1854.photography

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British Journal of Photography | Photography Journal | 1854 Media

 Généré le 05 Mars 2026 02:47

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Titre

British Journal of Photography | Photography Journal | 1854 Media

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Description

The British Journal of Photography has been providing the latest photography news and features since 1854. View the latest features and back issues here.

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Propriété Contenu
locale en_GB
type website
title British Journal of Photography | Photography Journal | 1854 Media
description The British Journal of Photography has been providing the latest photography news and features since 1854. View the latest features and back issues here.
url https://www.1854.photography/
site_name 1854 Photography
image https://www.1854.photography/wp-content/uploads/1854-featured-journal.jpg
image:width 1200
image:height 627
image:type image/jpeg

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H1 H2 H3 H4 H5 H6
13 18 0 72 0 0
  • [H1] Power and fragility in the Leipzig Photobook Festival
  • [H1] On the Cusp: Announcing the winners of Female in Focus 2025
  • [H1] Kalpesh Lathigra’s The Lives We Dream in Passing
  • [H1] The first exhibition in Italy to focus on the HIV-Aids crisis
  • [H1] Documenting the overlooked legacy of debutante balls for Black American youth
  • [H1] The Metropolitan Museum receives a grand gift of global photography
  • [H1] Unmapping the image: Elsa Leydier distorts photography’s authority
  • [H1] Through the gates of hell and heaven: Dean Majd’s New York odyssey
  • [H1] The Gordon Parks Foundation marks 20 years with expanded fellowships and 2026 awardees
  • [H1] Textile Alchemy: Nicolás Garrido and letting materials speak
  • [H1] Matteo Dal Vera’s portrait of a body of water in transition
  • [H1] Latest Stories
  • [H1] Latest Journal stories
  • [H2] Ocean Vuong considers Asian American rest and labour in his debut solo show
  • [H2] Power and fragility in the Leipzig Photobook Festival
  • [H2] On the Cusp: Announcing the winners of Female in Focus 2025
  • [H2] Kalpesh Lathigra’s The Lives We Dream in Passing
  • [H2] The first exhibition in Italy to focus on the HIV-Aids crisis
  • [H2] In Florida Boys, Josh Aronson finds magic in the encounter between young men and nature
  • [H2] Documenting the overlooked legacy of debutante balls for Black American youth
  • [H2] The Metropolitan Museum receives a grand gift of global photography
  • [H2] Unmapping the image: Elsa Leydier distorts photography’s authority
  • [H2] Bookshelf
  • [H2] Agenda
  • [H2] Industry Insights
  • [H2] Ocean Vuong considers Asian American rest and labour in his debut solo show
  • [H2] Power and fragility in the Leipzig Photobook Festival
  • [H2] On the Cusp: Announcing the winners of Female in Focus 2025
  • [H2] Bookshelf
  • [H2] Agenda
  • [H2] Industry Insights
  • [H4] Documenting the overlooked legacy of debutante balls for Black American youth
  • [H4] The ordered universe of war: revealing the military-industrial complex
  • [H4] Taboos and the trans community are at the heart of Ditte Haarløv Johnsen’s photographic diary from Mozambique
  • [H4] Somewhere between a doll and a dog: refusing transness as something to be solved
  • [H4] Davide Sorrenti’s work journals uncover a world of troubling beauty
  • [H4] “Broken promises”: Jono Terry investigates a ‘colonial hangover’ at Lake Kariba, Zimbabwe
  • [H4] All aboard! Legendary hotel and trains company Belmond supports new photography
  • [H4] Andrew Miksys reissues BAXT, a documentation of the Roma community in Lithuania
  • [H4] Ocean Vuong considers Asian American rest and labour in his debut solo show
  • [H4] On the Cusp: Announcing the winners of Female in Focus 2025
  • [H4] Kalpesh Lathigra’s The Lives We Dream in Passing
  • [H4] The first exhibition in Italy to focus on the HIV-Aids crisis
  • [H4] Through the gates of hell and heaven: Dean Majd’s New York odyssey
  • [H4] Remote Learning with Real-World Application: An Insight into Falmouth’s Online Photography MA
  • [H4] At Chobi Mela, photography’s contradictions are exposed and engaged with
  • [H4] Hand-printed photography as inheritance: Jurga Ramonaite on Arctic landscapes and memory-keeping
  • [H4] What does Paris Photo 2025 have in store?
  • [H4] Yancey Richardson marks 30 years with artist-led anniversary exhibition
  • [H4] In conversation: Ramón Reverté on 25 years of publishing at Editorial RM
  • [H4] “Anticipatory obedience”: The precarious state of photography for the trans community in the United States
  • [H4] Taking risks on your own terms: what Falmouth University’s online MA has to offer
  • [H4] A new home for photography in Vienna
  • [H4] Varun Aditya, on phone photography, relinquishing control and staying inspired
  • [H4] Discovery and innovation compliment industry legends at AIPAD’s Photography Show 2025
  • [H4] Ocean Vuong considers Asian American rest and labour in his debut solo show
  • [H4] On the Cusp: Announcing the winners of Female in Focus 2025
  • [H4] Kalpesh Lathigra’s The Lives We Dream in Passing
  • [H4] The first exhibition in Italy to focus on the HIV-Aids crisis
  • [H4] Through the gates of hell and heaven: Dean Majd’s New York odyssey
  • [H4] Remote Learning with Real-World Application: An Insight into Falmouth’s Online Photography MA
  • [H4] At Chobi Mela, photography’s contradictions are exposed and engaged with
  • [H4] Hand-printed photography as inheritance: Jurga Ramonaite on Arctic landscapes and memory-keeping
  • [H4] Documenting the overlooked legacy of debutante balls for Black American youth
  • [H4] The ordered universe of war: revealing the military-industrial complex
  • [H4] Taboos and the trans community are at the heart of Ditte Haarløv Johnsen’s photographic diary from Mozambique
  • [H4] Somewhere between a doll and a dog: refusing transness as something to be solved
  • [H4] Davide Sorrenti’s work journals uncover a world of troubling beauty
  • [H4] “Broken promises”: Jono Terry investigates a ‘colonial hangover’ at Lake Kariba, Zimbabwe
  • [H4] All aboard! Legendary hotel and trains company Belmond supports new photography
  • [H4] Andrew Miksys reissues BAXT, a documentation of the Roma community in Lithuania
  • [H4] What does Paris Photo 2025 have in store?
  • [H4] Yancey Richardson marks 30 years with artist-led anniversary exhibition
  • [H4] In conversation: Ramón Reverté on 25 years of publishing at Editorial RM
  • [H4] “Anticipatory obedience”: The precarious state of photography for the trans community in the United States
  • [H4] Taking risks on your own terms: what Falmouth University’s online MA has to offer
  • [H4] A new home for photography in Vienna
  • [H4] Varun Aditya, on phone photography, relinquishing control and staying inspired
  • [H4] Discovery and innovation compliment industry legends at AIPAD’s Photography Show 2025
  • [H4] Les Rencontres d’Arles returns with an expanse of shows across territories
  • [H4] Why Don’t You Dance? — Hannah Darabi on resistance, memory and movement in Iran
  • [H4] Hannah Darabi wins the Prix Elysée
  • [H4] A new photo book investigates Irish culture and the landscape beyond conflict and stereotypes
  • [H4] Sophie Green’s romantic vision of a lived Britain
  • [H4] Theodoros Gennitsakis marries Ancient Greek mythology with contemporary street subcultures
  • [H4] A Thousand Small Stories: The first retrospective of Eileen Perrier’s expansive and humanist work
  • [H4] Welcome to Slidefest 2025: In conversation with Mohamed Somji
  • [H4] The first exhibition in Italy to focus on the HIV-Aids crisis
  • [H4] The Turkish artist elevating wedding photography
  • [H4] Karla Hiraldo Voleau turns heartbreak into empowerment as she reclaims her story
  • [H4] Erica Reade photographs lovers on New York’s beaches
  • [H4] Wish you were here: Love and loss in photography
  • [H4] A vivid journey into Momo Okabe’s psychological landscape
  • [H4] Marco Zanella finds love in the Italian countryside
  • [H4] A selection of photobooks to look out for this spring
  • [H4] Somewhere between a doll and a dog: refusing transness as something to be solved
  • [H4] What is a home and how do we construct one? Foto/Industria investigates
  • [H4] Middle East Archive invites us to meditate on the spiritual and material power of the living room
  • [H4] Narrating the multitude of Britain’s stories through still-life
  • [H4] Marie Tomanova comes full circle with her exploration of the home in a new photo book, It Was Once My Universe
  • [H4] Julia Gat’s decade-long project invites us to reimagine what we define as learning
  • [H4] Osceola Refetoff’s poignant survey of man’s presence in the deserts of the American West
  • [H4] Salih Basheer’s dreamlike images explore home, belonging and loss

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Texte d'ancre Type Juice
SUBSCRIBE Interne Passing Juice
READ Interne Passing Juice
ONES TO WATCH 2025 Interne Passing Juice
ONLINE LIBRARY Interne Passing Juice
BUY PRINT ISSUES Externe Passing Juice
PARTICIPATE Interne Passing Juice
COMMISSIONS Interne Passing Juice
MEMBERSHIP Interne Passing Juice
MANAGE MEMBERSHIP Interne Passing Juice
Events Interne Passing Juice
Fairs Interne Passing Juice
Festival Interne Passing Juice
Festivals Interne Passing Juice
Fine Art Interne Passing Juice
News Interne Passing Juice
Photobook Interne Passing Juice
Workshops Interne Passing Juice
Power and fragility in the Leipzig Photobook Festival Interne Passing Juice
Diane Smyth Interne Passing Juice
1854 Awards Interne Passing Juice
Agenda Interne Passing Juice
Community Interne Passing Juice
Environment Interne Passing Juice
Female in Focus Interne Passing Juice
Projects Interne Passing Juice
On the Cusp: Announcing the winners of Female in Focus 2025 Interne Passing Juice
Flossie Skelton Interne Passing Juice
Documentary Interne Passing Juice
Exhibition Interne Passing Juice
Kalpesh Lathigra’s The Lives We Dream in Passing Interne Passing Juice
Gender & Sexuality Interne Passing Juice
Love Interne Passing Juice
The first exhibition in Italy to focus on the HIV-Aids crisis Interne Passing Juice
Dalia Al-Dujaili Interne Passing Juice
Bookshelf Interne Passing Juice
Race & Representation Interne Passing Juice
Youth Culture Interne Passing Juice
Documenting the overlooked legacy of debutante balls for Black American youth Interne Passing Juice
Selma Nouri Interne Passing Juice
Africa Interne Passing Juice
The Metropolitan Museum receives a grand gift of global photography Interne Passing Juice
collage Interne Passing Juice
Decolonisation Interne Passing Juice
Unmapping the image: Elsa Leydier distorts photography’s authority Interne Passing Juice
Masculinity Interne Passing Juice
Through the gates of hell and heaven: Dean Majd’s New York odyssey Interne Passing Juice
Madeleine Pollard Interne Passing Juice
Awards Interne Passing Juice
The Gordon Parks Foundation marks 20 years with expanded fellowships and 2026 awardees Interne Passing Juice
BJP Editorial Interne Passing Juice
Magic Interne Passing Juice
South America Interne Passing Juice
Textile Alchemy: Nicolás Garrido and letting materials speak Interne Passing Juice
Raquel Villar-Pérez Interne Passing Juice
Industry Interne Passing Juice
Matteo Dal Vera’s portrait of a body of water in transition Interne Passing Juice
Patricia Karallis Interne Passing Juice
latest Interne Passing Juice
Agenda Interne Passing Juice
Bookshelf Interne Passing Juice
Projects Interne Passing Juice
Industry Insights Interne Passing Juice
magazine Externe Passing Juice
ANY ANSWERS Interne Passing Juice
FINE ART Interne Passing Juice
IN THE STUDIO Interne Passing Juice
PARENTHOOD Interne Passing Juice
ART & ACTIVISM Interne Passing Juice
FOR THE RECORD Interne Passing Juice
LANDSCAPE Interne Passing Juice
PICTURE THIS Interne Passing Juice
CREATIVE BRIEF Interne Passing Juice
GENDER & SEXUALITY Interne Passing Juice
MIXED MEDIA Interne Passing Juice
POWER & EMPOWERMENT Interne Passing Juice
DOCUMENTARY Interne Passing Juice
HOME & BELONGING Interne Passing Juice
ON LOCATION Interne Passing Juice
PORTRAITURE Interne Passing Juice
DECADE OF CHANGE Interne Passing Juice
HUMANITY & TECHNOLOGY Interne Passing Juice
OPINION Interne Passing Juice
THEN & NOW Interne Passing Juice
bookshelf Interne Passing Juice
theme in focus Interne Passing Juice
industry insights Interne Passing Juice
magazine Interne Passing Juice
Ocean Vuong considers Asian American rest and labour in his debut solo show Interne Passing Juice
Work Interne Passing Juice
In Florida Boys, Josh Aronson finds magic in the encounter between young men and nature Interne Passing Juice
Nature Interne Passing Juice
Load More Interne Passing Juice
Features Interne Passing Juice
War & Conflict Interne Passing Juice
The ordered universe of war: revealing the military-industrial complex Interne Passing Juice
Politics & Power Interne Passing Juice
Taboos and the trans community are at the heart of Ditte Haarløv Johnsen’s photographic diary from Mozambique Interne Passing Juice
Home Interne Passing Juice
Somewhere between a doll and a dog: refusing transness as something to be solved Interne Passing Juice
Archives Interne Passing Juice
Fashion Interne Passing Juice
Davide Sorrenti’s work journals uncover a world of troubling beauty Interne Passing Juice
“Broken promises”: Jono Terry investigates a ‘colonial hangover’ at Lake Kariba, Zimbabwe Interne Passing Juice
Competitions Interne Passing Juice
Travel Interne Passing Juice
All aboard! Legendary hotel and trains company Belmond supports new photography Interne Passing Juice
Andrew Miksys reissues BAXT, a documentation of the Roma community in Lithuania Interne Passing Juice
Agenda Interne Passing Juice
Remote Learning with Real-World Application: An Insight into Falmouth’s Online Photography MA Interne Passing Juice
Picture gallery Interne Passing Juice
At Chobi Mela, photography’s contradictions are exposed and engaged with Interne Passing Juice
Memory Interne Passing Juice
Hand-printed photography as inheritance: Jurga Ramonaite on Arctic landscapes and memory-keeping Interne Passing Juice
Fair Interne Passing Juice
Industry Insights Interne Passing Juice
What does Paris Photo 2025 have in store? Interne Passing Juice
Collaboration Interne Passing Juice
Yancey Richardson marks 30 years with artist-led anniversary exhibition Interne Passing Juice
In Conversation Interne Passing Juice
Latin America Interne Passing Juice
In conversation: Ramón Reverté on 25 years of publishing at Editorial RM Interne Passing Juice
Long Read Interne Passing Juice
“Anticipatory obedience”: The precarious state of photography for the trans community in the United States Interne Passing Juice
Education Interne Passing Juice
Taking risks on your own terms: what Falmouth University’s online MA has to offer Interne Passing Juice
Intelligence Interne Passing Juice
Interview Interne Passing Juice
A new home for photography in Vienna Interne Passing Juice
Varun Aditya, on phone photography, relinquishing control and staying inspired Interne Passing Juice
Discovery and innovation compliment industry legends at AIPAD’s Photography Show 2025 Interne Passing Juice
Bookshelf Interne Passing Juice
Agenda Interne Passing Juice
Industry Insights Interne Passing Juice
Tradition & Identity Interne Passing Juice
Les Rencontres d’Arles returns with an expanse of shows across territories Interne Passing Juice
Activism & Protest Interne Passing Juice
Mixed-media Interne Passing Juice
Why Don’t You Dance? — Hannah Darabi on resistance, memory and movement in Iran Interne Passing Juice
Hannah Darabi wins the Prix Elysée Interne Passing Juice
Social History Interne Passing Juice
A new photo book investigates Irish culture and the landscape beyond conflict and stereotypes Interne Passing Juice
Sophie Green’s romantic vision of a lived Britain Interne Passing Juice
Theodoros Gennitsakis marries Ancient Greek mythology with contemporary street subcultures Interne Passing Juice
Beauty & Aesthetics Interne Passing Juice
A Thousand Small Stories: The first retrospective of Eileen Perrier’s expansive and humanist work Interne Passing Juice
Displacement & Migration Interne Passing Juice
Welcome to Slidefest 2025: In conversation with Mohamed Somji Interne Passing Juice
The Turkish artist elevating wedding photography Interne Passing Juice
Karla Hiraldo Voleau turns heartbreak into empowerment as she reclaims her story Interne Passing Juice
Erica Reade photographs lovers on New York’s beaches Interne Passing Juice
Wish you were here: Love and loss in photography Interne Passing Juice
Identity Politics Interne Passing Juice
A vivid journey into Momo Okabe’s psychological landscape Interne Passing Juice
Marco Zanella finds love in the Italian countryside Interne Passing Juice
A selection of photobooks to look out for this spring Interne Passing Juice
Home Interne Passing Juice
Architecture Interne Passing Juice
What is a home and how do we construct one? Foto/Industria investigates Interne Passing Juice
SWANA region Interne Passing Juice
Middle East Archive invites us to meditate on the spiritual and material power of the living room Interne Passing Juice
Narrating the multitude of Britain’s stories through still-life Interne Passing Juice
Marie Tomanova comes full circle with her exploration of the home in a new photo book, It Was Once My Universe Interne Passing Juice
Julia Gat’s decade-long project invites us to reimagine what we define as learning Interne Passing Juice
Decade of Change Interne Passing Juice
Osceola Refetoff’s poignant survey of man’s presence in the deserts of the American West Interne Passing Juice
Ones To Watch Interne Passing Juice
Salih Basheer’s dreamlike images explore home, belonging and loss Interne Passing Juice
Get in touch Interne Passing Juice
Submit to editorial Interne Passing Juice
Press enquiries Interne Passing Juice
Advertising Interne Passing Juice
Institutional Subscriptions Externe Passing Juice
Portrait of Humanity Interne Passing Juice
Portrait of Britain Interne Passing Juice
Female in Focus Interne Passing Juice
OpenWalls Interne Passing Juice
BJP International Photography Award Interne Passing Juice
Decade of Change Interne Passing Juice
About 1854 Interne Passing Juice
Our History Interne Passing Juice
Authors Interne Passing Juice
Write for us Interne Passing Juice
Image Credits Interne Passing Juice
NFT Drops Externe Passing Juice
Blog Externe Passing Juice
About Externe Passing Juice
Become a Mentor Interne Passing Juice
Start Learning Interne Passing Juice
How it works Interne Passing Juice
TERMS Interne Passing Juice
PRIVACY Interne Passing Juice
SHOP Externe Passing Juice
LATEST ARTICLES Interne Passing Juice
FOR MEMBERS Interne Passing Juice

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dalia al-dujaili agenda industry photography home ago insights february bookshelf

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agenda 41
ago 34
february 32
bookshelf 26
photography 26

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