1854.photography

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British Journal of Photography | Photography Journal | 1854 Media

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British Journal of Photography | Photography Journal | 1854 Media

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The British Journal of Photography has been providing the latest photography news and features since 1854. View the latest features and back issues here.

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locale en_GB
type website
title British Journal of Photography | Photography Journal | 1854 Media
description The British Journal of Photography has been providing the latest photography news and features since 1854. View the latest features and back issues here.
url https://www.1854.photography/
site_name 1854 Photography
image https://www.1854.photography/wp-content/uploads/1854-featured-journal.jpg
image:width 1200
image:height 627
image:type image/jpeg

Headings

H1 H2 H3 H4 H5 H6
13 18 0 72 0 0
  • [H1] Power and fragility in the Leipzig Photobook Festival
  • [H1] On the Cusp: Announcing the winners of Female in Focus 2025
  • [H1] Kalpesh Lathigra’s The Lives We Dream in Passing
  • [H1] The first exhibition in Italy to focus on the HIV-Aids crisis
  • [H1] Documenting the overlooked legacy of debutante balls for Black American youth
  • [H1] The Metropolitan Museum receives a grand gift of global photography
  • [H1] Unmapping the image: Elsa Leydier distorts photography’s authority
  • [H1] Through the gates of hell and heaven: Dean Majd’s New York odyssey
  • [H1] The Gordon Parks Foundation marks 20 years with expanded fellowships and 2026 awardees
  • [H1] Textile Alchemy: Nicolás Garrido and letting materials speak
  • [H1] Matteo Dal Vera’s portrait of a body of water in transition
  • [H1] Latest Stories
  • [H1] Latest Journal stories
  • [H2] Ocean Vuong considers Asian American rest and labour in his debut solo show
  • [H2] Power and fragility in the Leipzig Photobook Festival
  • [H2] On the Cusp: Announcing the winners of Female in Focus 2025
  • [H2] Kalpesh Lathigra’s The Lives We Dream in Passing
  • [H2] The first exhibition in Italy to focus on the HIV-Aids crisis
  • [H2] In Florida Boys, Josh Aronson finds magic in the encounter between young men and nature
  • [H2] Documenting the overlooked legacy of debutante balls for Black American youth
  • [H2] The Metropolitan Museum receives a grand gift of global photography
  • [H2] Unmapping the image: Elsa Leydier distorts photography’s authority
  • [H2] Bookshelf
  • [H2] Agenda
  • [H2] Industry Insights
  • [H2] Ocean Vuong considers Asian American rest and labour in his debut solo show
  • [H2] Power and fragility in the Leipzig Photobook Festival
  • [H2] On the Cusp: Announcing the winners of Female in Focus 2025
  • [H2] Bookshelf
  • [H2] Agenda
  • [H2] Industry Insights
  • [H4] Documenting the overlooked legacy of debutante balls for Black American youth
  • [H4] The ordered universe of war: revealing the military-industrial complex
  • [H4] Taboos and the trans community are at the heart of Ditte Haarløv Johnsen’s photographic diary from Mozambique
  • [H4] Somewhere between a doll and a dog: refusing transness as something to be solved
  • [H4] Davide Sorrenti’s work journals uncover a world of troubling beauty
  • [H4] “Broken promises”: Jono Terry investigates a ‘colonial hangover’ at Lake Kariba, Zimbabwe
  • [H4] All aboard! Legendary hotel and trains company Belmond supports new photography
  • [H4] Andrew Miksys reissues BAXT, a documentation of the Roma community in Lithuania
  • [H4] Ocean Vuong considers Asian American rest and labour in his debut solo show
  • [H4] On the Cusp: Announcing the winners of Female in Focus 2025
  • [H4] Kalpesh Lathigra’s The Lives We Dream in Passing
  • [H4] The first exhibition in Italy to focus on the HIV-Aids crisis
  • [H4] Through the gates of hell and heaven: Dean Majd’s New York odyssey
  • [H4] Remote Learning with Real-World Application: An Insight into Falmouth’s Online Photography MA
  • [H4] At Chobi Mela, photography’s contradictions are exposed and engaged with
  • [H4] Hand-printed photography as inheritance: Jurga Ramonaite on Arctic landscapes and memory-keeping
  • [H4] What does Paris Photo 2025 have in store?
  • [H4] Yancey Richardson marks 30 years with artist-led anniversary exhibition
  • [H4] In conversation: Ramón Reverté on 25 years of publishing at Editorial RM
  • [H4] “Anticipatory obedience”: The precarious state of photography for the trans community in the United States
  • [H4] Taking risks on your own terms: what Falmouth University’s online MA has to offer
  • [H4] A new home for photography in Vienna
  • [H4] Varun Aditya, on phone photography, relinquishing control and staying inspired
  • [H4] Discovery and innovation compliment industry legends at AIPAD’s Photography Show 2025
  • [H4] Ocean Vuong considers Asian American rest and labour in his debut solo show
  • [H4] On the Cusp: Announcing the winners of Female in Focus 2025
  • [H4] Kalpesh Lathigra’s The Lives We Dream in Passing
  • [H4] The first exhibition in Italy to focus on the HIV-Aids crisis
  • [H4] Through the gates of hell and heaven: Dean Majd’s New York odyssey
  • [H4] Remote Learning with Real-World Application: An Insight into Falmouth’s Online Photography MA
  • [H4] At Chobi Mela, photography’s contradictions are exposed and engaged with
  • [H4] Hand-printed photography as inheritance: Jurga Ramonaite on Arctic landscapes and memory-keeping
  • [H4] Documenting the overlooked legacy of debutante balls for Black American youth
  • [H4] The ordered universe of war: revealing the military-industrial complex
  • [H4] Taboos and the trans community are at the heart of Ditte Haarløv Johnsen’s photographic diary from Mozambique
  • [H4] Somewhere between a doll and a dog: refusing transness as something to be solved
  • [H4] Davide Sorrenti’s work journals uncover a world of troubling beauty
  • [H4] “Broken promises”: Jono Terry investigates a ‘colonial hangover’ at Lake Kariba, Zimbabwe
  • [H4] All aboard! Legendary hotel and trains company Belmond supports new photography
  • [H4] Andrew Miksys reissues BAXT, a documentation of the Roma community in Lithuania
  • [H4] What does Paris Photo 2025 have in store?
  • [H4] Yancey Richardson marks 30 years with artist-led anniversary exhibition
  • [H4] In conversation: Ramón Reverté on 25 years of publishing at Editorial RM
  • [H4] “Anticipatory obedience”: The precarious state of photography for the trans community in the United States
  • [H4] Taking risks on your own terms: what Falmouth University’s online MA has to offer
  • [H4] A new home for photography in Vienna
  • [H4] Varun Aditya, on phone photography, relinquishing control and staying inspired
  • [H4] Discovery and innovation compliment industry legends at AIPAD’s Photography Show 2025
  • [H4] Les Rencontres d’Arles returns with an expanse of shows across territories
  • [H4] Why Don’t You Dance? — Hannah Darabi on resistance, memory and movement in Iran
  • [H4] Hannah Darabi wins the Prix Elysée
  • [H4] A new photo book investigates Irish culture and the landscape beyond conflict and stereotypes
  • [H4] Sophie Green’s romantic vision of a lived Britain
  • [H4] Theodoros Gennitsakis marries Ancient Greek mythology with contemporary street subcultures
  • [H4] A Thousand Small Stories: The first retrospective of Eileen Perrier’s expansive and humanist work
  • [H4] Welcome to Slidefest 2025: In conversation with Mohamed Somji
  • [H4] The first exhibition in Italy to focus on the HIV-Aids crisis
  • [H4] The Turkish artist elevating wedding photography
  • [H4] Karla Hiraldo Voleau turns heartbreak into empowerment as she reclaims her story
  • [H4] Erica Reade photographs lovers on New York’s beaches
  • [H4] Wish you were here: Love and loss in photography
  • [H4] A vivid journey into Momo Okabe’s psychological landscape
  • [H4] Marco Zanella finds love in the Italian countryside
  • [H4] A selection of photobooks to look out for this spring
  • [H4] Somewhere between a doll and a dog: refusing transness as something to be solved
  • [H4] What is a home and how do we construct one? Foto/Industria investigates
  • [H4] Middle East Archive invites us to meditate on the spiritual and material power of the living room
  • [H4] Narrating the multitude of Britain’s stories through still-life
  • [H4] Marie Tomanova comes full circle with her exploration of the home in a new photo book, It Was Once My Universe
  • [H4] Julia Gat’s decade-long project invites us to reimagine what we define as learning
  • [H4] Osceola Refetoff’s poignant survey of man’s presence in the deserts of the American West
  • [H4] Salih Basheer’s dreamlike images explore home, belonging and loss

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Power and fragility in the Leipzig Photobook Festival Internal Passing Juice
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Community Internal Passing Juice
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Female in Focus Internal Passing Juice
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On the Cusp: Announcing the winners of Female in Focus 2025 Internal Passing Juice
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Exhibition Internal Passing Juice
Kalpesh Lathigra’s The Lives We Dream in Passing Internal Passing Juice
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The first exhibition in Italy to focus on the HIV-Aids crisis Internal Passing Juice
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Documenting the overlooked legacy of debutante balls for Black American youth Internal Passing Juice
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The Metropolitan Museum receives a grand gift of global photography Internal Passing Juice
collage Internal Passing Juice
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Unmapping the image: Elsa Leydier distorts photography’s authority Internal Passing Juice
Masculinity Internal Passing Juice
Through the gates of hell and heaven: Dean Majd’s New York odyssey Internal Passing Juice
Madeleine Pollard Internal Passing Juice
Awards Internal Passing Juice
The Gordon Parks Foundation marks 20 years with expanded fellowships and 2026 awardees Internal Passing Juice
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Magic Internal Passing Juice
South America Internal Passing Juice
Textile Alchemy: Nicolás Garrido and letting materials speak Internal Passing Juice
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Matteo Dal Vera’s portrait of a body of water in transition Internal Passing Juice
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magazine Internal Passing Juice
Ocean Vuong considers Asian American rest and labour in his debut solo show Internal Passing Juice
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In Florida Boys, Josh Aronson finds magic in the encounter between young men and nature Internal Passing Juice
Nature Internal Passing Juice
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Features Internal Passing Juice
War & Conflict Internal Passing Juice
The ordered universe of war: revealing the military-industrial complex Internal Passing Juice
Politics & Power Internal Passing Juice
Taboos and the trans community are at the heart of Ditte Haarløv Johnsen’s photographic diary from Mozambique Internal Passing Juice
Home Internal Passing Juice
Somewhere between a doll and a dog: refusing transness as something to be solved Internal Passing Juice
Archives Internal Passing Juice
Fashion Internal Passing Juice
Davide Sorrenti’s work journals uncover a world of troubling beauty Internal Passing Juice
“Broken promises”: Jono Terry investigates a ‘colonial hangover’ at Lake Kariba, Zimbabwe Internal Passing Juice
Competitions Internal Passing Juice
Travel Internal Passing Juice
All aboard! Legendary hotel and trains company Belmond supports new photography Internal Passing Juice
Andrew Miksys reissues BAXT, a documentation of the Roma community in Lithuania Internal Passing Juice
Agenda Internal Passing Juice
Remote Learning with Real-World Application: An Insight into Falmouth’s Online Photography MA Internal Passing Juice
Picture gallery Internal Passing Juice
At Chobi Mela, photography’s contradictions are exposed and engaged with Internal Passing Juice
Memory Internal Passing Juice
Hand-printed photography as inheritance: Jurga Ramonaite on Arctic landscapes and memory-keeping Internal Passing Juice
Fair Internal Passing Juice
Industry Insights Internal Passing Juice
What does Paris Photo 2025 have in store? Internal Passing Juice
Collaboration Internal Passing Juice
Yancey Richardson marks 30 years with artist-led anniversary exhibition Internal Passing Juice
In Conversation Internal Passing Juice
Latin America Internal Passing Juice
In conversation: Ramón Reverté on 25 years of publishing at Editorial RM Internal Passing Juice
Long Read Internal Passing Juice
“Anticipatory obedience”: The precarious state of photography for the trans community in the United States Internal Passing Juice
Education Internal Passing Juice
Taking risks on your own terms: what Falmouth University’s online MA has to offer Internal Passing Juice
Intelligence Internal Passing Juice
Interview Internal Passing Juice
A new home for photography in Vienna Internal Passing Juice
Varun Aditya, on phone photography, relinquishing control and staying inspired Internal Passing Juice
Discovery and innovation compliment industry legends at AIPAD’s Photography Show 2025 Internal Passing Juice
Bookshelf Internal Passing Juice
Agenda Internal Passing Juice
Industry Insights Internal Passing Juice
Tradition & Identity Internal Passing Juice
Les Rencontres d’Arles returns with an expanse of shows across territories Internal Passing Juice
Activism & Protest Internal Passing Juice
Mixed-media Internal Passing Juice
Why Don’t You Dance? — Hannah Darabi on resistance, memory and movement in Iran Internal Passing Juice
Hannah Darabi wins the Prix Elysée Internal Passing Juice
Social History Internal Passing Juice
A new photo book investigates Irish culture and the landscape beyond conflict and stereotypes Internal Passing Juice
Sophie Green’s romantic vision of a lived Britain Internal Passing Juice
Theodoros Gennitsakis marries Ancient Greek mythology with contemporary street subcultures Internal Passing Juice
Beauty & Aesthetics Internal Passing Juice
A Thousand Small Stories: The first retrospective of Eileen Perrier’s expansive and humanist work Internal Passing Juice
Displacement & Migration Internal Passing Juice
Welcome to Slidefest 2025: In conversation with Mohamed Somji Internal Passing Juice
The Turkish artist elevating wedding photography Internal Passing Juice
Karla Hiraldo Voleau turns heartbreak into empowerment as she reclaims her story Internal Passing Juice
Erica Reade photographs lovers on New York’s beaches Internal Passing Juice
Wish you were here: Love and loss in photography Internal Passing Juice
Identity Politics Internal Passing Juice
A vivid journey into Momo Okabe’s psychological landscape Internal Passing Juice
Marco Zanella finds love in the Italian countryside Internal Passing Juice
A selection of photobooks to look out for this spring Internal Passing Juice
Home Internal Passing Juice
Architecture Internal Passing Juice
What is a home and how do we construct one? Foto/Industria investigates Internal Passing Juice
SWANA region Internal Passing Juice
Middle East Archive invites us to meditate on the spiritual and material power of the living room Internal Passing Juice
Narrating the multitude of Britain’s stories through still-life Internal Passing Juice
Marie Tomanova comes full circle with her exploration of the home in a new photo book, It Was Once My Universe Internal Passing Juice
Julia Gat’s decade-long project invites us to reimagine what we define as learning Internal Passing Juice
Decade of Change Internal Passing Juice
Osceola Refetoff’s poignant survey of man’s presence in the deserts of the American West Internal Passing Juice
Ones To Watch Internal Passing Juice
Salih Basheer’s dreamlike images explore home, belonging and loss Internal Passing Juice
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bookshelf 26
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