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Painters' Table | Contemporary Art Magazine

 Genereras på April 16 2026 11:41 AM

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Painters' Table | Contemporary Art Magazine

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Painters' Table highlights online arts writing including articles, exhibition reviews, and artist interviews.

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Egendom Innehåll
locale en_US
type website
title Painters' Table | Contemporary Art Magazine
description Painters' Table highlights online arts writing including articles, exhibition reviews, and artist interviews.
url https://www.painters-table.com/
site_name Painters' Table

Rubriker

H1 H2 H3 H4 H5 H6
0 1 55 4 12 63
  • [H2] Highlights from the archive
  • [H3] Art at Kings Oaks
  • [H3] Larry Groff at Prince Street Gallery
  • [H3] On Raoul Dufy
  • [H3] Cezanne’s Sensations
  • [H3] Shared Experience
  • [H3] John Elderfield on Cézanne’s Portraits
  • [H3] Claude Monet: Strictly A Revolution In Seeing
  • [H3] John Goodrich on Henri Matisse
  • [H3] Laura Owens: Art in Free Fall
  • [H3] Cézanne Portraits: Relentless Intimacy
  • [H3] Watteau’s Eloquent Formalism
  • [H3] Romare Bearden: Abstraction
  • [H3] ‘Let it be felt that the painter was there…’
  • [H3] Cézanne’s Radical Portraiture
  • [H3] Leland Bell on André Derain
  • [H3] Bridget Riley: Our Instinct Enhanced
  • [H3] Against Space
  • [H3] Giacometti, Frontality and Cubism
  • [H3] Alan Gouk on Key Modernist Paintings
  • [H3] Painting’s Place: Susan Lichtman at Steven Harvey
  • [H3] Camille Pissarro: The Perennial Student
  • [H3] Gillian Ayres @ National Museum of Wales
  • [H3] Object Permanence: William Bailey at the Century Club
  • [H3] The Vitality of the ‘Berlin Painter’
  • [H3] Florine Stettheimer: Rococo Subversive
  • [H3] Making Work for LS Lowry
  • [H3] Roger Bissière, The Last “Primitive”
  • [H3] Death, Destruction and Deity: Painting Guernica
  • [H3] R.B. Kitaj: Renewal and Resistance
  • [H3] Christopher Le Brun: Interview
  • [H3] Transcending Despair: Rothko, Herrera, Martin
  • [H3] James Ensor @ The Royal Academy
  • [H3] Philip Pearlstein on Francis Picabia
  • [H3] Barbara Rose on Painting After Postmodernism
  • [H3] Notes on Euan Uglow
  • [H3] Julie Mehretu: Can Social Abstraction Succeed?
  • [H3] Florine Stettheimer: Feminist Provocateur
  • [H3] The Chase: Turner’s Rain, Steam and Speed
  • [H3] Rhetorical Abstraction in the Age of the Incidental Viewer
  • [H3] Pat Passlof: Paintings from the 50s
  • [H3] John Walker at Alexandre Gallery
  • [H3] Soutine: Art More Like Life
  • [H3] Abstract Critical: Round-up
  • [H3] Brenda Goodman: Interview
  • [H3] Ying Li: Foreign Terrain
  • [H3] Milton Resnick: Painting to Live
  • [H3] Braque at the Phillips Collection
  • [H3] Justice to Pissarro
  • [H3] Jon Imber’s Painterly Freedom
  • [H3] Nicolas de Staël: Needs to be Seen
  • [H3] Al Held’s Visual Thresholds
  • [H3] Nick Miller’s Truckscapes
  • [H3] Jan Müller’s Abstract Tale
  • [H3] The Drawings of Clyfford Still
  • [H3] Gabriel Laderman on Art
  • [H4] April 2026 • What we’re reading
  • [H4] You might also like
  • [H4] You might also like
  • [H4] You might also like
  • [H5] Eleanor Ray: The power of the small
  • [H5] Joanna Pousette-Dart: Centering
  • [H5] Kim Uchiyama at Helm Contemporary
  • [H5] Bosiljka Raditsa and Elizabeth Yamin
  • [H5] Franklin Einspruch: Tangibilia
  • [H5] Maison de Masson
  • [H5] Interview with Barbara Grossman
  • [H5] Dana Saulnier: Nearly Distant
  • [H5] Larry Groff: In and Out of Sight
  • [H5] Shared Experience
  • [H5] ‘Let it be felt that the painter was there…’
  • [H5] Painters' Table is edited by artist Brett Baker
  • [H6] Two Coats of Paint
  • [H6] Brooklyn Rail
  • [H6] The New Criterion
  • [H6] Brooklyn Rail
  • [H6] Tussle
  • [H6] The New Criterion
  • [H6] Painting Perceptions
  • [H6] Looking Glass
  • [H6] Painting Perceptions
  • [H6] Feature
  • [H6] Feature
  • [H6] NonSite
  • [H6] PT Feature
  • [H6] Brooklyn Rail
  • [H6] Artlyst
  • [H6] Painters on Paintings
  • [H6] New York Review of Books
  • [H6] London Review of Books
  • [H6] Painting Perceptions
  • [H6] Hamptons Art Hub
  • [H6] PT Feature
  • [H6] Apollo Magazine
  • [H6] ARTnews
  • [H6] Christchurch Art Gallery
  • [H6] Brooklyn Rail
  • [H6] ARTnews
  • [H6] AbCrit
  • [H6] PT Feature
  • [H6] New York Review of Books
  • [H6] London Review of Books
  • [H6] PT Feature
  • [H6] New York Review of Books
  • [H6] Art in America
  • [H6] The Guardian
  • [H6] Hyperallergic
  • [H6] The Art Newspaper
  • [H6] artcritical
  • [H6] Brooklyn Rail
  • [H6] Tamar Zinn
  • [H6] London Review of Books
  • [H6] ARTnews
  • [H6] The Art Newspaper
  • [H6] Powers of Observation
  • [H6] Art F City
  • [H6] Hyperallergic
  • [H6] London Review of Books
  • [H6] Hyperallergic
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature

Bilder

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Anchor Typ Juice
About Interna Passing Juice
Search Interna Passing Juice
Best of PT Interna Passing Juice
Reviews Interna Passing Juice
Studio Visits Interna Passing Juice
Artist Writings Interna Passing Juice
Catalogue Essays Interna Passing Juice
About Interna Passing Juice
Eleanor Ray: The power of the small Interna Passing Juice
Joanna Pousette-Dart: Centering Interna Passing Juice
Kim Uchiyama at Helm Contemporary Interna Passing Juice
Bosiljka Raditsa and Elizabeth Yamin Interna Passing Juice
Franklin Einspruch: Tangibilia Interna Passing Juice
Maison de Masson Interna Passing Juice
Interview with Barbara Grossman Interna Passing Juice
Dana Saulnier: Nearly Distant Interna Passing Juice
Art at Kings Oaks Interna Passing Juice
Larry Groff at Prince Street Gallery Interna Passing Juice
Larry Groff: In and Out of Sight Interna Passing Juice
On Raoul Dufy Interna Passing Juice
Shared Experience Interna Passing Juice
‘Let it be felt that the painter was there…’ Interna Passing Juice
Cezanne’s Sensations Interna Passing Juice
John Elderfield on Cézanne’s Portraits Interna Passing Juice
Claude Monet: Strictly A Revolution In Seeing Interna Passing Juice
John Goodrich on Henri Matisse Interna Passing Juice
Laura Owens: Art in Free Fall Interna Passing Juice
Cézanne Portraits: Relentless Intimacy Interna Passing Juice
Watteau’s Eloquent Formalism Interna Passing Juice
Romare Bearden: Abstraction Interna Passing Juice
Cézanne’s Radical Portraiture Interna Passing Juice
Leland Bell on André Derain Interna Passing Juice
Bridget Riley: Our Instinct Enhanced Interna Passing Juice
Against Space Interna Passing Juice
Giacometti, Frontality and Cubism Interna Passing Juice
Alan Gouk on Key Modernist Paintings Interna Passing Juice
Painting’s Place: Susan Lichtman at Steven Harvey Interna Passing Juice
Camille Pissarro: The Perennial Student Interna Passing Juice
Gillian Ayres @ National Museum of Wales Interna Passing Juice
Object Permanence: William Bailey at the Century Club Interna Passing Juice
The Vitality of the ‘Berlin Painter’ Interna Passing Juice
Florine Stettheimer: Rococo Subversive Interna Passing Juice
Making Work for LS Lowry Interna Passing Juice
Roger Bissière, The Last “Primitive” Interna Passing Juice
Death, Destruction and Deity: Painting Guernica Interna Passing Juice
R.B. Kitaj: Renewal and Resistance Interna Passing Juice
Christopher Le Brun: Interview Interna Passing Juice
Transcending Despair: Rothko, Herrera, Martin Interna Passing Juice
James Ensor @ The Royal Academy Interna Passing Juice
Philip Pearlstein on Francis Picabia Interna Passing Juice
Barbara Rose on Painting After Postmodernism Interna Passing Juice
Notes on Euan Uglow Interna Passing Juice
Julie Mehretu: Can Social Abstraction Succeed? Interna Passing Juice
Florine Stettheimer: Feminist Provocateur Interna Passing Juice
The Chase: Turner’s Rain, Steam and Speed Interna Passing Juice
Rhetorical Abstraction in the Age of the Incidental Viewer Interna Passing Juice
Pat Passlof: Paintings from the 50s Interna Passing Juice
John Walker at Alexandre Gallery Interna Passing Juice
Soutine: Art More Like Life Interna Passing Juice
Abstract Critical: Round-up Interna Passing Juice
Brenda Goodman: Interview Interna Passing Juice
Ying Li: Foreign Terrain Interna Passing Juice
Milton Resnick: Painting to Live Interna Passing Juice
Braque at the Phillips Collection Interna Passing Juice
Justice to Pissarro Interna Passing Juice
Jon Imber’s Painterly Freedom Interna Passing Juice
Nicolas de Staël: Needs to be Seen Interna Passing Juice
Al Held’s Visual Thresholds Interna Passing Juice
Nick Miller’s Truckscapes Interna Passing Juice
Jan Müller’s Abstract Tale Interna Passing Juice
The Drawings of Clyfford Still Interna Passing Juice
Gabriel Laderman on Art Interna Passing Juice
Brett Baker Externa Passing Juice

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