excours.io

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excoursio

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excoursio

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Descripción

excours.io is a platform for immersive guided tours, turning one-time walkthroughs into lasting learning experiences.

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Propiedad Contenido
locale en_US
type website
title excoursio
description excours.io is a platform for immersive guided tours, turning one-time walkthroughs into lasting learning experiences.
url https://excours.io/
site_name excoursio

Titulos

H1 H2 H3 H4 H5 H6
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  • [H3] Menu
  • [H3] About
  • [H3] Stay tuned
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Trumpism
  • [H3] If our soup can could speak: Mikhail Lifshitz and the Soviet Sixties
  • [H3] Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994
  • [H3] FEATURING NOW: Communities and Collective Identities
  • [H3] Actually, the Dead Are Not Dead. Una forma de ser. | Introduction
  • [H3] Clemens von Wedemeyer – Mehrheiten [Majorities]
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Protest
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Discrimination
  • [H3] Sourtna. Carte Blanche to Yoriyas. Moroccan Photographers of Today and Tomorrow
  • [H3] Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994
  • [H3] CLUBS of the FUTURE. Common Spaces in Transitional Societies
  • [H3] Whispers of the Forest
  • [H3] “Rage and Desire — The Beating Heart of Men” by photographer Gérard Rancinan and writer Caroline Gaudriault
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Carina Plath
  • [H3] Hanbok, Poetics of Line and the Passage of Life
  • [H3] Tobias Zielony. Maskirovka [Concealment]
  • [H3] Victoria Lomasko. Other Russias
  • [H3] Maya Schweizer – Voices
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Introduction
  • [H3] 110 Years, 110 Works. Société Générale Collection
  • [H3] Katrin Nenasheva. Between Here and There: Stories of City Isolations
  • [H3] Arts
  • [H3] Sourtna. Carte Blanche to Yoriyas. Moroccan Photographers of Today and Tomorrow
  • [H3] If our soup can could speak: Mikhail Lifshitz and the Soviet Sixties
  • [H3] Curators in Panic
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Right-wing Shift
  • [H3] Requiem: Cats, Portraits, and Yokoo Tadanori
  • [H3] Implicit Modernism. Roman Babichev’s Collection. Part II.
  • [H3] Implicit Modernism. Roman Babichev’s Collection. Part I.
  • [H3] CLUBS of the FUTURE. Common Spaces in Transitional Societies
  • [H3] History of the Photo Club “Riga”
  • [H3] Hanbok, Poetics of Line and the Passage of Life
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Postcolonialism
  • [H3] Train Arrival
  • [H3] Whispers of the Forest
  • [H3] Actually, the Dead Are Not Dead. Una forma de ser. | Introduction
  • [H3] Bauhaus – Shanghai – Stalinallee – Ha-Neu. The life of architect Richard Paulick, 1903­–1979
  • [H3] Yokoo Tadanori: Wow! ★ Y-Junctions
  • [H3] Anthropocene Island. The Tallinn Architecture Biennale 2017
  • [H3] Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994
  • [H3] “Rage and Desire — The Beating Heart of Men” by photographer Gérard Rancinan and writer Caroline Gaudriault
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Feminism
  • [H3] Human Condition. Session III. “Time And Senses”: Trauma, Memory, Oblivion, Knowledge. Exhibition “The Haunted House”
  • [H3] Yokoo Tadanori: Forest in Soul
  • [H3] Forward to the Past: Yokoo Tadanori’s Road to Hanshan and Shide
  • [H3] Raqs Media Collective. Everything Else is Ordinary
  • [H3] Victoria Lomasko. Other Russias
  • [H3] Culture
  • [H3] Yokoo Tadanori: 100 Takes of Hanshan and Shide
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Discrimination
  • [H3] From Kerenkа to Sovznak: Money and Revolution
  • [H3] Yokoo in Wonderland
  • [H3] Maya Schweizer – Voices
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Valérie Favre & Carina Plath
  • [H3] Requiem: Cats, Portraits, and Yokoo Tadanori
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Feminism
  • [H3] Yokoo Tadanori Collection Gallery 2021
  • [H3] Mr. Yokoo’s Palette
  • [H3] Bauhaus – Shanghai – Stalinallee – Ha-Neu. The life of architect Richard Paulick, 1903­–1979
  • [H3] GASTEV. How to Work
  • [H3] 110 Years, 110 Works. Société Générale Collection
  • [H3] “Heart of a Dog” : Adventures of a Banned Book. A Monstrous Story
  • [H3] “Your Feedback is Very Important for Us”
  • [H3] Sourtna. Carte Blanche to Yoriyas. Moroccan Photographers of Today and Tomorrow
  • [H3] Klaus Staeck. Sand for the Gears
  • [H3] Museum Choreography
  • [H3] “Rage and Desire — The Beating Heart of Men” by photographer Gérard Rancinan and writer Caroline Gaudriault
  • [H3] Implicit Modernism. Roman Babichev’s Collection. Part II.
  • [H3] Only by faith! On the occasion of the 500th Anniversary of the Reformation
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Right-wing Shift
  • [H3] KOMAR & MELAMID
  • [H3] History
  • [H3] From Kerenkа to Sovznak: Money and Revolution
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Discrimination
  • [H3] “Heart of a Dog” : Adventures of a Banned Book. A Monstrous Story
  • [H3] If our soup can could speak: Mikhail Lifshitz and the Soviet Sixties
  • [H3] Actually, the Dead Are Not Dead. Una forma de ser. | Introduction
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Introduction
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Feminism
  • [H3] Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994
  • [H3] Revolved Revolutions. On the Occasion of Centenary of the Great October Socialist Revolution
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Jean-Pascal Flavien & Carina Plath
  • [H3] 110 Years, 110 Works. Société Générale Collection
  • [H3] Haim Sokol. Testimony
  • [H3] Klaus Staeck. Sand for the Gears
  • [H3] Clemens von Wedemeyer – Mehrheiten [Majorities]
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Protest
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Valérie Favre & Carina Plath
  • [H3] GASTEV. How to Work
  • [H3] CLUBS of the FUTURE. Common Spaces in Transitional Societies
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Postcolonialism
  • [H3] Yokoo Tadanori Collection Gallery 2021
  • [H3] Train Arrival
  • [H3] Maya Schweizer – Voices
  • [H3] When I see the future, I close my eyes: Chapter II
  • [H3] Agitprop Trains
  • [H3] Music
  • [H3] Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994
  • [H3] Tobias Zielony. Maskirovka [Concealment]
  • [H3] Actually, the Dead Are Not Dead. Una forma de ser. | Introduction
  • [H3] Museum Choreography
  • [H3] Philosophy
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Feminism
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Carina Plath
  • [H3] Hyogo Prefectural Yokoo Emergency Hospital
  • [H3] Abdellatif Laâbi: A Poet Passes Through
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Valérie Favre & Carina Plath
  • [H3] Forward to the Past: Yokoo Tadanori’s Road to Hanshan and Shide
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Introduction
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Postcolonialism
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Right-wing Shift
  • [H3] “Rage and Desire — The Beating Heart of Men” by photographer Gérard Rancinan and writer Caroline Gaudriault
  • [H3] Yokoo Tadanori: Forest in Soul
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Discrimination
  • [H3] Requiem: Cats, Portraits, and Yokoo Tadanori
  • [H3] Yokoo Tadanori’s Game of Life
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Protest
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Jean-Pascal Flavien & Carina Plath
  • [H3] If our soup can could speak: Mikhail Lifshitz and the Soviet Sixties
  • [H3] Yokoo Tadanori’s Haunted Museum
  • [H3] Yokoo in Wonderland
  • [H3] Actually, the Dead Are Not Dead. Una forma de ser. | Introduction
  • [H3] GASTEV. How to Work
  • [H3] Yokoo Tadanori: 100 Takes of Hanshan and Shide
  • [H3] Raqs Media Collective. Everything Else is Ordinary
  • [H3] BIG D@T@! BIG MON€Y!
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Trumpism
  • [H3] Society & Politics
  • [H3] “A” fell down, “B” is gone. Glossary of Soviet censorship. Censorship practices in the USSR from the first to the last day of the Soviet authorities
  • [H3] GASTEV. How to Work
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Trumpism
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Discrimination
  • [H3] Raqs Media Collective. Everything Else is Ordinary
  • [H3] CLUBS of the FUTURE. Common Spaces in Transitional Societies
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Jean-Pascal Flavien & Carina Plath
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Carina Plath
  • [H3] Sergiy Bratkov. My Brother’s Cats | Immersive Artist Tour
  • [H3] Abdellatif Laâbi: A Poet Passes Through
  • [H3] “Heart of a Dog” : Adventures of a Banned Book. A Monstrous Story
  • [H3] Victoria Lomasko. Other Russias
  • [H3] Whispers of the Forest
  • [H3] Actually, the Dead Are Not Dead. Una forma de ser. | Introduction
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Postcolonialism
  • [H3] BIG D@T@! BIG MON€Y!
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Valérie Favre & Carina Plath
  • [H3] Sourtna. Carte Blanche to Yoriyas. Moroccan Photographers of Today and Tomorrow
  • [H3] Human Condition. Session III. “Time And Senses”: Trauma, Memory, Oblivion, Knowledge. Exhibition “The Haunted House”
  • [H3] KOMAR & MELAMID
  • [H3] “Rage and Desire — The Beating Heart of Men” by photographer Gérard Rancinan and writer Caroline Gaudriault
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Introduction
  • [H3] Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994
  • [H3] Revolved Revolutions. On the Occasion of Centenary of the Great October Socialist Revolution
  • [H3] Technology
  • [H3] Anthropocene Island. The Tallinn Architecture Biennale 2017
  • [H3] Train Arrival
  • [H3] BIG D@T@! BIG MON€Y!
  • [H3] Actually, the Dead Are Not Dead. Una forma de ser. | Introduction
  • [H3] Explore
  • [H3] Network
  • [H3] Transparency
  • [H3] Latest guided tour films
  • [H3] Stay tuned

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Ancla Tipo Jugo
- Interna Pasando Jugo
Arts Interna Pasando Jugo
Culture Interna Pasando Jugo
History Interna Pasando Jugo
Music Interna Pasando Jugo
Philosophy Interna Pasando Jugo
Society & Politics Interna Pasando Jugo
Technology & Science Interna Pasando Jugo
Collections Interna Pasando Jugo
Tags Interna Pasando Jugo
Institutions Interna Pasando Jugo
Contributors Interna Pasando Jugo
All Films Interna Pasando Jugo
Random Film Interna Pasando Jugo
About Interna Pasando Jugo
In When I see the future, I close my eyes: Chapter II, Heba Y. Amin critically explores the intersection of colonialism, technology, and modern warfare, drawing attention to the lingering effects of these forces on contemporary society. Through installations, photography, and reconstructions, Amin revisits historical moments, such as early colonial photography and WWII landmines in Egypt, to highlight how visual and technological tools have been used to exert control and perpetuate violence. The exhibition asks us to reflect on how these past dynamics continue to shape narratives of power and oppression, urging us to confront the neocolonial tendencies of today’s technologies. Interna Pasando Jugo
The exhibition is dedicated to one of the most enigmatic, mysterious, and controversial philosophers of the USSR and his famous anthology of polemical texts, The Crisis of Ugliness, which criticizes the art of the 20th century. The retrospective showcases never presented before archive documents, Lifshitz’s texts, and artworks in ten interiors, each representing a milestone in the development of modernism or Lifshitz’s thought: 10 rooms – 10 stages of Soviet history – 10 knots in Lifshitz’s biography. The project is the first large-scale analysis attempt of the tense relationship between so-called progressive art and politics in the XX-XXI century. Interna Pasando Jugo
The Yokoo Tadanori Collection Gallery presents a comprehensive view of the artistic world and deep influences shaping the practice of Japanese artist Yokoo Tadanori. This permanent space, established in 2021 within the Yokoo Tadanori Museum of Contemporary Art in Hyogo Prefecture, Japan, displays his original drawings, color proofs, and project designs. The collection offers insight into the cultural and historical contexts that fed Yokoo’s aesthetic, illuminating the wider network of artistic references he engaged with. Visitors can study archive materials and works by figures he admired, such as Francis Picabia and Giorgio de Chirico, revealing the sources that informed his output. The gallery ultimately encourages visitors to recognize the enduring dialogue between personal vision and international creative lineage that defines lasting contemporary art. Interna Pasando Jugo
The exhibition “Your review is very important to us” delves into the evolving landscape of reader engagement with classical literature, inviting visitors to explore how expressions of opinion have transformed from the 19th century to today’s digital era. Through a compelling blend of research by philologist Anna Gerasimova and innovative works from contemporary Russian artists, the show raises thought-provoking questions about the interplay between amateur reviews and literary criticism. Viewers will experience how machine learning interprets text, engage with an audio installation that echoes voices from the past and present, and even connect Nabokov’s correspondence to modern digital discourse. Interna Pasando Jugo
The exhibition Hanbok, Poetics of Line and the Passage of Life presents the story of traditional Korean attire, tracing its cultural significance and transformation through time. With a basic style originating in the Three Kingdoms period (37 BCE – 668 CE), the Hanbok shown primarily reflects that of the Joseon dynasty (1392 – 1910). The exhibition explores how this clothing embodies Korean ancestral values, worldview, and reverence for nature through its use in life’s milestone ceremonies and its symbolic colours derived from Yin-Yang theory. Curated by EuiJung McGillis, the presentation showcases items from a baby’s first birthday dress to royal robes, alongside modern reinterpretations by early twentieth-century shinyeoseong (new women). Visitors will discover Hanbok as a transmitter of tradition and a dynamic symbol of Korean identity in a global context. Interna Pasando Jugo
Museum Kunstpalast Interna Pasando Jugo
TIME FOR OUTRAGE! Art in Times of Social Anger | Trumpism Interna Pasando Jugo
Garage Museum of Contemporary Art Interna Pasando Jugo
Academy of Arts Interna Pasando Jugo
Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994 Interna Pasando Jugo
The Wuerttemberg Art Association Stuttgart Interna Pasando Jugo
Actually, the Dead Are Not Dead. Una forma de ser. | Introduction Interna Pasando Jugo
Gallery for Contemporary Art Leipzig (GfZK) Interna Pasando Jugo
Clemens von Wedemeyer – Mehrheiten [Majorities] Interna Pasando Jugo
TIME FOR OUTRAGE! Art in Times of Social Anger | Protest Interna Pasando Jugo
TIME FOR OUTRAGE! Art in Times of Social Anger | Discrimination Interna Pasando Jugo
The National Photography Museum in Rabat Interna Pasando Jugo
Sourtna. Carte Blanche to Yoriyas. Moroccan Photographers of Today and Tomorrow Interna Pasando Jugo
Kunstverein am Rosa–Luxemburg–Platz Interna Pasando Jugo
CLUBS of the FUTURE. Common Spaces in Transitional Societies Interna Pasando Jugo
Korean Cultural Center (KCC) Interna Pasando Jugo
Whispers of the Forest Interna Pasando Jugo
Mohammed VI Museum of Modern and Contemporary Art (MMVI Rabat) Interna Pasando Jugo
“Rage and Desire — The Beating Heart of Men” by photographer Gérard Rancinan and writer Caroline Gaudriault Interna Pasando Jugo
Sprengel Museum Hannover Interna Pasando Jugo
HOW TO SURVIVE ― Art as Survival Strategy | with Carina Plath Interna Pasando Jugo
KOW Berlin Interna Pasando Jugo
Tobias Zielony. Maskirovka [Concealment] Interna Pasando Jugo
Cartoonmuseum Basel – Centre for Narrative Art Interna Pasando Jugo
Victoria Lomasko. Other Russias Interna Pasando Jugo
Museum Villa Stuck Interna Pasando Jugo
Maya Schweizer – Voices Interna Pasando Jugo
TIME FOR OUTRAGE! Art in Times of Social Anger | Introduction Interna Pasando Jugo
110 Years, 110 Works. Société Générale Collection Interna Pasando Jugo
GROUND Solyanka (formerly Solyanka State Gallery) Interna Pasando Jugo
Katrin Nenasheva. Between Here and There: Stories of City Isolations Interna Pasando Jugo
Arts Interna Pasando Jugo
Yokoo Tadanori Museum of Contemporary Art Interna Pasando Jugo
Curators in Panic Interna Pasando Jugo
TIME FOR OUTRAGE! Art in Times of Social Anger | Right-wing Shift Interna Pasando Jugo
Requiem: Cats, Portraits, and Yokoo Tadanori Interna Pasando Jugo
Moscow Museum of Modern Art (MMOMA) Interna Pasando Jugo
Implicit Modernism. Roman Babichev’s Collection. Part II. Interna Pasando Jugo
Implicit Modernism. Roman Babichev’s Collection. Part I. Interna Pasando Jugo
Latvian Museum of Photography Interna Pasando Jugo
History of the Photo Club “Riga” Interna Pasando Jugo
TIME FOR OUTRAGE! Art in Times of Social Anger | Postcolonialism Interna Pasando Jugo
The Ekaterina Cultural Foundation Interna Pasando Jugo
Train Arrival Interna Pasando Jugo
Bauhaus Dessau Foundation Interna Pasando Jugo
Bauhaus – Shanghai – Stalinallee – Ha-Neu. The life of architect Richard Paulick, 1903­–1979 Interna Pasando Jugo
Yokoo Tadanori: Wow! ★ Y-Junctions Interna Pasando Jugo
Estonian Museum of Architecture Interna Pasando Jugo
Anthropocene Island. The Tallinn Architecture Biennale 2017 Interna Pasando Jugo
TIME FOR OUTRAGE! Art in Times of Social Anger | Feminism Interna Pasando Jugo
Human Condition. Session III. “Time And Senses”: Trauma, Memory, Oblivion, Knowledge. Exhibition “The Haunted House” Interna Pasando Jugo
Yokoo Tadanori: Forest in Soul Interna Pasando Jugo
Forward to the Past: Yokoo Tadanori’s Road to Hanshan and Shide Interna Pasando Jugo
K21, Art Collection Nordrhein-Westfalen Interna Pasando Jugo
Raqs Media Collective. Everything Else is Ordinary Interna Pasando Jugo
Culture Interna Pasando Jugo
Yokoo Tadanori: 100 Takes of Hanshan and Shide Interna Pasando Jugo
The History of Money Museum of GOZNAK Interna Pasando Jugo
From Kerenkа to Sovznak: Money and Revolution Interna Pasando Jugo
Yokoo in Wonderland Interna Pasando Jugo
HOW TO SURVIVE ― Art as Survival Strategy | with Valérie Favre & Carina Plath Interna Pasando Jugo
Mr. Yokoo’s Palette Interna Pasando Jugo
Na Shabolovke Gallery / Avant-Garde Museum Interna Pasando Jugo
GASTEV. How to Work Interna Pasando Jugo
International Memorial Association Interna Pasando Jugo
“Heart of a Dog” : Adventures of a Banned Book. A Monstrous Story Interna Pasando Jugo
The New Wing of the Gogol House Interna Pasando Jugo
Museum Folkwang Interna Pasando Jugo
Klaus Staeck. Sand for the Gears Interna Pasando Jugo
Tartu Art Museum Interna Pasando Jugo
Museum Choreography Interna Pasando Jugo
The State Museum of Religion History Interna Pasando Jugo
Only by faith! On the occasion of the 500th Anniversary of the Reformation Interna Pasando Jugo
KOMAR & MELAMID Interna Pasando Jugo
History Interna Pasando Jugo
The State Museum of Oriental Art Interna Pasando Jugo
Revolved Revolutions. On the Occasion of Centenary of the Great October Socialist Revolution Interna Pasando Jugo
HOW TO SURVIVE ― Art as Survival Strategy | with Jean-Pascal Flavien & Carina Plath Interna Pasando Jugo
Haim Sokol. Testimony Interna Pasando Jugo
Zilberman Gallery Interna Pasando Jugo
Agitprop Trains Interna Pasando Jugo
Music Interna Pasando Jugo
Philosophy Interna Pasando Jugo
Hyogo Prefectural Yokoo Emergency Hospital Interna Pasando Jugo
Abdellatif Laâbi: A Poet Passes Through Interna Pasando Jugo
Yokoo Tadanori’s Game of Life Interna Pasando Jugo
Yokoo Tadanori’s Haunted Museum Interna Pasando Jugo
HALLE 14 – Centre for Сontemporary Art Interna Pasando Jugo
BIG D@T@! BIG MON€Y! Interna Pasando Jugo
“A” fell down, “B” is gone. Glossary of Soviet censorship. Censorship practices in the USSR from the first to the last day of the Soviet authorities Interna Pasando Jugo
The art museum Kloster Unser Lieben Frauen Interna Pasando Jugo
Sergiy Bratkov. My Brother’s Cats | Immersive Artist Tour Interna Pasando Jugo
Technology Interna Pasando Jugo
About Interna Pasando Jugo
Contacts Interna Pasando Jugo
FAQ Interna Pasando Jugo
Collaborate Interna Pasando Jugo
Any ideas? Interna Pasando Jugo
Partners Interna Pasando Jugo
Support us Interna Pasando Jugo
Accessibility Interna Pasando Jugo
Sustainability Interna Pasando Jugo
#GoodForEducation Interna Pasando Jugo
Usage Policy Interna Pasando Jugo
Privacy Policy Interna Pasando Jugo
Imprint Interna Pasando Jugo
Community Guidelines Interna Pasando Jugo
Jobs Interna Pasando Jugo

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