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excours.io is a platform for immersive guided tours, turning one-time walkthroughs into lasting learning experiences.

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locale en_US
type website
title excoursio
description excours.io is a platform for immersive guided tours, turning one-time walkthroughs into lasting learning experiences.
url https://excours.io/
site_name excoursio

Overskrifter

H1 H2 H3 H4 H5 H6
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  • [H3] Menu
  • [H3] About
  • [H3] Stay tuned
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Trumpism
  • [H3] If our soup can could speak: Mikhail Lifshitz and the Soviet Sixties
  • [H3] Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994
  • [H3] FEATURING NOW: Communities and Collective Identities
  • [H3] Actually, the Dead Are Not Dead. Una forma de ser. | Introduction
  • [H3] Clemens von Wedemeyer – Mehrheiten [Majorities]
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Protest
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Discrimination
  • [H3] Sourtna. Carte Blanche to Yoriyas. Moroccan Photographers of Today and Tomorrow
  • [H3] Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994
  • [H3] CLUBS of the FUTURE. Common Spaces in Transitional Societies
  • [H3] Whispers of the Forest
  • [H3] “Rage and Desire — The Beating Heart of Men” by photographer Gérard Rancinan and writer Caroline Gaudriault
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Carina Plath
  • [H3] Hanbok, Poetics of Line and the Passage of Life
  • [H3] Tobias Zielony. Maskirovka [Concealment]
  • [H3] Victoria Lomasko. Other Russias
  • [H3] Maya Schweizer – Voices
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Introduction
  • [H3] 110 Years, 110 Works. Société Générale Collection
  • [H3] Katrin Nenasheva. Between Here and There: Stories of City Isolations
  • [H3] Arts
  • [H3] Sourtna. Carte Blanche to Yoriyas. Moroccan Photographers of Today and Tomorrow
  • [H3] If our soup can could speak: Mikhail Lifshitz and the Soviet Sixties
  • [H3] Curators in Panic
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Right-wing Shift
  • [H3] Requiem: Cats, Portraits, and Yokoo Tadanori
  • [H3] Implicit Modernism. Roman Babichev’s Collection. Part II.
  • [H3] Implicit Modernism. Roman Babichev’s Collection. Part I.
  • [H3] CLUBS of the FUTURE. Common Spaces in Transitional Societies
  • [H3] History of the Photo Club “Riga”
  • [H3] Hanbok, Poetics of Line and the Passage of Life
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Postcolonialism
  • [H3] Train Arrival
  • [H3] Whispers of the Forest
  • [H3] Actually, the Dead Are Not Dead. Una forma de ser. | Introduction
  • [H3] Bauhaus – Shanghai – Stalinallee – Ha-Neu. The life of architect Richard Paulick, 1903­–1979
  • [H3] Yokoo Tadanori: Wow! ★ Y-Junctions
  • [H3] Anthropocene Island. The Tallinn Architecture Biennale 2017
  • [H3] Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994
  • [H3] “Rage and Desire — The Beating Heart of Men” by photographer Gérard Rancinan and writer Caroline Gaudriault
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Feminism
  • [H3] Human Condition. Session III. “Time And Senses”: Trauma, Memory, Oblivion, Knowledge. Exhibition “The Haunted House”
  • [H3] Yokoo Tadanori: Forest in Soul
  • [H3] Forward to the Past: Yokoo Tadanori’s Road to Hanshan and Shide
  • [H3] Raqs Media Collective. Everything Else is Ordinary
  • [H3] Victoria Lomasko. Other Russias
  • [H3] Culture
  • [H3] Yokoo Tadanori: 100 Takes of Hanshan and Shide
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Discrimination
  • [H3] From Kerenkа to Sovznak: Money and Revolution
  • [H3] Yokoo in Wonderland
  • [H3] Maya Schweizer – Voices
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Valérie Favre & Carina Plath
  • [H3] Requiem: Cats, Portraits, and Yokoo Tadanori
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Feminism
  • [H3] Yokoo Tadanori Collection Gallery 2021
  • [H3] Mr. Yokoo’s Palette
  • [H3] Bauhaus – Shanghai – Stalinallee – Ha-Neu. The life of architect Richard Paulick, 1903­–1979
  • [H3] GASTEV. How to Work
  • [H3] 110 Years, 110 Works. Société Générale Collection
  • [H3] “Heart of a Dog” : Adventures of a Banned Book. A Monstrous Story
  • [H3] “Your Feedback is Very Important for Us”
  • [H3] Sourtna. Carte Blanche to Yoriyas. Moroccan Photographers of Today and Tomorrow
  • [H3] Klaus Staeck. Sand for the Gears
  • [H3] Museum Choreography
  • [H3] “Rage and Desire — The Beating Heart of Men” by photographer Gérard Rancinan and writer Caroline Gaudriault
  • [H3] Implicit Modernism. Roman Babichev’s Collection. Part II.
  • [H3] Only by faith! On the occasion of the 500th Anniversary of the Reformation
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Right-wing Shift
  • [H3] KOMAR & MELAMID
  • [H3] History
  • [H3] From Kerenkа to Sovznak: Money and Revolution
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Discrimination
  • [H3] “Heart of a Dog” : Adventures of a Banned Book. A Monstrous Story
  • [H3] If our soup can could speak: Mikhail Lifshitz and the Soviet Sixties
  • [H3] Actually, the Dead Are Not Dead. Una forma de ser. | Introduction
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Introduction
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Feminism
  • [H3] Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994
  • [H3] Revolved Revolutions. On the Occasion of Centenary of the Great October Socialist Revolution
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Jean-Pascal Flavien & Carina Plath
  • [H3] 110 Years, 110 Works. Société Générale Collection
  • [H3] Haim Sokol. Testimony
  • [H3] Klaus Staeck. Sand for the Gears
  • [H3] Clemens von Wedemeyer – Mehrheiten [Majorities]
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Protest
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Valérie Favre & Carina Plath
  • [H3] GASTEV. How to Work
  • [H3] CLUBS of the FUTURE. Common Spaces in Transitional Societies
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Postcolonialism
  • [H3] Yokoo Tadanori Collection Gallery 2021
  • [H3] Train Arrival
  • [H3] Maya Schweizer – Voices
  • [H3] When I see the future, I close my eyes: Chapter II
  • [H3] Agitprop Trains
  • [H3] Music
  • [H3] Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994
  • [H3] Tobias Zielony. Maskirovka [Concealment]
  • [H3] Actually, the Dead Are Not Dead. Una forma de ser. | Introduction
  • [H3] Museum Choreography
  • [H3] Philosophy
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Feminism
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Carina Plath
  • [H3] Hyogo Prefectural Yokoo Emergency Hospital
  • [H3] Abdellatif Laâbi: A Poet Passes Through
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Valérie Favre & Carina Plath
  • [H3] Forward to the Past: Yokoo Tadanori’s Road to Hanshan and Shide
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Introduction
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Postcolonialism
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Right-wing Shift
  • [H3] “Rage and Desire — The Beating Heart of Men” by photographer Gérard Rancinan and writer Caroline Gaudriault
  • [H3] Yokoo Tadanori: Forest in Soul
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Discrimination
  • [H3] Requiem: Cats, Portraits, and Yokoo Tadanori
  • [H3] Yokoo Tadanori’s Game of Life
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Protest
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Jean-Pascal Flavien & Carina Plath
  • [H3] If our soup can could speak: Mikhail Lifshitz and the Soviet Sixties
  • [H3] Yokoo Tadanori’s Haunted Museum
  • [H3] Yokoo in Wonderland
  • [H3] Actually, the Dead Are Not Dead. Una forma de ser. | Introduction
  • [H3] GASTEV. How to Work
  • [H3] Yokoo Tadanori: 100 Takes of Hanshan and Shide
  • [H3] Raqs Media Collective. Everything Else is Ordinary
  • [H3] BIG D@T@! BIG MON€Y!
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Trumpism
  • [H3] Society & Politics
  • [H3] “A” fell down, “B” is gone. Glossary of Soviet censorship. Censorship practices in the USSR from the first to the last day of the Soviet authorities
  • [H3] GASTEV. How to Work
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Trumpism
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Discrimination
  • [H3] Raqs Media Collective. Everything Else is Ordinary
  • [H3] CLUBS of the FUTURE. Common Spaces in Transitional Societies
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Jean-Pascal Flavien & Carina Plath
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Carina Plath
  • [H3] Sergiy Bratkov. My Brother’s Cats | Immersive Artist Tour
  • [H3] Abdellatif Laâbi: A Poet Passes Through
  • [H3] “Heart of a Dog” : Adventures of a Banned Book. A Monstrous Story
  • [H3] Victoria Lomasko. Other Russias
  • [H3] Whispers of the Forest
  • [H3] Actually, the Dead Are Not Dead. Una forma de ser. | Introduction
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Postcolonialism
  • [H3] BIG D@T@! BIG MON€Y!
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Valérie Favre & Carina Plath
  • [H3] Sourtna. Carte Blanche to Yoriyas. Moroccan Photographers of Today and Tomorrow
  • [H3] Human Condition. Session III. “Time And Senses”: Trauma, Memory, Oblivion, Knowledge. Exhibition “The Haunted House”
  • [H3] KOMAR & MELAMID
  • [H3] “Rage and Desire — The Beating Heart of Men” by photographer Gérard Rancinan and writer Caroline Gaudriault
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Introduction
  • [H3] Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994
  • [H3] Revolved Revolutions. On the Occasion of Centenary of the Great October Socialist Revolution
  • [H3] Technology
  • [H3] Anthropocene Island. The Tallinn Architecture Biennale 2017
  • [H3] Train Arrival
  • [H3] BIG D@T@! BIG MON€Y!
  • [H3] Actually, the Dead Are Not Dead. Una forma de ser. | Introduction
  • [H3] Explore
  • [H3] Network
  • [H3] Transparency
  • [H3] Latest guided tour films
  • [H3] Stay tuned

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Anker Type Juice
- Intern Sender Juice
Arts Intern Sender Juice
Culture Intern Sender Juice
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Philosophy Intern Sender Juice
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In When I see the future, I close my eyes: Chapter II, Heba Y. Amin critically explores the intersection of colonialism, technology, and modern warfare, drawing attention to the lingering effects of these forces on contemporary society. Through installations, photography, and reconstructions, Amin revisits historical moments, such as early colonial photography and WWII landmines in Egypt, to highlight how visual and technological tools have been used to exert control and perpetuate violence. The exhibition asks us to reflect on how these past dynamics continue to shape narratives of power and oppression, urging us to confront the neocolonial tendencies of today’s technologies. Intern Sender Juice
The exhibition is dedicated to one of the most enigmatic, mysterious, and controversial philosophers of the USSR and his famous anthology of polemical texts, The Crisis of Ugliness, which criticizes the art of the 20th century. The retrospective showcases never presented before archive documents, Lifshitz’s texts, and artworks in ten interiors, each representing a milestone in the development of modernism or Lifshitz’s thought: 10 rooms – 10 stages of Soviet history – 10 knots in Lifshitz’s biography. The project is the first large-scale analysis attempt of the tense relationship between so-called progressive art and politics in the XX-XXI century. Intern Sender Juice
The Yokoo Tadanori Collection Gallery presents a comprehensive view of the artistic world and deep influences shaping the practice of Japanese artist Yokoo Tadanori. This permanent space, established in 2021 within the Yokoo Tadanori Museum of Contemporary Art in Hyogo Prefecture, Japan, displays his original drawings, color proofs, and project designs. The collection offers insight into the cultural and historical contexts that fed Yokoo’s aesthetic, illuminating the wider network of artistic references he engaged with. Visitors can study archive materials and works by figures he admired, such as Francis Picabia and Giorgio de Chirico, revealing the sources that informed his output. The gallery ultimately encourages visitors to recognize the enduring dialogue between personal vision and international creative lineage that defines lasting contemporary art. Intern Sender Juice
The exhibition “Your review is very important to us” delves into the evolving landscape of reader engagement with classical literature, inviting visitors to explore how expressions of opinion have transformed from the 19th century to today’s digital era. Through a compelling blend of research by philologist Anna Gerasimova and innovative works from contemporary Russian artists, the show raises thought-provoking questions about the interplay between amateur reviews and literary criticism. Viewers will experience how machine learning interprets text, engage with an audio installation that echoes voices from the past and present, and even connect Nabokov’s correspondence to modern digital discourse. Intern Sender Juice
The exhibition Hanbok, Poetics of Line and the Passage of Life presents the story of traditional Korean attire, tracing its cultural significance and transformation through time. With a basic style originating in the Three Kingdoms period (37 BCE – 668 CE), the Hanbok shown primarily reflects that of the Joseon dynasty (1392 – 1910). The exhibition explores how this clothing embodies Korean ancestral values, worldview, and reverence for nature through its use in life’s milestone ceremonies and its symbolic colours derived from Yin-Yang theory. Curated by EuiJung McGillis, the presentation showcases items from a baby’s first birthday dress to royal robes, alongside modern reinterpretations by early twentieth-century shinyeoseong (new women). Visitors will discover Hanbok as a transmitter of tradition and a dynamic symbol of Korean identity in a global context. Intern Sender Juice
Museum Kunstpalast Intern Sender Juice
TIME FOR OUTRAGE! Art in Times of Social Anger | Trumpism Intern Sender Juice
Garage Museum of Contemporary Art Intern Sender Juice
Academy of Arts Intern Sender Juice
Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994 Intern Sender Juice
The Wuerttemberg Art Association Stuttgart Intern Sender Juice
Actually, the Dead Are Not Dead. Una forma de ser. | Introduction Intern Sender Juice
Gallery for Contemporary Art Leipzig (GfZK) Intern Sender Juice
Clemens von Wedemeyer – Mehrheiten [Majorities] Intern Sender Juice
TIME FOR OUTRAGE! Art in Times of Social Anger | Protest Intern Sender Juice
TIME FOR OUTRAGE! Art in Times of Social Anger | Discrimination Intern Sender Juice
The National Photography Museum in Rabat Intern Sender Juice
Sourtna. Carte Blanche to Yoriyas. Moroccan Photographers of Today and Tomorrow Intern Sender Juice
Kunstverein am Rosa–Luxemburg–Platz Intern Sender Juice
CLUBS of the FUTURE. Common Spaces in Transitional Societies Intern Sender Juice
Korean Cultural Center (KCC) Intern Sender Juice
Whispers of the Forest Intern Sender Juice
Mohammed VI Museum of Modern and Contemporary Art (MMVI Rabat) Intern Sender Juice
“Rage and Desire — The Beating Heart of Men” by photographer Gérard Rancinan and writer Caroline Gaudriault Intern Sender Juice
Sprengel Museum Hannover Intern Sender Juice
HOW TO SURVIVE ― Art as Survival Strategy | with Carina Plath Intern Sender Juice
KOW Berlin Intern Sender Juice
Tobias Zielony. Maskirovka [Concealment] Intern Sender Juice
Cartoonmuseum Basel – Centre for Narrative Art Intern Sender Juice
Victoria Lomasko. Other Russias Intern Sender Juice
Museum Villa Stuck Intern Sender Juice
Maya Schweizer – Voices Intern Sender Juice
TIME FOR OUTRAGE! Art in Times of Social Anger | Introduction Intern Sender Juice
110 Years, 110 Works. Société Générale Collection Intern Sender Juice
GROUND Solyanka (formerly Solyanka State Gallery) Intern Sender Juice
Katrin Nenasheva. Between Here and There: Stories of City Isolations Intern Sender Juice
Arts Intern Sender Juice
Yokoo Tadanori Museum of Contemporary Art Intern Sender Juice
Curators in Panic Intern Sender Juice
TIME FOR OUTRAGE! Art in Times of Social Anger | Right-wing Shift Intern Sender Juice
Requiem: Cats, Portraits, and Yokoo Tadanori Intern Sender Juice
Moscow Museum of Modern Art (MMOMA) Intern Sender Juice
Implicit Modernism. Roman Babichev’s Collection. Part II. Intern Sender Juice
Implicit Modernism. Roman Babichev’s Collection. Part I. Intern Sender Juice
Latvian Museum of Photography Intern Sender Juice
History of the Photo Club “Riga” Intern Sender Juice
TIME FOR OUTRAGE! Art in Times of Social Anger | Postcolonialism Intern Sender Juice
The Ekaterina Cultural Foundation Intern Sender Juice
Train Arrival Intern Sender Juice
Bauhaus Dessau Foundation Intern Sender Juice
Bauhaus – Shanghai – Stalinallee – Ha-Neu. The life of architect Richard Paulick, 1903­–1979 Intern Sender Juice
Yokoo Tadanori: Wow! ★ Y-Junctions Intern Sender Juice
Estonian Museum of Architecture Intern Sender Juice
Anthropocene Island. The Tallinn Architecture Biennale 2017 Intern Sender Juice
TIME FOR OUTRAGE! Art in Times of Social Anger | Feminism Intern Sender Juice
Human Condition. Session III. “Time And Senses”: Trauma, Memory, Oblivion, Knowledge. Exhibition “The Haunted House” Intern Sender Juice
Yokoo Tadanori: Forest in Soul Intern Sender Juice
Forward to the Past: Yokoo Tadanori’s Road to Hanshan and Shide Intern Sender Juice
K21, Art Collection Nordrhein-Westfalen Intern Sender Juice
Raqs Media Collective. Everything Else is Ordinary Intern Sender Juice
Culture Intern Sender Juice
Yokoo Tadanori: 100 Takes of Hanshan and Shide Intern Sender Juice
The History of Money Museum of GOZNAK Intern Sender Juice
From Kerenkа to Sovznak: Money and Revolution Intern Sender Juice
Yokoo in Wonderland Intern Sender Juice
HOW TO SURVIVE ― Art as Survival Strategy | with Valérie Favre & Carina Plath Intern Sender Juice
Mr. Yokoo’s Palette Intern Sender Juice
Na Shabolovke Gallery / Avant-Garde Museum Intern Sender Juice
GASTEV. How to Work Intern Sender Juice
International Memorial Association Intern Sender Juice
“Heart of a Dog” : Adventures of a Banned Book. A Monstrous Story Intern Sender Juice
The New Wing of the Gogol House Intern Sender Juice
Museum Folkwang Intern Sender Juice
Klaus Staeck. Sand for the Gears Intern Sender Juice
Tartu Art Museum Intern Sender Juice
Museum Choreography Intern Sender Juice
The State Museum of Religion History Intern Sender Juice
Only by faith! On the occasion of the 500th Anniversary of the Reformation Intern Sender Juice
KOMAR & MELAMID Intern Sender Juice
History Intern Sender Juice
The State Museum of Oriental Art Intern Sender Juice
Revolved Revolutions. On the Occasion of Centenary of the Great October Socialist Revolution Intern Sender Juice
HOW TO SURVIVE ― Art as Survival Strategy | with Jean-Pascal Flavien & Carina Plath Intern Sender Juice
Haim Sokol. Testimony Intern Sender Juice
Zilberman Gallery Intern Sender Juice
Agitprop Trains Intern Sender Juice
Music Intern Sender Juice
Philosophy Intern Sender Juice
Hyogo Prefectural Yokoo Emergency Hospital Intern Sender Juice
Abdellatif Laâbi: A Poet Passes Through Intern Sender Juice
Yokoo Tadanori’s Game of Life Intern Sender Juice
Yokoo Tadanori’s Haunted Museum Intern Sender Juice
HALLE 14 – Centre for Сontemporary Art Intern Sender Juice
BIG D@T@! BIG MON€Y! Intern Sender Juice
“A” fell down, “B” is gone. Glossary of Soviet censorship. Censorship practices in the USSR from the first to the last day of the Soviet authorities Intern Sender Juice
The art museum Kloster Unser Lieben Frauen Intern Sender Juice
Sergiy Bratkov. My Brother’s Cats | Immersive Artist Tour Intern Sender Juice
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art 106
museum 102
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