|
-
|
intern |
natürliche Links |
|
Arts
|
intern |
natürliche Links |
|
Culture
|
intern |
natürliche Links |
|
History
|
intern |
natürliche Links |
|
Music
|
intern |
natürliche Links |
|
Philosophy
|
intern |
natürliche Links |
|
Society & Politics
|
intern |
natürliche Links |
|
Technology & Science
|
intern |
natürliche Links |
|
Collections
|
intern |
natürliche Links |
|
Tags
|
intern |
natürliche Links |
|
Institutions
|
intern |
natürliche Links |
|
Contributors
|
intern |
natürliche Links |
|
All Films
|
intern |
natürliche Links |
|
Random Film
|
intern |
natürliche Links |
|
About
|
intern |
natürliche Links |
|
In When I see the future, I close my eyes: Chapter II, Heba Y. Amin critically explores the intersection of colonialism, technology, and modern warfare, drawing attention to the lingering effects of these forces on contemporary society. Through installations, photography, and reconstructions, Amin revisits historical moments, such as early colonial photography and WWII landmines in Egypt, to highlight how visual and technological tools have been used to exert control and perpetuate violence. The exhibition asks us to reflect on how these past dynamics continue to shape narratives of power and oppression, urging us to confront the neocolonial tendencies of today’s technologies.
|
intern |
natürliche Links |
|
The exhibition is dedicated to one of the most enigmatic, mysterious, and controversial philosophers of the USSR and his famous anthology of polemical texts, The Crisis of Ugliness, which criticizes the art of the 20th century. The retrospective showcases never presented before archive documents, Lifshitz’s texts, and artworks in ten interiors, each representing a milestone in the development of modernism or Lifshitz’s thought: 10 rooms – 10 stages of Soviet history – 10 knots in Lifshitz’s biography. The project is the first large-scale analysis attempt of the tense relationship between so-called progressive art and politics in the XX-XXI century.
|
intern |
natürliche Links |
|
The Yokoo Tadanori Collection Gallery presents a comprehensive view of the artistic world and deep influences shaping the practice of Japanese artist Yokoo Tadanori. This permanent space, established in 2021 within the Yokoo Tadanori Museum of Contemporary Art in Hyogo Prefecture, Japan, displays his original drawings, color proofs, and project designs. The collection offers insight into the cultural and historical contexts that fed Yokoo’s aesthetic, illuminating the wider network of artistic references he engaged with. Visitors can study archive materials and works by figures he admired, such as Francis Picabia and Giorgio de Chirico, revealing the sources that informed his output. The gallery ultimately encourages visitors to recognize the enduring dialogue between personal vision and international creative lineage that defines lasting contemporary art.
|
intern |
natürliche Links |
|
The exhibition “Your review is very important to us” delves into the evolving landscape of reader engagement with classical literature, inviting visitors to explore how expressions of opinion have transformed from the 19th century to today’s digital era. Through a compelling blend of research by philologist Anna Gerasimova and innovative works from contemporary Russian artists, the show raises thought-provoking questions about the interplay between amateur reviews and literary criticism. Viewers will experience how machine learning interprets text, engage with an audio installation that echoes voices from the past and present, and even connect Nabokov’s correspondence to modern digital discourse.
|
intern |
natürliche Links |
|
The exhibition Hanbok, Poetics of Line and the Passage of Life presents the story of traditional Korean attire, tracing its cultural significance and transformation through time. With a basic style originating in the Three Kingdoms period (37 BCE – 668 CE), the Hanbok shown primarily reflects that of the Joseon dynasty (1392 – 1910). The exhibition explores how this clothing embodies Korean ancestral values, worldview, and reverence for nature through its use in life’s milestone ceremonies and its symbolic colours derived from Yin-Yang theory. Curated by EuiJung McGillis, the presentation showcases items from a baby’s first birthday dress to royal robes, alongside modern reinterpretations by early twentieth-century shinyeoseong (new women). Visitors will discover Hanbok as a transmitter of tradition and a dynamic symbol of Korean identity in a global context.
|
intern |
natürliche Links |
|
Museum Kunstpalast
|
intern |
natürliche Links |
|
TIME FOR OUTRAGE! Art in Times of Social Anger | Trumpism
|
intern |
natürliche Links |
|
Garage Museum of Contemporary Art
|
intern |
natürliche Links |
|
Academy of Arts
|
intern |
natürliche Links |
|
Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994
|
intern |
natürliche Links |
|
The Wuerttemberg Art Association Stuttgart
|
intern |
natürliche Links |
|
Actually, the Dead Are Not Dead. Una forma de ser. | Introduction
|
intern |
natürliche Links |
|
Gallery for Contemporary Art Leipzig (GfZK)
|
intern |
natürliche Links |
|
Clemens von Wedemeyer – Mehrheiten [Majorities]
|
intern |
natürliche Links |
|
TIME FOR OUTRAGE! Art in Times of Social Anger | Protest
|
intern |
natürliche Links |
|
TIME FOR OUTRAGE! Art in Times of Social Anger | Discrimination
|
intern |
natürliche Links |
|
The National Photography Museum in Rabat
|
intern |
natürliche Links |
|
Sourtna. Carte Blanche to Yoriyas. Moroccan Photographers of Today and Tomorrow
|
intern |
natürliche Links |
|
Kunstverein am Rosa–Luxemburg–Platz
|
intern |
natürliche Links |
|
CLUBS of the FUTURE. Common Spaces in Transitional Societies
|
intern |
natürliche Links |
|
Korean Cultural Center (KCC)
|
intern |
natürliche Links |
|
Whispers of the Forest
|
intern |
natürliche Links |
|
Mohammed VI Museum of Modern and Contemporary Art (MMVI Rabat)
|
intern |
natürliche Links |
|
“Rage and Desire — The Beating Heart of Men” by photographer Gérard Rancinan and writer Caroline Gaudriault
|
intern |
natürliche Links |
|
Sprengel Museum Hannover
|
intern |
natürliche Links |
|
HOW TO SURVIVE ― Art as Survival Strategy | with Carina Plath
|
intern |
natürliche Links |
|
KOW Berlin
|
intern |
natürliche Links |
|
Tobias Zielony. Maskirovka [Concealment]
|
intern |
natürliche Links |
|
Cartoonmuseum Basel – Centre for Narrative Art
|
intern |
natürliche Links |
|
Victoria Lomasko. Other Russias
|
intern |
natürliche Links |
|
Museum Villa Stuck
|
intern |
natürliche Links |
|
Maya Schweizer – Voices
|
intern |
natürliche Links |
|
TIME FOR OUTRAGE! Art in Times of Social Anger | Introduction
|
intern |
natürliche Links |
|
110 Years, 110 Works. Société Générale Collection
|
intern |
natürliche Links |
|
GROUND Solyanka (formerly Solyanka State Gallery)
|
intern |
natürliche Links |
|
Katrin Nenasheva. Between Here and There: Stories of City Isolations
|
intern |
natürliche Links |
|
Arts
|
intern |
natürliche Links |
|
Yokoo Tadanori Museum of Contemporary Art
|
intern |
natürliche Links |
|
Curators in Panic
|
intern |
natürliche Links |
|
TIME FOR OUTRAGE! Art in Times of Social Anger | Right-wing Shift
|
intern |
natürliche Links |
|
Requiem: Cats, Portraits, and Yokoo Tadanori
|
intern |
natürliche Links |
|
Moscow Museum of Modern Art (MMOMA)
|
intern |
natürliche Links |
|
Implicit Modernism. Roman Babichev’s Collection. Part II.
|
intern |
natürliche Links |
|
Implicit Modernism. Roman Babichev’s Collection. Part I.
|
intern |
natürliche Links |
|
Latvian Museum of Photography
|
intern |
natürliche Links |
|
History of the Photo Club “Riga”
|
intern |
natürliche Links |
|
TIME FOR OUTRAGE! Art in Times of Social Anger | Postcolonialism
|
intern |
natürliche Links |
|
The Ekaterina Cultural Foundation
|
intern |
natürliche Links |
|
Train Arrival
|
intern |
natürliche Links |
|
Bauhaus Dessau Foundation
|
intern |
natürliche Links |
|
Bauhaus – Shanghai – Stalinallee – Ha-Neu. The life of architect Richard Paulick, 1903–1979
|
intern |
natürliche Links |
|
Yokoo Tadanori: Wow! ★ Y-Junctions
|
intern |
natürliche Links |
|
Estonian Museum of Architecture
|
intern |
natürliche Links |
|
Anthropocene Island. The Tallinn Architecture Biennale 2017
|
intern |
natürliche Links |
|
TIME FOR OUTRAGE! Art in Times of Social Anger | Feminism
|
intern |
natürliche Links |
|
Human Condition. Session III. “Time And Senses”: Trauma, Memory, Oblivion, Knowledge. Exhibition “The Haunted House”
|
intern |
natürliche Links |
|
Yokoo Tadanori: Forest in Soul
|
intern |
natürliche Links |
|
Forward to the Past: Yokoo Tadanori’s Road to Hanshan and Shide
|
intern |
natürliche Links |
|
K21, Art Collection Nordrhein-Westfalen
|
intern |
natürliche Links |
|
Raqs Media Collective. Everything Else is Ordinary
|
intern |
natürliche Links |
|
Culture
|
intern |
natürliche Links |
|
Yokoo Tadanori: 100 Takes of Hanshan and Shide
|
intern |
natürliche Links |
|
The History of Money Museum of GOZNAK
|
intern |
natürliche Links |
|
From Kerenkа to Sovznak: Money and Revolution
|
intern |
natürliche Links |
|
Yokoo in Wonderland
|
intern |
natürliche Links |
|
HOW TO SURVIVE ― Art as Survival Strategy | with Valérie Favre & Carina Plath
|
intern |
natürliche Links |
|
Mr. Yokoo’s Palette
|
intern |
natürliche Links |
|
Na Shabolovke Gallery / Avant-Garde Museum
|
intern |
natürliche Links |
|
GASTEV. How to Work
|
intern |
natürliche Links |
|
International Memorial Association
|
intern |
natürliche Links |
|
“Heart of a Dog” : Adventures of a Banned Book. A Monstrous Story
|
intern |
natürliche Links |
|
The New Wing of the Gogol House
|
intern |
natürliche Links |
|
Museum Folkwang
|
intern |
natürliche Links |
|
Klaus Staeck. Sand for the Gears
|
intern |
natürliche Links |
|
Tartu Art Museum
|
intern |
natürliche Links |
|
Museum Choreography
|
intern |
natürliche Links |
|
The State Museum of Religion History
|
intern |
natürliche Links |
|
Only by faith! On the occasion of the 500th Anniversary of the Reformation
|
intern |
natürliche Links |
|
KOMAR & MELAMID
|
intern |
natürliche Links |
|
History
|
intern |
natürliche Links |
|
The State Museum of Oriental Art
|
intern |
natürliche Links |
|
Revolved Revolutions. On the Occasion of Centenary of the Great October Socialist Revolution
|
intern |
natürliche Links |
|
HOW TO SURVIVE ― Art as Survival Strategy | with Jean-Pascal Flavien & Carina Plath
|
intern |
natürliche Links |
|
Haim Sokol. Testimony
|
intern |
natürliche Links |
|
Zilberman Gallery
|
intern |
natürliche Links |
|
Agitprop Trains
|
intern |
natürliche Links |
|
Music
|
intern |
natürliche Links |
|
Philosophy
|
intern |
natürliche Links |
|
Hyogo Prefectural Yokoo Emergency Hospital
|
intern |
natürliche Links |
|
Abdellatif Laâbi: A Poet Passes Through
|
intern |
natürliche Links |
|
Yokoo Tadanori’s Game of Life
|
intern |
natürliche Links |
|
Yokoo Tadanori’s Haunted Museum
|
intern |
natürliche Links |
|
HALLE 14 – Centre for Сontemporary Art
|
intern |
natürliche Links |
|
BIG D@T@! BIG MON€Y!
|
intern |
natürliche Links |
|
“A” fell down, “B” is gone. Glossary of Soviet censorship. Censorship practices in the USSR from the first to the last day of the Soviet authorities
|
intern |
natürliche Links |
|
The art museum Kloster Unser Lieben Frauen
|
intern |
natürliche Links |
|
Sergiy Bratkov. My Brother’s Cats | Immersive Artist Tour
|
intern |
natürliche Links |
|
Technology
|
intern |
natürliche Links |
|
About
|
intern |
natürliche Links |
|
Contacts
|
intern |
natürliche Links |
|
FAQ
|
intern |
natürliche Links |
|
Collaborate
|
intern |
natürliche Links |
|
Any ideas?
|
intern |
natürliche Links |
|
Partners
|
intern |
natürliche Links |
|
Support us
|
intern |
natürliche Links |
|
Accessibility
|
intern |
natürliche Links |
|
Sustainability
|
intern |
natürliche Links |
|
#GoodForEducation
|
intern |
natürliche Links |
|
Usage Policy
|
intern |
natürliche Links |
|
Privacy Policy
|
intern |
natürliche Links |
|
Imprint
|
intern |
natürliche Links |
|
Community Guidelines
|
intern |
natürliche Links |
|
Jobs
|
intern |
natürliche Links |