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Painters' Table | Contemporary Art Magazine

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Painters' Table | Contemporary Art Magazine

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Painters' Table highlights online arts writing including articles, exhibition reviews, and artist interviews.

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Proprieta Contenuto
locale en_US
type website
title Painters' Table | Contemporary Art Magazine
description Painters' Table highlights online arts writing including articles, exhibition reviews, and artist interviews.
url https://www.painters-table.com/
site_name Painters' Table

Headings

H1 H2 H3 H4 H5 H6
0 1 55 4 12 63
  • [H2] Highlights from the archive
  • [H3] Art at Kings Oaks
  • [H3] Larry Groff at Prince Street Gallery
  • [H3] On Raoul Dufy
  • [H3] Cezanne’s Sensations
  • [H3] Shared Experience
  • [H3] John Elderfield on Cézanne’s Portraits
  • [H3] Claude Monet: Strictly A Revolution In Seeing
  • [H3] John Goodrich on Henri Matisse
  • [H3] Laura Owens: Art in Free Fall
  • [H3] Cézanne Portraits: Relentless Intimacy
  • [H3] Watteau’s Eloquent Formalism
  • [H3] Romare Bearden: Abstraction
  • [H3] ‘Let it be felt that the painter was there…’
  • [H3] Cézanne’s Radical Portraiture
  • [H3] Leland Bell on André Derain
  • [H3] Bridget Riley: Our Instinct Enhanced
  • [H3] Against Space
  • [H3] Giacometti, Frontality and Cubism
  • [H3] Alan Gouk on Key Modernist Paintings
  • [H3] Painting’s Place: Susan Lichtman at Steven Harvey
  • [H3] Camille Pissarro: The Perennial Student
  • [H3] Gillian Ayres @ National Museum of Wales
  • [H3] Object Permanence: William Bailey at the Century Club
  • [H3] The Vitality of the ‘Berlin Painter’
  • [H3] Florine Stettheimer: Rococo Subversive
  • [H3] Making Work for LS Lowry
  • [H3] Roger Bissière, The Last “Primitive”
  • [H3] Death, Destruction and Deity: Painting Guernica
  • [H3] R.B. Kitaj: Renewal and Resistance
  • [H3] Christopher Le Brun: Interview
  • [H3] Transcending Despair: Rothko, Herrera, Martin
  • [H3] James Ensor @ The Royal Academy
  • [H3] Philip Pearlstein on Francis Picabia
  • [H3] Barbara Rose on Painting After Postmodernism
  • [H3] Notes on Euan Uglow
  • [H3] Julie Mehretu: Can Social Abstraction Succeed?
  • [H3] Florine Stettheimer: Feminist Provocateur
  • [H3] The Chase: Turner’s Rain, Steam and Speed
  • [H3] Rhetorical Abstraction in the Age of the Incidental Viewer
  • [H3] Pat Passlof: Paintings from the 50s
  • [H3] John Walker at Alexandre Gallery
  • [H3] Soutine: Art More Like Life
  • [H3] Abstract Critical: Round-up
  • [H3] Brenda Goodman: Interview
  • [H3] Ying Li: Foreign Terrain
  • [H3] Milton Resnick: Painting to Live
  • [H3] Braque at the Phillips Collection
  • [H3] Justice to Pissarro
  • [H3] Jon Imber’s Painterly Freedom
  • [H3] Nicolas de Staël: Needs to be Seen
  • [H3] Al Held’s Visual Thresholds
  • [H3] Nick Miller’s Truckscapes
  • [H3] Jan Müller’s Abstract Tale
  • [H3] The Drawings of Clyfford Still
  • [H3] Gabriel Laderman on Art
  • [H4] April 2026 • What we’re reading
  • [H4] You might also like
  • [H4] You might also like
  • [H4] You might also like
  • [H5] Eleanor Ray: The power of the small
  • [H5] Joanna Pousette-Dart: Centering
  • [H5] Kim Uchiyama at Helm Contemporary
  • [H5] Bosiljka Raditsa and Elizabeth Yamin
  • [H5] Franklin Einspruch: Tangibilia
  • [H5] Maison de Masson
  • [H5] Interview with Barbara Grossman
  • [H5] Dana Saulnier: Nearly Distant
  • [H5] Larry Groff: In and Out of Sight
  • [H5] Shared Experience
  • [H5] ‘Let it be felt that the painter was there…’
  • [H5] Painters' Table is edited by artist Brett Baker
  • [H6] Two Coats of Paint
  • [H6] Brooklyn Rail
  • [H6] The New Criterion
  • [H6] Brooklyn Rail
  • [H6] Tussle
  • [H6] The New Criterion
  • [H6] Painting Perceptions
  • [H6] Looking Glass
  • [H6] Painting Perceptions
  • [H6] Feature
  • [H6] Feature
  • [H6] NonSite
  • [H6] PT Feature
  • [H6] Brooklyn Rail
  • [H6] Artlyst
  • [H6] Painters on Paintings
  • [H6] New York Review of Books
  • [H6] London Review of Books
  • [H6] Painting Perceptions
  • [H6] Hamptons Art Hub
  • [H6] PT Feature
  • [H6] Apollo Magazine
  • [H6] ARTnews
  • [H6] Christchurch Art Gallery
  • [H6] Brooklyn Rail
  • [H6] ARTnews
  • [H6] AbCrit
  • [H6] PT Feature
  • [H6] New York Review of Books
  • [H6] London Review of Books
  • [H6] PT Feature
  • [H6] New York Review of Books
  • [H6] Art in America
  • [H6] The Guardian
  • [H6] Hyperallergic
  • [H6] The Art Newspaper
  • [H6] artcritical
  • [H6] Brooklyn Rail
  • [H6] Tamar Zinn
  • [H6] London Review of Books
  • [H6] ARTnews
  • [H6] The Art Newspaper
  • [H6] Powers of Observation
  • [H6] Art F City
  • [H6] Hyperallergic
  • [H6] London Review of Books
  • [H6] Hyperallergic
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature
  • [H6] PT Feature

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Anchor Type Juice
About Interno Passing Juice
Search Interno Passing Juice
Best of PT Interno Passing Juice
Reviews Interno Passing Juice
Studio Visits Interno Passing Juice
Artist Writings Interno Passing Juice
Catalogue Essays Interno Passing Juice
About Interno Passing Juice
Eleanor Ray: The power of the small Interno Passing Juice
Joanna Pousette-Dart: Centering Interno Passing Juice
Kim Uchiyama at Helm Contemporary Interno Passing Juice
Bosiljka Raditsa and Elizabeth Yamin Interno Passing Juice
Franklin Einspruch: Tangibilia Interno Passing Juice
Maison de Masson Interno Passing Juice
Interview with Barbara Grossman Interno Passing Juice
Dana Saulnier: Nearly Distant Interno Passing Juice
Art at Kings Oaks Interno Passing Juice
Larry Groff at Prince Street Gallery Interno Passing Juice
Larry Groff: In and Out of Sight Interno Passing Juice
On Raoul Dufy Interno Passing Juice
Shared Experience Interno Passing Juice
‘Let it be felt that the painter was there…’ Interno Passing Juice
Cezanne’s Sensations Interno Passing Juice
John Elderfield on Cézanne’s Portraits Interno Passing Juice
Claude Monet: Strictly A Revolution In Seeing Interno Passing Juice
John Goodrich on Henri Matisse Interno Passing Juice
Laura Owens: Art in Free Fall Interno Passing Juice
Cézanne Portraits: Relentless Intimacy Interno Passing Juice
Watteau’s Eloquent Formalism Interno Passing Juice
Romare Bearden: Abstraction Interno Passing Juice
Cézanne’s Radical Portraiture Interno Passing Juice
Leland Bell on André Derain Interno Passing Juice
Bridget Riley: Our Instinct Enhanced Interno Passing Juice
Against Space Interno Passing Juice
Giacometti, Frontality and Cubism Interno Passing Juice
Alan Gouk on Key Modernist Paintings Interno Passing Juice
Painting’s Place: Susan Lichtman at Steven Harvey Interno Passing Juice
Camille Pissarro: The Perennial Student Interno Passing Juice
Gillian Ayres @ National Museum of Wales Interno Passing Juice
Object Permanence: William Bailey at the Century Club Interno Passing Juice
The Vitality of the ‘Berlin Painter’ Interno Passing Juice
Florine Stettheimer: Rococo Subversive Interno Passing Juice
Making Work for LS Lowry Interno Passing Juice
Roger Bissière, The Last “Primitive” Interno Passing Juice
Death, Destruction and Deity: Painting Guernica Interno Passing Juice
R.B. Kitaj: Renewal and Resistance Interno Passing Juice
Christopher Le Brun: Interview Interno Passing Juice
Transcending Despair: Rothko, Herrera, Martin Interno Passing Juice
James Ensor @ The Royal Academy Interno Passing Juice
Philip Pearlstein on Francis Picabia Interno Passing Juice
Barbara Rose on Painting After Postmodernism Interno Passing Juice
Notes on Euan Uglow Interno Passing Juice
Julie Mehretu: Can Social Abstraction Succeed? Interno Passing Juice
Florine Stettheimer: Feminist Provocateur Interno Passing Juice
The Chase: Turner’s Rain, Steam and Speed Interno Passing Juice
Rhetorical Abstraction in the Age of the Incidental Viewer Interno Passing Juice
Pat Passlof: Paintings from the 50s Interno Passing Juice
John Walker at Alexandre Gallery Interno Passing Juice
Soutine: Art More Like Life Interno Passing Juice
Abstract Critical: Round-up Interno Passing Juice
Brenda Goodman: Interview Interno Passing Juice
Ying Li: Foreign Terrain Interno Passing Juice
Milton Resnick: Painting to Live Interno Passing Juice
Braque at the Phillips Collection Interno Passing Juice
Justice to Pissarro Interno Passing Juice
Jon Imber’s Painterly Freedom Interno Passing Juice
Nicolas de Staël: Needs to be Seen Interno Passing Juice
Al Held’s Visual Thresholds Interno Passing Juice
Nick Miller’s Truckscapes Interno Passing Juice
Jan Müller’s Abstract Tale Interno Passing Juice
The Drawings of Clyfford Still Interno Passing Juice
Gabriel Laderman on Art Interno Passing Juice
Brett Baker Externo Passing Juice

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