excours.io

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excoursio

 Généré le 02 Février 2026 23:23

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excoursio

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excours.io is a platform for immersive guided tours, turning one-time walkthroughs into lasting learning experiences.

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Propriété Contenu
locale en_US
type website
title excoursio
description excours.io is a platform for immersive guided tours, turning one-time walkthroughs into lasting learning experiences.
url https://excours.io/
site_name excoursio

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  • [H3] Menu
  • [H3] About
  • [H3] Stay tuned
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Trumpism
  • [H3] If our soup can could speak: Mikhail Lifshitz and the Soviet Sixties
  • [H3] Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994
  • [H3] FEATURING NOW: Communities and Collective Identities
  • [H3] Actually, the Dead Are Not Dead. Una forma de ser. | Introduction
  • [H3] Clemens von Wedemeyer – Mehrheiten [Majorities]
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Protest
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Discrimination
  • [H3] Sourtna. Carte Blanche to Yoriyas. Moroccan Photographers of Today and Tomorrow
  • [H3] Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994
  • [H3] CLUBS of the FUTURE. Common Spaces in Transitional Societies
  • [H3] Whispers of the Forest
  • [H3] “Rage and Desire — The Beating Heart of Men” by photographer Gérard Rancinan and writer Caroline Gaudriault
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Carina Plath
  • [H3] Hanbok, Poetics of Line and the Passage of Life
  • [H3] Tobias Zielony. Maskirovka [Concealment]
  • [H3] Victoria Lomasko. Other Russias
  • [H3] Maya Schweizer – Voices
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Introduction
  • [H3] 110 Years, 110 Works. Société Générale Collection
  • [H3] Katrin Nenasheva. Between Here and There: Stories of City Isolations
  • [H3] Arts
  • [H3] Sourtna. Carte Blanche to Yoriyas. Moroccan Photographers of Today and Tomorrow
  • [H3] If our soup can could speak: Mikhail Lifshitz and the Soviet Sixties
  • [H3] Curators in Panic
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Right-wing Shift
  • [H3] Requiem: Cats, Portraits, and Yokoo Tadanori
  • [H3] Implicit Modernism. Roman Babichev’s Collection. Part II.
  • [H3] Implicit Modernism. Roman Babichev’s Collection. Part I.
  • [H3] CLUBS of the FUTURE. Common Spaces in Transitional Societies
  • [H3] History of the Photo Club “Riga”
  • [H3] Hanbok, Poetics of Line and the Passage of Life
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Postcolonialism
  • [H3] Train Arrival
  • [H3] Whispers of the Forest
  • [H3] Actually, the Dead Are Not Dead. Una forma de ser. | Introduction
  • [H3] Bauhaus – Shanghai – Stalinallee – Ha-Neu. The life of architect Richard Paulick, 1903­–1979
  • [H3] Yokoo Tadanori: Wow! ★ Y-Junctions
  • [H3] Anthropocene Island. The Tallinn Architecture Biennale 2017
  • [H3] Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994
  • [H3] “Rage and Desire — The Beating Heart of Men” by photographer Gérard Rancinan and writer Caroline Gaudriault
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Feminism
  • [H3] Human Condition. Session III. “Time And Senses”: Trauma, Memory, Oblivion, Knowledge. Exhibition “The Haunted House”
  • [H3] Yokoo Tadanori: Forest in Soul
  • [H3] Forward to the Past: Yokoo Tadanori’s Road to Hanshan and Shide
  • [H3] Raqs Media Collective. Everything Else is Ordinary
  • [H3] Victoria Lomasko. Other Russias
  • [H3] Culture
  • [H3] Yokoo Tadanori: 100 Takes of Hanshan and Shide
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Discrimination
  • [H3] From Kerenkа to Sovznak: Money and Revolution
  • [H3] Yokoo in Wonderland
  • [H3] Maya Schweizer – Voices
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Valérie Favre & Carina Plath
  • [H3] Requiem: Cats, Portraits, and Yokoo Tadanori
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Feminism
  • [H3] Yokoo Tadanori Collection Gallery 2021
  • [H3] Mr. Yokoo’s Palette
  • [H3] Bauhaus – Shanghai – Stalinallee – Ha-Neu. The life of architect Richard Paulick, 1903­–1979
  • [H3] GASTEV. How to Work
  • [H3] 110 Years, 110 Works. Société Générale Collection
  • [H3] “Heart of a Dog” : Adventures of a Banned Book. A Monstrous Story
  • [H3] “Your Feedback is Very Important for Us”
  • [H3] Sourtna. Carte Blanche to Yoriyas. Moroccan Photographers of Today and Tomorrow
  • [H3] Klaus Staeck. Sand for the Gears
  • [H3] Museum Choreography
  • [H3] “Rage and Desire — The Beating Heart of Men” by photographer Gérard Rancinan and writer Caroline Gaudriault
  • [H3] Implicit Modernism. Roman Babichev’s Collection. Part II.
  • [H3] Only by faith! On the occasion of the 500th Anniversary of the Reformation
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Right-wing Shift
  • [H3] KOMAR & MELAMID
  • [H3] History
  • [H3] From Kerenkа to Sovznak: Money and Revolution
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Discrimination
  • [H3] “Heart of a Dog” : Adventures of a Banned Book. A Monstrous Story
  • [H3] If our soup can could speak: Mikhail Lifshitz and the Soviet Sixties
  • [H3] Actually, the Dead Are Not Dead. Una forma de ser. | Introduction
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Introduction
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Feminism
  • [H3] Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994
  • [H3] Revolved Revolutions. On the Occasion of Centenary of the Great October Socialist Revolution
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Jean-Pascal Flavien & Carina Plath
  • [H3] 110 Years, 110 Works. Société Générale Collection
  • [H3] Haim Sokol. Testimony
  • [H3] Klaus Staeck. Sand for the Gears
  • [H3] Clemens von Wedemeyer – Mehrheiten [Majorities]
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Protest
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Valérie Favre & Carina Plath
  • [H3] GASTEV. How to Work
  • [H3] CLUBS of the FUTURE. Common Spaces in Transitional Societies
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Postcolonialism
  • [H3] Yokoo Tadanori Collection Gallery 2021
  • [H3] Train Arrival
  • [H3] Maya Schweizer – Voices
  • [H3] When I see the future, I close my eyes: Chapter II
  • [H3] Agitprop Trains
  • [H3] Music
  • [H3] Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994
  • [H3] Tobias Zielony. Maskirovka [Concealment]
  • [H3] Actually, the Dead Are Not Dead. Una forma de ser. | Introduction
  • [H3] Museum Choreography
  • [H3] Philosophy
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Feminism
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Carina Plath
  • [H3] Hyogo Prefectural Yokoo Emergency Hospital
  • [H3] Abdellatif Laâbi: A Poet Passes Through
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Valérie Favre & Carina Plath
  • [H3] Forward to the Past: Yokoo Tadanori’s Road to Hanshan and Shide
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Introduction
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Postcolonialism
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Right-wing Shift
  • [H3] “Rage and Desire — The Beating Heart of Men” by photographer Gérard Rancinan and writer Caroline Gaudriault
  • [H3] Yokoo Tadanori: Forest in Soul
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Discrimination
  • [H3] Requiem: Cats, Portraits, and Yokoo Tadanori
  • [H3] Yokoo Tadanori’s Game of Life
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Protest
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Jean-Pascal Flavien & Carina Plath
  • [H3] If our soup can could speak: Mikhail Lifshitz and the Soviet Sixties
  • [H3] Yokoo Tadanori’s Haunted Museum
  • [H3] Yokoo in Wonderland
  • [H3] Actually, the Dead Are Not Dead. Una forma de ser. | Introduction
  • [H3] GASTEV. How to Work
  • [H3] Yokoo Tadanori: 100 Takes of Hanshan and Shide
  • [H3] Raqs Media Collective. Everything Else is Ordinary
  • [H3] BIG D@T@! BIG MON€Y!
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Trumpism
  • [H3] Society & Politics
  • [H3] “A” fell down, “B” is gone. Glossary of Soviet censorship. Censorship practices in the USSR from the first to the last day of the Soviet authorities
  • [H3] GASTEV. How to Work
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Trumpism
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Discrimination
  • [H3] Raqs Media Collective. Everything Else is Ordinary
  • [H3] CLUBS of the FUTURE. Common Spaces in Transitional Societies
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Jean-Pascal Flavien & Carina Plath
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Carina Plath
  • [H3] Sergiy Bratkov. My Brother’s Cats | Immersive Artist Tour
  • [H3] Abdellatif Laâbi: A Poet Passes Through
  • [H3] “Heart of a Dog” : Adventures of a Banned Book. A Monstrous Story
  • [H3] Victoria Lomasko. Other Russias
  • [H3] Whispers of the Forest
  • [H3] Actually, the Dead Are Not Dead. Una forma de ser. | Introduction
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Postcolonialism
  • [H3] BIG D@T@! BIG MON€Y!
  • [H3] HOW TO SURVIVE ― Art as Survival Strategy | with Valérie Favre & Carina Plath
  • [H3] Sourtna. Carte Blanche to Yoriyas. Moroccan Photographers of Today and Tomorrow
  • [H3] Human Condition. Session III. “Time And Senses”: Trauma, Memory, Oblivion, Knowledge. Exhibition “The Haunted House”
  • [H3] KOMAR & MELAMID
  • [H3] “Rage and Desire — The Beating Heart of Men” by photographer Gérard Rancinan and writer Caroline Gaudriault
  • [H3] TIME FOR OUTRAGE! Art in Times of Social Anger | Introduction
  • [H3] Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994
  • [H3] Revolved Revolutions. On the Occasion of Centenary of the Great October Socialist Revolution
  • [H3] Technology
  • [H3] Anthropocene Island. The Tallinn Architecture Biennale 2017
  • [H3] Train Arrival
  • [H3] BIG D@T@! BIG MON€Y!
  • [H3] Actually, the Dead Are Not Dead. Una forma de ser. | Introduction
  • [H3] Explore
  • [H3] Network
  • [H3] Transparency
  • [H3] Latest guided tour films
  • [H3] Stay tuned

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Texte d'ancre Type Juice
- Interne Passing Juice
Arts Interne Passing Juice
Culture Interne Passing Juice
History Interne Passing Juice
Music Interne Passing Juice
Philosophy Interne Passing Juice
Society & Politics Interne Passing Juice
Technology & Science Interne Passing Juice
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Random Film Interne Passing Juice
About Interne Passing Juice
In When I see the future, I close my eyes: Chapter II, Heba Y. Amin critically explores the intersection of colonialism, technology, and modern warfare, drawing attention to the lingering effects of these forces on contemporary society. Through installations, photography, and reconstructions, Amin revisits historical moments, such as early colonial photography and WWII landmines in Egypt, to highlight how visual and technological tools have been used to exert control and perpetuate violence. The exhibition asks us to reflect on how these past dynamics continue to shape narratives of power and oppression, urging us to confront the neocolonial tendencies of today’s technologies. Interne Passing Juice
The exhibition is dedicated to one of the most enigmatic, mysterious, and controversial philosophers of the USSR and his famous anthology of polemical texts, The Crisis of Ugliness, which criticizes the art of the 20th century. The retrospective showcases never presented before archive documents, Lifshitz’s texts, and artworks in ten interiors, each representing a milestone in the development of modernism or Lifshitz’s thought: 10 rooms – 10 stages of Soviet history – 10 knots in Lifshitz’s biography. The project is the first large-scale analysis attempt of the tense relationship between so-called progressive art and politics in the XX-XXI century. Interne Passing Juice
The Yokoo Tadanori Collection Gallery presents a comprehensive view of the artistic world and deep influences shaping the practice of Japanese artist Yokoo Tadanori. This permanent space, established in 2021 within the Yokoo Tadanori Museum of Contemporary Art in Hyogo Prefecture, Japan, displays his original drawings, color proofs, and project designs. The collection offers insight into the cultural and historical contexts that fed Yokoo’s aesthetic, illuminating the wider network of artistic references he engaged with. Visitors can study archive materials and works by figures he admired, such as Francis Picabia and Giorgio de Chirico, revealing the sources that informed his output. The gallery ultimately encourages visitors to recognize the enduring dialogue between personal vision and international creative lineage that defines lasting contemporary art. Interne Passing Juice
The exhibition “Your review is very important to us” delves into the evolving landscape of reader engagement with classical literature, inviting visitors to explore how expressions of opinion have transformed from the 19th century to today’s digital era. Through a compelling blend of research by philologist Anna Gerasimova and innovative works from contemporary Russian artists, the show raises thought-provoking questions about the interplay between amateur reviews and literary criticism. Viewers will experience how machine learning interprets text, engage with an audio installation that echoes voices from the past and present, and even connect Nabokov’s correspondence to modern digital discourse. Interne Passing Juice
The exhibition Hanbok, Poetics of Line and the Passage of Life presents the story of traditional Korean attire, tracing its cultural significance and transformation through time. With a basic style originating in the Three Kingdoms period (37 BCE – 668 CE), the Hanbok shown primarily reflects that of the Joseon dynasty (1392 – 1910). The exhibition explores how this clothing embodies Korean ancestral values, worldview, and reverence for nature through its use in life’s milestone ceremonies and its symbolic colours derived from Yin-Yang theory. Curated by EuiJung McGillis, the presentation showcases items from a baby’s first birthday dress to royal robes, alongside modern reinterpretations by early twentieth-century shinyeoseong (new women). Visitors will discover Hanbok as a transmitter of tradition and a dynamic symbol of Korean identity in a global context. Interne Passing Juice
Museum Kunstpalast Interne Passing Juice
TIME FOR OUTRAGE! Art in Times of Social Anger | Trumpism Interne Passing Juice
Garage Museum of Contemporary Art Interne Passing Juice
Academy of Arts Interne Passing Juice
Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994 Interne Passing Juice
The Wuerttemberg Art Association Stuttgart Interne Passing Juice
Actually, the Dead Are Not Dead. Una forma de ser. | Introduction Interne Passing Juice
Gallery for Contemporary Art Leipzig (GfZK) Interne Passing Juice
Clemens von Wedemeyer – Mehrheiten [Majorities] Interne Passing Juice
TIME FOR OUTRAGE! Art in Times of Social Anger | Protest Interne Passing Juice
TIME FOR OUTRAGE! Art in Times of Social Anger | Discrimination Interne Passing Juice
The National Photography Museum in Rabat Interne Passing Juice
Sourtna. Carte Blanche to Yoriyas. Moroccan Photographers of Today and Tomorrow Interne Passing Juice
Kunstverein am Rosa–Luxemburg–Platz Interne Passing Juice
CLUBS of the FUTURE. Common Spaces in Transitional Societies Interne Passing Juice
Korean Cultural Center (KCC) Interne Passing Juice
Whispers of the Forest Interne Passing Juice
Mohammed VI Museum of Modern and Contemporary Art (MMVI Rabat) Interne Passing Juice
“Rage and Desire — The Beating Heart of Men” by photographer Gérard Rancinan and writer Caroline Gaudriault Interne Passing Juice
Sprengel Museum Hannover Interne Passing Juice
HOW TO SURVIVE ― Art as Survival Strategy | with Carina Plath Interne Passing Juice
KOW Berlin Interne Passing Juice
Tobias Zielony. Maskirovka [Concealment] Interne Passing Juice
Cartoonmuseum Basel – Centre for Narrative Art Interne Passing Juice
Victoria Lomasko. Other Russias Interne Passing Juice
Museum Villa Stuck Interne Passing Juice
Maya Schweizer – Voices Interne Passing Juice
TIME FOR OUTRAGE! Art in Times of Social Anger | Introduction Interne Passing Juice
110 Years, 110 Works. Société Générale Collection Interne Passing Juice
GROUND Solyanka (formerly Solyanka State Gallery) Interne Passing Juice
Katrin Nenasheva. Between Here and There: Stories of City Isolations Interne Passing Juice
Arts Interne Passing Juice
Yokoo Tadanori Museum of Contemporary Art Interne Passing Juice
Curators in Panic Interne Passing Juice
TIME FOR OUTRAGE! Art in Times of Social Anger | Right-wing Shift Interne Passing Juice
Requiem: Cats, Portraits, and Yokoo Tadanori Interne Passing Juice
Moscow Museum of Modern Art (MMOMA) Interne Passing Juice
Implicit Modernism. Roman Babichev’s Collection. Part II. Interne Passing Juice
Implicit Modernism. Roman Babichev’s Collection. Part I. Interne Passing Juice
Latvian Museum of Photography Interne Passing Juice
History of the Photo Club “Riga” Interne Passing Juice
TIME FOR OUTRAGE! Art in Times of Social Anger | Postcolonialism Interne Passing Juice
The Ekaterina Cultural Foundation Interne Passing Juice
Train Arrival Interne Passing Juice
Bauhaus Dessau Foundation Interne Passing Juice
Bauhaus – Shanghai – Stalinallee – Ha-Neu. The life of architect Richard Paulick, 1903­–1979 Interne Passing Juice
Yokoo Tadanori: Wow! ★ Y-Junctions Interne Passing Juice
Estonian Museum of Architecture Interne Passing Juice
Anthropocene Island. The Tallinn Architecture Biennale 2017 Interne Passing Juice
TIME FOR OUTRAGE! Art in Times of Social Anger | Feminism Interne Passing Juice
Human Condition. Session III. “Time And Senses”: Trauma, Memory, Oblivion, Knowledge. Exhibition “The Haunted House” Interne Passing Juice
Yokoo Tadanori: Forest in Soul Interne Passing Juice
Forward to the Past: Yokoo Tadanori’s Road to Hanshan and Shide Interne Passing Juice
K21, Art Collection Nordrhein-Westfalen Interne Passing Juice
Raqs Media Collective. Everything Else is Ordinary Interne Passing Juice
Culture Interne Passing Juice
Yokoo Tadanori: 100 Takes of Hanshan and Shide Interne Passing Juice
The History of Money Museum of GOZNAK Interne Passing Juice
From Kerenkа to Sovznak: Money and Revolution Interne Passing Juice
Yokoo in Wonderland Interne Passing Juice
HOW TO SURVIVE ― Art as Survival Strategy | with Valérie Favre & Carina Plath Interne Passing Juice
Mr. Yokoo’s Palette Interne Passing Juice
Na Shabolovke Gallery / Avant-Garde Museum Interne Passing Juice
GASTEV. How to Work Interne Passing Juice
International Memorial Association Interne Passing Juice
“Heart of a Dog” : Adventures of a Banned Book. A Monstrous Story Interne Passing Juice
The New Wing of the Gogol House Interne Passing Juice
Museum Folkwang Interne Passing Juice
Klaus Staeck. Sand for the Gears Interne Passing Juice
Tartu Art Museum Interne Passing Juice
Museum Choreography Interne Passing Juice
The State Museum of Religion History Interne Passing Juice
Only by faith! On the occasion of the 500th Anniversary of the Reformation Interne Passing Juice
KOMAR & MELAMID Interne Passing Juice
History Interne Passing Juice
The State Museum of Oriental Art Interne Passing Juice
Revolved Revolutions. On the Occasion of Centenary of the Great October Socialist Revolution Interne Passing Juice
HOW TO SURVIVE ― Art as Survival Strategy | with Jean-Pascal Flavien & Carina Plath Interne Passing Juice
Haim Sokol. Testimony Interne Passing Juice
Zilberman Gallery Interne Passing Juice
Agitprop Trains Interne Passing Juice
Music Interne Passing Juice
Philosophy Interne Passing Juice
Hyogo Prefectural Yokoo Emergency Hospital Interne Passing Juice
Abdellatif Laâbi: A Poet Passes Through Interne Passing Juice
Yokoo Tadanori’s Game of Life Interne Passing Juice
Yokoo Tadanori’s Haunted Museum Interne Passing Juice
HALLE 14 – Centre for Сontemporary Art Interne Passing Juice
BIG D@T@! BIG MON€Y! Interne Passing Juice
“A” fell down, “B” is gone. Glossary of Soviet censorship. Censorship practices in the USSR from the first to the last day of the Soviet authorities Interne Passing Juice
The art museum Kloster Unser Lieben Frauen Interne Passing Juice
Sergiy Bratkov. My Brother’s Cats | Immersive Artist Tour Interne Passing Juice
Technology Interne Passing Juice
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social art russia kunstpalast contemporary germany museum tadanori yokoo time

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Mot-clef Contenu Titre Mots-clefs Description Niveaux de titre
art 106
museum 102
germany 70
yokoo 39
contemporary 38

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