Music Internal Passing Juice
Philosophy Internal Passing Juice
Hyogo Prefectural Yokoo Emergency Hospital Internal Passing Juice
Abdellatif Laâbi: A Poet Passes Through Internal Passing Juice
Yokoo Tadanori’s Game of Life Internal Passing Juice
Yokoo Tadanori’s Haunted Museum Internal Passing Juice
HALLE 14 – Centre for Сontemporary Art Internal Passing Juice
BIG D@T@! BIG MON€Y! Internal Passing Juice
“A” fell down, “B” is gone. Glossary of Soviet censorship. Censorship practices in the USSR from the first to the last day of the Soviet authorities Internal Passing Juice
The art museum Kloster Unser Lieben Frauen Internal Passing Juice
Sergiy Bratkov. My Brother’s Cats | Immersive Artist Tour Internal Passing Juice
Technology Internal Passing Juice
About Internal Passing Juice
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art 106
museum 102
germany 70
yokoo 39
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