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British Journal of Photography | Photography Journal | 1854 Media

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British Journal of Photography | Photography Journal | 1854 Media

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The British Journal of Photography has been providing the latest photography news and features since 1854. View the latest features and back issues here.

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locale en_GB
type website
title British Journal of Photography | Photography Journal | 1854 Media
description The British Journal of Photography has been providing the latest photography news and features since 1854. View the latest features and back issues here.
url https://www.1854.photography/
site_name 1854 Photography
image https://www.1854.photography/wp-content/uploads/1854-featured-journal.jpg
image:width 1200
image:height 627
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  • [H1] Power and fragility in the Leipzig Photobook Festival
  • [H1] On the Cusp: Announcing the winners of Female in Focus 2025
  • [H1] Kalpesh Lathigra’s The Lives We Dream in Passing
  • [H1] The first exhibition in Italy to focus on the HIV-Aids crisis
  • [H1] Documenting the overlooked legacy of debutante balls for Black American youth
  • [H1] The Metropolitan Museum receives a grand gift of global photography
  • [H1] Unmapping the image: Elsa Leydier distorts photography’s authority
  • [H1] Through the gates of hell and heaven: Dean Majd’s New York odyssey
  • [H1] The Gordon Parks Foundation marks 20 years with expanded fellowships and 2026 awardees
  • [H1] Textile Alchemy: Nicolás Garrido and letting materials speak
  • [H1] Matteo Dal Vera’s portrait of a body of water in transition
  • [H1] Latest Stories
  • [H1] Latest Journal stories
  • [H2] The Deutsche Börse Prize 2026 announces its shortlisted artists
  • [H2] Ocean Vuong considers Asian American rest and labour in his debut solo show
  • [H2] Power and fragility in the Leipzig Photobook Festival
  • [H2] On the Cusp: Announcing the winners of Female in Focus 2025
  • [H2] Kalpesh Lathigra’s The Lives We Dream in Passing
  • [H2] The first exhibition in Italy to focus on the HIV-Aids crisis
  • [H2] In Florida Boys, Josh Aronson finds magic in the encounter between young men and nature
  • [H2] Documenting the overlooked legacy of debutante balls for Black American youth
  • [H2] The Metropolitan Museum receives a grand gift of global photography
  • [H2] Bookshelf
  • [H2] Agenda
  • [H2] Industry Insights
  • [H2] The Deutsche Börse Prize 2026 announces its shortlisted artists
  • [H2] Ocean Vuong considers Asian American rest and labour in his debut solo show
  • [H2] Power and fragility in the Leipzig Photobook Festival
  • [H2] Bookshelf
  • [H2] Agenda
  • [H2] Industry Insights
  • [H4] Documenting the overlooked legacy of debutante balls for Black American youth
  • [H4] The ordered universe of war: revealing the military-industrial complex
  • [H4] Taboos and the trans community are at the heart of Ditte Haarløv Johnsen’s photographic diary from Mozambique
  • [H4] Somewhere between a doll and a dog: refusing transness as something to be solved
  • [H4] Davide Sorrenti’s work journals uncover a world of troubling beauty
  • [H4] “Broken promises”: Jono Terry investigates a ‘colonial hangover’ at Lake Kariba, Zimbabwe
  • [H4] All aboard! Legendary hotel and trains company Belmond supports new photography
  • [H4] Andrew Miksys reissues BAXT, a documentation of the Roma community in Lithuania
  • [H4] The Deutsche Börse Prize 2026 announces its shortlisted artists
  • [H4] Ocean Vuong considers Asian American rest and labour in his debut solo show
  • [H4] On the Cusp: Announcing the winners of Female in Focus 2025
  • [H4] Kalpesh Lathigra’s The Lives We Dream in Passing
  • [H4] The first exhibition in Italy to focus on the HIV-Aids crisis
  • [H4] Through the gates of hell and heaven: Dean Majd’s New York odyssey
  • [H4] Remote Learning with Real-World Application: An Insight into Falmouth’s Online Photography MA
  • [H4] At Chobi Mela, photography’s contradictions are exposed and engaged with
  • [H4] What does Paris Photo 2025 have in store?
  • [H4] Yancey Richardson marks 30 years with artist-led anniversary exhibition
  • [H4] In conversation: Ramón Reverté on 25 years of publishing at Editorial RM
  • [H4] “Anticipatory obedience”: The precarious state of photography for the trans community in the United States
  • [H4] Taking risks on your own terms: what Falmouth University’s online MA has to offer
  • [H4] A new home for photography in Vienna
  • [H4] Varun Aditya, on phone photography, relinquishing control and staying inspired
  • [H4] Discovery and innovation compliment industry legends at AIPAD’s Photography Show 2025
  • [H4] The Deutsche Börse Prize 2026 announces its shortlisted artists
  • [H4] Ocean Vuong considers Asian American rest and labour in his debut solo show
  • [H4] On the Cusp: Announcing the winners of Female in Focus 2025
  • [H4] Kalpesh Lathigra’s The Lives We Dream in Passing
  • [H4] The first exhibition in Italy to focus on the HIV-Aids crisis
  • [H4] Through the gates of hell and heaven: Dean Majd’s New York odyssey
  • [H4] Remote Learning with Real-World Application: An Insight into Falmouth’s Online Photography MA
  • [H4] At Chobi Mela, photography’s contradictions are exposed and engaged with
  • [H4] Documenting the overlooked legacy of debutante balls for Black American youth
  • [H4] The ordered universe of war: revealing the military-industrial complex
  • [H4] Taboos and the trans community are at the heart of Ditte Haarløv Johnsen’s photographic diary from Mozambique
  • [H4] Somewhere between a doll and a dog: refusing transness as something to be solved
  • [H4] Davide Sorrenti’s work journals uncover a world of troubling beauty
  • [H4] “Broken promises”: Jono Terry investigates a ‘colonial hangover’ at Lake Kariba, Zimbabwe
  • [H4] All aboard! Legendary hotel and trains company Belmond supports new photography
  • [H4] Andrew Miksys reissues BAXT, a documentation of the Roma community in Lithuania
  • [H4] What does Paris Photo 2025 have in store?
  • [H4] Yancey Richardson marks 30 years with artist-led anniversary exhibition
  • [H4] In conversation: Ramón Reverté on 25 years of publishing at Editorial RM
  • [H4] “Anticipatory obedience”: The precarious state of photography for the trans community in the United States
  • [H4] Taking risks on your own terms: what Falmouth University’s online MA has to offer
  • [H4] A new home for photography in Vienna
  • [H4] Varun Aditya, on phone photography, relinquishing control and staying inspired
  • [H4] Discovery and innovation compliment industry legends at AIPAD’s Photography Show 2025
  • [H4] Les Rencontres d’Arles returns with an expanse of shows across territories
  • [H4] Why Don’t You Dance? — Hannah Darabi on resistance, memory and movement in Iran
  • [H4] Hannah Darabi wins the Prix Elysée
  • [H4] A new photo book investigates Irish culture and the landscape beyond conflict and stereotypes
  • [H4] Sophie Green’s romantic vision of a lived Britain
  • [H4] Theodoros Gennitsakis marries Ancient Greek mythology with contemporary street subcultures
  • [H4] A Thousand Small Stories: The first retrospective of Eileen Perrier’s expansive and humanist work
  • [H4] Welcome to Slidefest 2025: In conversation with Mohamed Somji
  • [H4] The first exhibition in Italy to focus on the HIV-Aids crisis
  • [H4] The Turkish artist elevating wedding photography
  • [H4] Karla Hiraldo Voleau turns heartbreak into empowerment as she reclaims her story
  • [H4] Erica Reade photographs lovers on New York’s beaches
  • [H4] Wish you were here: Love and loss in photography
  • [H4] A vivid journey into Momo Okabe’s psychological landscape
  • [H4] Marco Zanella finds love in the Italian countryside
  • [H4] A selection of photobooks to look out for this spring
  • [H4] Somewhere between a doll and a dog: refusing transness as something to be solved
  • [H4] What is a home and how do we construct one? Foto/Industria investigates
  • [H4] Middle East Archive invites us to meditate on the spiritual and material power of the living room
  • [H4] Narrating the multitude of Britain’s stories through still-life
  • [H4] Marie Tomanova comes full circle with her exploration of the home in a new photo book, It Was Once My Universe
  • [H4] Julia Gat’s decade-long project invites us to reimagine what we define as learning
  • [H4] Osceola Refetoff’s poignant survey of man’s presence in the deserts of the American West
  • [H4] Salih Basheer’s dreamlike images explore home, belonging and loss

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The Gordon Parks Foundation marks 20 years with expanded fellowships and 2026 awardees Extern doFollow
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Textile Alchemy: Nicolás Garrido and letting materials speak Extern doFollow
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Somewhere between a doll and a dog: refusing transness as something to be solved Extern doFollow
Archives Extern doFollow
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Davide Sorrenti’s work journals uncover a world of troubling beauty Extern doFollow
“Broken promises”: Jono Terry investigates a ‘colonial hangover’ at Lake Kariba, Zimbabwe Extern doFollow
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All aboard! Legendary hotel and trains company Belmond supports new photography Extern doFollow
Andrew Miksys reissues BAXT, a documentation of the Roma community in Lithuania Extern doFollow
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Remote Learning with Real-World Application: An Insight into Falmouth’s Online Photography MA Extern doFollow
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At Chobi Mela, photography’s contradictions are exposed and engaged with Extern doFollow
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What does Paris Photo 2025 have in store? Extern doFollow
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Yancey Richardson marks 30 years with artist-led anniversary exhibition Extern doFollow
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In conversation: Ramón Reverté on 25 years of publishing at Editorial RM Extern doFollow
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Education Extern doFollow
Taking risks on your own terms: what Falmouth University’s online MA has to offer Extern doFollow
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A new home for photography in Vienna Extern doFollow
Varun Aditya, on phone photography, relinquishing control and staying inspired Extern doFollow
Discovery and innovation compliment industry legends at AIPAD’s Photography Show 2025 Extern doFollow
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Les Rencontres d’Arles returns with an expanse of shows across territories Extern doFollow
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Why Don’t You Dance? — Hannah Darabi on resistance, memory and movement in Iran Extern doFollow
Hannah Darabi wins the Prix Elysée Extern doFollow
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A new photo book investigates Irish culture and the landscape beyond conflict and stereotypes Extern doFollow
Sophie Green’s romantic vision of a lived Britain Extern doFollow
Theodoros Gennitsakis marries Ancient Greek mythology with contemporary street subcultures Extern doFollow
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A Thousand Small Stories: The first retrospective of Eileen Perrier’s expansive and humanist work Extern doFollow
Displacement & Migration Extern doFollow
Welcome to Slidefest 2025: In conversation with Mohamed Somji Extern doFollow
The Turkish artist elevating wedding photography Extern doFollow
Karla Hiraldo Voleau turns heartbreak into empowerment as she reclaims her story Extern doFollow
Erica Reade photographs lovers on New York’s beaches Extern doFollow
Wish you were here: Love and loss in photography Extern doFollow
Identity Politics Extern doFollow
A vivid journey into Momo Okabe’s psychological landscape Extern doFollow
Marco Zanella finds love in the Italian countryside Extern doFollow
A selection of photobooks to look out for this spring Extern doFollow
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What is a home and how do we construct one? Foto/Industria investigates Extern doFollow
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Middle East Archive invites us to meditate on the spiritual and material power of the living room Extern doFollow
Narrating the multitude of Britain’s stories through still-life Extern doFollow
Marie Tomanova comes full circle with her exploration of the home in a new photo book, It Was Once My Universe Extern doFollow
Julia Gat’s decade-long project invites us to reimagine what we define as learning Extern doFollow
Decade of Change Extern doFollow
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