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Painters' Table | Contemporary Art Magazine

 Gegenereerd op April 16 2026 11:41 AM

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De score is 62/100

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Painters' Table | Contemporary Art Magazine

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Painters' Table highlights online arts writing including articles, exhibition reviews, and artist interviews.

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Property Content
locale en_US
type website
title Painters' Table | Contemporary Art Magazine
description Painters' Table highlights online arts writing including articles, exhibition reviews, and artist interviews.
url https://www.painters-table.com/
site_name Painters' Table

Headings

H1 H2 H3 H4 H5 H6
0 1 55 4 12 63
  • [H2] Highlights from the archive
  • [H3] Art at Kings Oaks
  • [H3] Larry Groff at Prince Street Gallery
  • [H3] On Raoul Dufy
  • [H3] Cezanne’s Sensations
  • [H3] Shared Experience
  • [H3] John Elderfield on Cézanne’s Portraits
  • [H3] Claude Monet: Strictly A Revolution In Seeing
  • [H3] John Goodrich on Henri Matisse
  • [H3] Laura Owens: Art in Free Fall
  • [H3] Cézanne Portraits: Relentless Intimacy
  • [H3] Watteau’s Eloquent Formalism
  • [H3] Romare Bearden: Abstraction
  • [H3] ‘Let it be felt that the painter was there…’
  • [H3] Cézanne’s Radical Portraiture
  • [H3] Leland Bell on André Derain
  • [H3] Bridget Riley: Our Instinct Enhanced
  • [H3] Against Space
  • [H3] Giacometti, Frontality and Cubism
  • [H3] Alan Gouk on Key Modernist Paintings
  • [H3] Painting’s Place: Susan Lichtman at Steven Harvey
  • [H3] Camille Pissarro: The Perennial Student
  • [H3] Gillian Ayres @ National Museum of Wales
  • [H3] Object Permanence: William Bailey at the Century Club
  • [H3] The Vitality of the ‘Berlin Painter’
  • [H3] Florine Stettheimer: Rococo Subversive
  • [H3] Making Work for LS Lowry
  • [H3] Roger Bissière, The Last “Primitive”
  • [H3] Death, Destruction and Deity: Painting Guernica
  • [H3] R.B. Kitaj: Renewal and Resistance
  • [H3] Christopher Le Brun: Interview
  • [H3] Transcending Despair: Rothko, Herrera, Martin
  • [H3] James Ensor @ The Royal Academy
  • [H3] Philip Pearlstein on Francis Picabia
  • [H3] Barbara Rose on Painting After Postmodernism
  • [H3] Notes on Euan Uglow
  • [H3] Julie Mehretu: Can Social Abstraction Succeed?
  • [H3] Florine Stettheimer: Feminist Provocateur
  • [H3] The Chase: Turner’s Rain, Steam and Speed
  • [H3] Rhetorical Abstraction in the Age of the Incidental Viewer
  • [H3] Pat Passlof: Paintings from the 50s
  • [H3] John Walker at Alexandre Gallery
  • [H3] Soutine: Art More Like Life
  • [H3] Abstract Critical: Round-up
  • [H3] Brenda Goodman: Interview
  • [H3] Ying Li: Foreign Terrain
  • [H3] Milton Resnick: Painting to Live
  • [H3] Braque at the Phillips Collection
  • [H3] Justice to Pissarro
  • [H3] Jon Imber’s Painterly Freedom
  • [H3] Nicolas de Staël: Needs to be Seen
  • [H3] Al Held’s Visual Thresholds
  • [H3] Nick Miller’s Truckscapes
  • [H3] Jan Müller’s Abstract Tale
  • [H3] The Drawings of Clyfford Still
  • [H3] Gabriel Laderman on Art
  • [H4] April 2026 • What we’re reading
  • [H4] You might also like
  • [H4] You might also like
  • [H4] You might also like
  • [H5] Eleanor Ray: The power of the small
  • [H5] Joanna Pousette-Dart: Centering
  • [H5] Kim Uchiyama at Helm Contemporary
  • [H5] Bosiljka Raditsa and Elizabeth Yamin
  • [H5] Franklin Einspruch: Tangibilia
  • [H5] Maison de Masson
  • [H5] Interview with Barbara Grossman
  • [H5] Dana Saulnier: Nearly Distant
  • [H5] Larry Groff: In and Out of Sight
  • [H5] Shared Experience
  • [H5] ‘Let it be felt that the painter was there…’
  • [H5] Painters' Table is edited by artist Brett Baker
  • [H6] Two Coats of Paint
  • [H6] Brooklyn Rail
  • [H6] The New Criterion
  • [H6] Brooklyn Rail
  • [H6] Tussle
  • [H6] The New Criterion
  • [H6] Painting Perceptions
  • [H6] Looking Glass
  • [H6] Painting Perceptions
  • [H6] Feature
  • [H6] Feature
  • [H6] NonSite
  • [H6] PT Feature
  • [H6] Brooklyn Rail
  • [H6] Artlyst
  • [H6] Painters on Paintings
  • [H6] New York Review of Books
  • [H6] London Review of Books
  • [H6] Painting Perceptions
  • [H6] Hamptons Art Hub
  • [H6] PT Feature
  • [H6] Apollo Magazine
  • [H6] ARTnews
  • [H6] Christchurch Art Gallery
  • [H6] Brooklyn Rail
  • [H6] ARTnews
  • [H6] AbCrit
  • [H6] PT Feature
  • [H6] New York Review of Books
  • [H6] London Review of Books
  • [H6] PT Feature
  • [H6] New York Review of Books
  • [H6] Art in America
  • [H6] The Guardian
  • [H6] Hyperallergic
  • [H6] The Art Newspaper
  • [H6] artcritical
  • [H6] Brooklyn Rail
  • [H6] Tamar Zinn
  • [H6] London Review of Books
  • [H6] ARTnews
  • [H6] The Art Newspaper
  • [H6] Powers of Observation
  • [H6] Art F City
  • [H6] Hyperallergic
  • [H6] London Review of Books
  • [H6] Hyperallergic
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature

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Ankertekst Type samenstelling
About Intern doFollow
Search Intern doFollow
Best of PT Intern doFollow
Reviews Intern doFollow
Studio Visits Intern doFollow
Artist Writings Intern doFollow
Catalogue Essays Intern doFollow
About Intern doFollow
Eleanor Ray: The power of the small Intern doFollow
Joanna Pousette-Dart: Centering Intern doFollow
Kim Uchiyama at Helm Contemporary Intern doFollow
Bosiljka Raditsa and Elizabeth Yamin Intern doFollow
Franklin Einspruch: Tangibilia Intern doFollow
Maison de Masson Intern doFollow
Interview with Barbara Grossman Intern doFollow
Dana Saulnier: Nearly Distant Intern doFollow
Art at Kings Oaks Intern doFollow
Larry Groff at Prince Street Gallery Intern doFollow
Larry Groff: In and Out of Sight Intern doFollow
On Raoul Dufy Intern doFollow
Shared Experience Intern doFollow
‘Let it be felt that the painter was there…’ Intern doFollow
Cezanne’s Sensations Intern doFollow
John Elderfield on Cézanne’s Portraits Intern doFollow
Claude Monet: Strictly A Revolution In Seeing Intern doFollow
John Goodrich on Henri Matisse Intern doFollow
Laura Owens: Art in Free Fall Intern doFollow
Cézanne Portraits: Relentless Intimacy Intern doFollow
Watteau’s Eloquent Formalism Intern doFollow
Romare Bearden: Abstraction Intern doFollow
Cézanne’s Radical Portraiture Intern doFollow
Leland Bell on André Derain Intern doFollow
Bridget Riley: Our Instinct Enhanced Intern doFollow
Against Space Intern doFollow
Giacometti, Frontality and Cubism Intern doFollow
Alan Gouk on Key Modernist Paintings Intern doFollow
Painting’s Place: Susan Lichtman at Steven Harvey Intern doFollow
Camille Pissarro: The Perennial Student Intern doFollow
Gillian Ayres @ National Museum of Wales Intern doFollow
Object Permanence: William Bailey at the Century Club Intern doFollow
The Vitality of the ‘Berlin Painter’ Intern doFollow
Florine Stettheimer: Rococo Subversive Intern doFollow
Making Work for LS Lowry Intern doFollow
Roger Bissière, The Last “Primitive” Intern doFollow
Death, Destruction and Deity: Painting Guernica Intern doFollow
R.B. Kitaj: Renewal and Resistance Intern doFollow
Christopher Le Brun: Interview Intern doFollow
Transcending Despair: Rothko, Herrera, Martin Intern doFollow
James Ensor @ The Royal Academy Intern doFollow
Philip Pearlstein on Francis Picabia Intern doFollow
Barbara Rose on Painting After Postmodernism Intern doFollow
Notes on Euan Uglow Intern doFollow
Julie Mehretu: Can Social Abstraction Succeed? Intern doFollow
Florine Stettheimer: Feminist Provocateur Intern doFollow
The Chase: Turner’s Rain, Steam and Speed Intern doFollow
Rhetorical Abstraction in the Age of the Incidental Viewer Intern doFollow
Pat Passlof: Paintings from the 50s Intern doFollow
John Walker at Alexandre Gallery Intern doFollow
Soutine: Art More Like Life Intern doFollow
Abstract Critical: Round-up Intern doFollow
Brenda Goodman: Interview Intern doFollow
Ying Li: Foreign Terrain Intern doFollow
Milton Resnick: Painting to Live Intern doFollow
Braque at the Phillips Collection Intern doFollow
Justice to Pissarro Intern doFollow
Jon Imber’s Painterly Freedom Intern doFollow
Nicolas de Staël: Needs to be Seen Intern doFollow
Al Held’s Visual Thresholds Intern doFollow
Nick Miller’s Truckscapes Intern doFollow
Jan Müller’s Abstract Tale Intern doFollow
The Drawings of Clyfford Still Intern doFollow
Gabriel Laderman on Art Intern doFollow
Brett Baker Extern doFollow

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feature 22
art 12
books 7
review 7
painting 6

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