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British Journal of Photography | Photography Journal | 1854 Media

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Titre

British Journal of Photography | Photography Journal | 1854 Media

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Description

The British Journal of Photography has been providing the latest photography news and features since 1854. View the latest features and back issues here.

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Propriété Contenu
locale en_GB
type website
title British Journal of Photography | Photography Journal | 1854 Media
description The British Journal of Photography has been providing the latest photography news and features since 1854. View the latest features and back issues here.
url https://www.1854.photography/
site_name 1854 Photography
image https://www.1854.photography/wp-content/uploads/1854-featured-journal.jpg
image:width 1200
image:height 627
image:type image/jpeg

Niveaux de titre

H1 H2 H3 H4 H5 H6
13 18 0 72 0 0
  • [H1] Power and fragility in the Leipzig Photobook Festival
  • [H1] On the Cusp: Announcing the winners of Female in Focus 2025
  • [H1] Kalpesh Lathigra’s The Lives We Dream in Passing
  • [H1] The first exhibition in Italy to focus on the HIV-Aids crisis
  • [H1] Documenting the overlooked legacy of debutante balls for Black American youth
  • [H1] The Metropolitan Museum receives a grand gift of global photography
  • [H1] Unmapping the image: Elsa Leydier distorts photography’s authority
  • [H1] Through the gates of hell and heaven: Dean Majd’s New York odyssey
  • [H1] The Gordon Parks Foundation marks 20 years with expanded fellowships and 2026 awardees
  • [H1] Textile Alchemy: Nicolás Garrido and letting materials speak
  • [H1] Matteo Dal Vera’s portrait of a body of water in transition
  • [H1] Latest Stories
  • [H1] Latest Journal stories
  • [H2] The Deutsche Börse Prize 2026 announces its shortlisted artists
  • [H2] Ocean Vuong considers Asian American rest and labour in his debut solo show
  • [H2] Power and fragility in the Leipzig Photobook Festival
  • [H2] On the Cusp: Announcing the winners of Female in Focus 2025
  • [H2] Kalpesh Lathigra’s The Lives We Dream in Passing
  • [H2] The first exhibition in Italy to focus on the HIV-Aids crisis
  • [H2] In Florida Boys, Josh Aronson finds magic in the encounter between young men and nature
  • [H2] Documenting the overlooked legacy of debutante balls for Black American youth
  • [H2] The Metropolitan Museum receives a grand gift of global photography
  • [H2] Bookshelf
  • [H2] Agenda
  • [H2] Industry Insights
  • [H2] The Deutsche Börse Prize 2026 announces its shortlisted artists
  • [H2] Ocean Vuong considers Asian American rest and labour in his debut solo show
  • [H2] Power and fragility in the Leipzig Photobook Festival
  • [H2] Bookshelf
  • [H2] Agenda
  • [H2] Industry Insights
  • [H4] Documenting the overlooked legacy of debutante balls for Black American youth
  • [H4] The ordered universe of war: revealing the military-industrial complex
  • [H4] Taboos and the trans community are at the heart of Ditte Haarløv Johnsen’s photographic diary from Mozambique
  • [H4] Somewhere between a doll and a dog: refusing transness as something to be solved
  • [H4] Davide Sorrenti’s work journals uncover a world of troubling beauty
  • [H4] “Broken promises”: Jono Terry investigates a ‘colonial hangover’ at Lake Kariba, Zimbabwe
  • [H4] All aboard! Legendary hotel and trains company Belmond supports new photography
  • [H4] Andrew Miksys reissues BAXT, a documentation of the Roma community in Lithuania
  • [H4] The Deutsche Börse Prize 2026 announces its shortlisted artists
  • [H4] Ocean Vuong considers Asian American rest and labour in his debut solo show
  • [H4] On the Cusp: Announcing the winners of Female in Focus 2025
  • [H4] Kalpesh Lathigra’s The Lives We Dream in Passing
  • [H4] The first exhibition in Italy to focus on the HIV-Aids crisis
  • [H4] Through the gates of hell and heaven: Dean Majd’s New York odyssey
  • [H4] Remote Learning with Real-World Application: An Insight into Falmouth’s Online Photography MA
  • [H4] At Chobi Mela, photography’s contradictions are exposed and engaged with
  • [H4] What does Paris Photo 2025 have in store?
  • [H4] Yancey Richardson marks 30 years with artist-led anniversary exhibition
  • [H4] In conversation: Ramón Reverté on 25 years of publishing at Editorial RM
  • [H4] “Anticipatory obedience”: The precarious state of photography for the trans community in the United States
  • [H4] Taking risks on your own terms: what Falmouth University’s online MA has to offer
  • [H4] A new home for photography in Vienna
  • [H4] Varun Aditya, on phone photography, relinquishing control and staying inspired
  • [H4] Discovery and innovation compliment industry legends at AIPAD’s Photography Show 2025
  • [H4] The Deutsche Börse Prize 2026 announces its shortlisted artists
  • [H4] Ocean Vuong considers Asian American rest and labour in his debut solo show
  • [H4] On the Cusp: Announcing the winners of Female in Focus 2025
  • [H4] Kalpesh Lathigra’s The Lives We Dream in Passing
  • [H4] The first exhibition in Italy to focus on the HIV-Aids crisis
  • [H4] Through the gates of hell and heaven: Dean Majd’s New York odyssey
  • [H4] Remote Learning with Real-World Application: An Insight into Falmouth’s Online Photography MA
  • [H4] At Chobi Mela, photography’s contradictions are exposed and engaged with
  • [H4] Documenting the overlooked legacy of debutante balls for Black American youth
  • [H4] The ordered universe of war: revealing the military-industrial complex
  • [H4] Taboos and the trans community are at the heart of Ditte Haarløv Johnsen’s photographic diary from Mozambique
  • [H4] Somewhere between a doll and a dog: refusing transness as something to be solved
  • [H4] Davide Sorrenti’s work journals uncover a world of troubling beauty
  • [H4] “Broken promises”: Jono Terry investigates a ‘colonial hangover’ at Lake Kariba, Zimbabwe
  • [H4] All aboard! Legendary hotel and trains company Belmond supports new photography
  • [H4] Andrew Miksys reissues BAXT, a documentation of the Roma community in Lithuania
  • [H4] What does Paris Photo 2025 have in store?
  • [H4] Yancey Richardson marks 30 years with artist-led anniversary exhibition
  • [H4] In conversation: Ramón Reverté on 25 years of publishing at Editorial RM
  • [H4] “Anticipatory obedience”: The precarious state of photography for the trans community in the United States
  • [H4] Taking risks on your own terms: what Falmouth University’s online MA has to offer
  • [H4] A new home for photography in Vienna
  • [H4] Varun Aditya, on phone photography, relinquishing control and staying inspired
  • [H4] Discovery and innovation compliment industry legends at AIPAD’s Photography Show 2025
  • [H4] Les Rencontres d’Arles returns with an expanse of shows across territories
  • [H4] Why Don’t You Dance? — Hannah Darabi on resistance, memory and movement in Iran
  • [H4] Hannah Darabi wins the Prix Elysée
  • [H4] A new photo book investigates Irish culture and the landscape beyond conflict and stereotypes
  • [H4] Sophie Green’s romantic vision of a lived Britain
  • [H4] Theodoros Gennitsakis marries Ancient Greek mythology with contemporary street subcultures
  • [H4] A Thousand Small Stories: The first retrospective of Eileen Perrier’s expansive and humanist work
  • [H4] Welcome to Slidefest 2025: In conversation with Mohamed Somji
  • [H4] The first exhibition in Italy to focus on the HIV-Aids crisis
  • [H4] The Turkish artist elevating wedding photography
  • [H4] Karla Hiraldo Voleau turns heartbreak into empowerment as she reclaims her story
  • [H4] Erica Reade photographs lovers on New York’s beaches
  • [H4] Wish you were here: Love and loss in photography
  • [H4] A vivid journey into Momo Okabe’s psychological landscape
  • [H4] Marco Zanella finds love in the Italian countryside
  • [H4] A selection of photobooks to look out for this spring
  • [H4] Somewhere between a doll and a dog: refusing transness as something to be solved
  • [H4] What is a home and how do we construct one? Foto/Industria investigates
  • [H4] Middle East Archive invites us to meditate on the spiritual and material power of the living room
  • [H4] Narrating the multitude of Britain’s stories through still-life
  • [H4] Marie Tomanova comes full circle with her exploration of the home in a new photo book, It Was Once My Universe
  • [H4] Julia Gat’s decade-long project invites us to reimagine what we define as learning
  • [H4] Osceola Refetoff’s poignant survey of man’s presence in the deserts of the American West
  • [H4] Salih Basheer’s dreamlike images explore home, belonging and loss

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Photobook Externe Passing Juice
Workshops Externe Passing Juice
Power and fragility in the Leipzig Photobook Festival Externe Passing Juice
Diane Smyth Externe Passing Juice
1854 Awards Externe Passing Juice
Agenda Externe Passing Juice
Community Externe Passing Juice
Environment Externe Passing Juice
Female in Focus Externe Passing Juice
Projects Externe Passing Juice
On the Cusp: Announcing the winners of Female in Focus 2025 Externe Passing Juice
Flossie Skelton Externe Passing Juice
Documentary Externe Passing Juice
Exhibition Externe Passing Juice
Kalpesh Lathigra’s The Lives We Dream in Passing Externe Passing Juice
Gender & Sexuality Externe Passing Juice
Love Externe Passing Juice
The first exhibition in Italy to focus on the HIV-Aids crisis Externe Passing Juice
Dalia Al-Dujaili Externe Passing Juice
Bookshelf Externe Passing Juice
Race & Representation Externe Passing Juice
Youth Culture Externe Passing Juice
Documenting the overlooked legacy of debutante balls for Black American youth Externe Passing Juice
Selma Nouri Externe Passing Juice
Africa Externe Passing Juice
The Metropolitan Museum receives a grand gift of global photography Externe Passing Juice
collage Externe Passing Juice
Decolonisation Externe Passing Juice
Unmapping the image: Elsa Leydier distorts photography’s authority Externe Passing Juice
Masculinity Externe Passing Juice
Through the gates of hell and heaven: Dean Majd’s New York odyssey Externe Passing Juice
Madeleine Pollard Externe Passing Juice
Awards Externe Passing Juice
The Gordon Parks Foundation marks 20 years with expanded fellowships and 2026 awardees Externe Passing Juice
BJP Editorial Externe Passing Juice
Magic Externe Passing Juice
South America Externe Passing Juice
Textile Alchemy: Nicolás Garrido and letting materials speak Externe Passing Juice
Raquel Villar-Pérez Externe Passing Juice
Industry Externe Passing Juice
Matteo Dal Vera’s portrait of a body of water in transition Externe Passing Juice
Patricia Karallis Externe Passing Juice
latest Interne Passing Juice
Agenda Interne Passing Juice
Bookshelf Interne Passing Juice
Projects Interne Passing Juice
Industry Insights Interne Passing Juice
magazine Externe Passing Juice
ANY ANSWERS Interne Passing Juice
FINE ART Interne Passing Juice
IN THE STUDIO Interne Passing Juice
PARENTHOOD Interne Passing Juice
ART & ACTIVISM Interne Passing Juice
FOR THE RECORD Interne Passing Juice
LANDSCAPE Interne Passing Juice
PICTURE THIS Interne Passing Juice
CREATIVE BRIEF Interne Passing Juice
GENDER & SEXUALITY Interne Passing Juice
MIXED MEDIA Interne Passing Juice
POWER & EMPOWERMENT Interne Passing Juice
DOCUMENTARY Interne Passing Juice
HOME & BELONGING Interne Passing Juice
ON LOCATION Interne Passing Juice
PORTRAITURE Interne Passing Juice
DECADE OF CHANGE Interne Passing Juice
HUMANITY & TECHNOLOGY Interne Passing Juice
OPINION Interne Passing Juice
THEN & NOW Interne Passing Juice
bookshelf Interne Passing Juice
theme in focus Interne Passing Juice
industry insights Interne Passing Juice
magazine Interne Passing Juice
The Deutsche Börse Prize 2026 announces its shortlisted artists Externe Passing Juice
Ocean Vuong considers Asian American rest and labour in his debut solo show Externe Passing Juice
Work Externe Passing Juice
In Florida Boys, Josh Aronson finds magic in the encounter between young men and nature Externe Passing Juice
Nature Externe Passing Juice
Load More Interne Passing Juice
Features Externe Passing Juice
War & Conflict Externe Passing Juice
The ordered universe of war: revealing the military-industrial complex Externe Passing Juice
Politics & Power Externe Passing Juice
Taboos and the trans community are at the heart of Ditte Haarløv Johnsen’s photographic diary from Mozambique Externe Passing Juice
Home Externe Passing Juice
Somewhere between a doll and a dog: refusing transness as something to be solved Externe Passing Juice
Archives Externe Passing Juice
Fashion Externe Passing Juice
Davide Sorrenti’s work journals uncover a world of troubling beauty Externe Passing Juice
“Broken promises”: Jono Terry investigates a ‘colonial hangover’ at Lake Kariba, Zimbabwe Externe Passing Juice
Competitions Externe Passing Juice
Travel Externe Passing Juice
All aboard! Legendary hotel and trains company Belmond supports new photography Externe Passing Juice
Andrew Miksys reissues BAXT, a documentation of the Roma community in Lithuania Externe Passing Juice
Agenda Interne Passing Juice
Remote Learning with Real-World Application: An Insight into Falmouth’s Online Photography MA Externe Passing Juice
Picture gallery Externe Passing Juice
At Chobi Mela, photography’s contradictions are exposed and engaged with Externe Passing Juice
Fair Externe Passing Juice
Industry Insights Externe Passing Juice
What does Paris Photo 2025 have in store? Externe Passing Juice
Collaboration Externe Passing Juice
Yancey Richardson marks 30 years with artist-led anniversary exhibition Externe Passing Juice
In Conversation Externe Passing Juice
Latin America Externe Passing Juice
In conversation: Ramón Reverté on 25 years of publishing at Editorial RM Externe Passing Juice
Long Read Externe Passing Juice
“Anticipatory obedience”: The precarious state of photography for the trans community in the United States Externe Passing Juice
Education Externe Passing Juice
Taking risks on your own terms: what Falmouth University’s online MA has to offer Externe Passing Juice
Intelligence Externe Passing Juice
Interview Externe Passing Juice
A new home for photography in Vienna Externe Passing Juice
Varun Aditya, on phone photography, relinquishing control and staying inspired Externe Passing Juice
Discovery and innovation compliment industry legends at AIPAD’s Photography Show 2025 Externe Passing Juice
Bookshelf Externe Passing Juice
Agenda Externe Passing Juice
Industry Insights Externe Passing Juice
Tradition & Identity Externe Passing Juice
Les Rencontres d’Arles returns with an expanse of shows across territories Externe Passing Juice
Activism & Protest Externe Passing Juice
Mixed-media Externe Passing Juice
Why Don’t You Dance? — Hannah Darabi on resistance, memory and movement in Iran Externe Passing Juice
Hannah Darabi wins the Prix Elysée Externe Passing Juice
Social History Externe Passing Juice
A new photo book investigates Irish culture and the landscape beyond conflict and stereotypes Externe Passing Juice
Sophie Green’s romantic vision of a lived Britain Externe Passing Juice
Theodoros Gennitsakis marries Ancient Greek mythology with contemporary street subcultures Externe Passing Juice
Beauty & Aesthetics Externe Passing Juice
A Thousand Small Stories: The first retrospective of Eileen Perrier’s expansive and humanist work Externe Passing Juice
Displacement & Migration Externe Passing Juice
Welcome to Slidefest 2025: In conversation with Mohamed Somji Externe Passing Juice
The Turkish artist elevating wedding photography Externe Passing Juice
Karla Hiraldo Voleau turns heartbreak into empowerment as she reclaims her story Externe Passing Juice
Erica Reade photographs lovers on New York’s beaches Externe Passing Juice
Wish you were here: Love and loss in photography Externe Passing Juice
Identity Politics Externe Passing Juice
A vivid journey into Momo Okabe’s psychological landscape Externe Passing Juice
Marco Zanella finds love in the Italian countryside Externe Passing Juice
A selection of photobooks to look out for this spring Externe Passing Juice
Home Externe Passing Juice
Architecture Externe Passing Juice
What is a home and how do we construct one? Foto/Industria investigates Externe Passing Juice
SWANA region Externe Passing Juice
Middle East Archive invites us to meditate on the spiritual and material power of the living room Externe Passing Juice
Narrating the multitude of Britain’s stories through still-life Externe Passing Juice
Marie Tomanova comes full circle with her exploration of the home in a new photo book, It Was Once My Universe Externe Passing Juice
Julia Gat’s decade-long project invites us to reimagine what we define as learning Externe Passing Juice
Decade of Change Externe Passing Juice
Osceola Refetoff’s poignant survey of man’s presence in the deserts of the American West Externe Passing Juice
Ones To Watch Externe Passing Juice
Salih Basheer’s dreamlike images explore home, belonging and loss Externe Passing Juice
Get in touch Interne Passing Juice
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Female in Focus Interne Passing Juice
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insights february al-dujaili dalia agenda photography march bookshelf ago industry

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agenda 42
ago 34
february 28
bookshelf 26
photography 26

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