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Mass MOAA museum of AI art - Mass MOAA is a museum of AI art based in Florence, Massachusetts
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Mass MOAA museum of AI art - Mass MOAA is a museum of AI art based in Florence, Massachusetts
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Mass MOAA is a museum of AI art based in Florence, Massachusetts
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| Egendom | Innehåll |
|---|---|
| locale | en_US |
| type | website |
| title | Mass MOAA museum of AI art |
| description | Mass MOAA is a museum of AI art based in Florence, Massachusetts |
| url | https://massmoaa.org/ |
| site_name | Mass MOAA museum of AI art |
Rubriker
| H1 | H2 | H3 | H4 | H5 | H6 |
| 52 | 15 | 0 | 0 | 0 | 0 |
- [H1] Mass MOAA museum of AI art
- [H1] Mass MOAAmuseum of AI art
- [H1] a virtual museum of AI-assisted artbased in Florence, Massachusetts, USA
- [H1] This museum features high resolution artwork. For best results, use wifi and a fast internet connection.
- [H1] Mass MOAA features a range of art made using AI. The museum accepts for consideration any art that uses AI as part of its process and is especially interested in showcasing human-AI collaborative art, which can also be called AI-assisted artwork, human-assisted generative art, or hybrid human-AI art.
- [H1] Our thoughts on AI art
- [H1] We believe that AI will expand the art world and will become ubiquitous in the future as more and more artists embrace it. New tools are usually disruptive and often scorned, but they open up new pathways that almost always push great artists to new heights. One example of this is in music, where the first use of keyboard instruments greatly simplified the process of playing individual musical notes. This made music easier to play and more accessible for the masses, but it didn’t ruin anything. Very quickly composers used this new tool to open up a rich world of musical complexity and players were able to reach new levels of virtuosity. Likewise with the advent of photography, and the fear it caused among artists before it was seen as an accepted art form. And, going further, the combination of many photographs together to create motion pictures led to artforms unfathomable to ancient artists and pushed human storytelling in new directions. Imagine if photography had been abandoned in its early stages by society. What would our world look like today? While many will claim that the situation with AI is different and that its effects will be negative, we believe that AI has a profound and transformative gift to give to the art world. All forms of new technology have their drawbacks, and their implications can be scary. This is especially true with AI, but it is here with us and isn’t going away, and parts of it are very beautiful. We celebrate those parts.
- [H1] Why is AI art, Art?
- [H1] There is a lot of debate at the moment about whether AI art is Art. When judging a human-AI collaboration, people are usually more accepting of the human contribution as art, but some are more reluctant to acknowledge the AI’s contribution as art. A common critique is the idea that Art has to originate from a creative thought. As you will see below, we disagree with this notion.
- [H1] Does art need a conscious creator to be called art? Or, can art arise spontaneously out of a moment, an emergent property that suddenly comes into being? Let’s explore these questions using an example of found art, the garbage bag seen dancing in the wind in the movie American Beauty. We ask ourselves, is this garbage bag in the wind actually art? Our answer is yes, because we’d argue that this garbage bag scene is capable of creating an art experience (more on this in a moment). To some people experiencing the scene, the bag may signify the “trash” of society, discarded as mere litter, rising up to perform a beautiful ballet, dancing on the breath of the same atmosphere that gives us all life; to some the bag might seem like a strange ghost, a manmade object animated by the mysterious forces of nature; to others the scene might simply evoke something unexpected and difficult to put into words. And, a person watching this garbage bag scene, experiencing any number of feelings and/or thoughts, might be profoundly moved by what they see, and who are we to tell them that what they are seeing is not art? Can anyone know with certainty what is and what isn’t art for someone else?
- [H1] We believe all things that are capable of giving an art experience to a conscious being can be called art, and we believe that this is true regardless of whether or not this art originated from a conscious thought, from a random act, or even from a gust of wind. And, if all conscious beings share some common ground, then the recognition of something as art by one conscious being could signify that it might be possible for others to recognize it as art as well.
- [H1] We won’t try to define an “art experience” because it is different for everyone, and the reasons behind why certain things affect us the way they do is mysterious. But, we can list some common examples for reference: Sometimes an art experience is the feeling that an intangible aspect of the world has been captured symbolically; other times it’s a sense of curiosity at an artwork’s seemingly strange new perspective; or it could be a simple emotion that is triggered by the work; or the sensation of being in the presence of the beautiful, the grotesque, something elegant or even something ordinary; it could be a sense of nostalgia and connection to memories; a sense of self-reflection; the feeling of connection to a specific culture, subculture, or group; or the mere experience of being in the presence of something we classify as art. An art experience could be any of those things and so many more.
- [H1] Throughout history, people and institutions have played the role of gatekeeper, claiming that the value and experience of art is dictated by how it was made, rather than by the experience of the art itself. Photographers are still called out by critics who claim that pushing a button isn’t real art when compared to the skill involved in drawing or painting. But imagine this comparison between two artworks: a point-and-shoot photograph captured by chance, with an image so powerful that it creates a deeply moving art experience; and a painting with masterful technique that took months to create, but for any number of reasons, lacks impact and meaning to the people who see it. This happens all the time, and artists with great technique can go unnoticed and are overshadowed by “easier” techniques that go viral, especially in our increasingly technologically-connected world. Gatekeepers forget that many people care more about the actual experience of a piece of art and how it affects them, rather than a gatekeeper’s traditional definitions. And in time, opinions and expectations change because new generations embrace new roads, and this in turn changes the zeitgeist’s definition of what is and what is not art.
- [H1] People can try to put ropes and fences around what Art is, but those barriers will always be artificial because Art is so much more than any cage we try to construct around it. It is true that someone can have an art experience filled with wonder because of the talent of the artist, but as we have shown above, there are so many more types of art experiences that are possible.
- [H1] History has also shown us that the most innovative artists are usually at the vanguard, journeying ahead of expectations and established concepts. It is fun to think of history’s famous artists being born into today’s world. Many of the artists we still remember rebelled and challenged the art world they lived in, using techniques and ideas that were groundbreaking and controversial for their times. If those famous artists were alive now and still hungry to challenge perspectives, would they only use a traditional medium like oil paint, or would they tap into the latest technology currently transforming our art world? Leonardo da Vinci was hungry for innovation and was trying to invent flying machines in the late 1400s, over 400 years prior to the first recorded human flight, and yet some think he wouldn’t be excited to use AI as part of his process? There are contemporary artists who still emulate the techniques of the old masters, and while there’s of course nothing wrong with this, we believe it’s more more inspiring to emulate their ethos. We ask ourselves, what would they do if they were alive today?
- [H1] Getting more philosophical
- [H1] At this museum, we see AI as a tool to expand the limited perspective of the human mind, allowing us to see into a vast realm of artistic possibilities, and to question the long-held assumption that the artist is the true creator/inventor of the work
- [H1] This museum is founded on the belief that:
- [H1] With the help of AI, can we imagine what art from alternate timelines might look like?
- [H1] As you explore this museum, a fun thought experiment is to imagine that the works you see here are celebrated, lasting works of a civilization that is similar to our own but exist in an alternate timeline. Imagine that these Human-AI projects are merely a small glimpse through a veil between our timeline and theirs. Here we see these works for the very first time.As you view this art you may notice imperfections, but imagine that these images have traveled a long distance to reach us, and imagine any deformities like static on a song from a far off radio station. As our technology improves, this static will be reduced, but like current musicians that value the vintage noise of vinyl and tape in their productions, future generations might look back with nostalgia at this age of AI art and see all these early AI artifacts as something to be treasured.
- [H1] Sign up for our newsletter
- [H1] Stay in the know about museum events and new collections. We won’t spam you, and we promise to never give your email to anyone else.
- [H1] Navigating the Museum
- [H1] Technical details on how the art here is made
- [H1] All art in this museum was created using AI as part of the process and was created using a variety of techniques, including the following: digital painting and editing by a human artist using a tablet and trackpad; adjusting deep-learning diffusion-based text-to-image models; text prompt engineering using a combination of static and dynamic prompts with custom wildcard files; the development of custom models; image-to-image model prompt engineering using hand painted and hand edited images; creating traditional art (drawings, paintings, word carvings, clay sculptures, cast and blacksmithed metal) and creating 3D printed art, then photographing it, and using the photos as image prompts for image-to-image models; multiple iterations of various sections of the artwork using image-to-image models that are then combining them into the final piece using image editing programs; upscaling the artwork using ESRGAN models and editing the results to fix details and add texture; using Python programs to adjust images, combine images into animations, convert images to other formats, and editing images in new formats before converting them back into their original form; coding in Python to determine grayscale values of unicode characters and then using these characters in a custom Python program that will perform image to text character conversions; converting text character art to vector art using vector art programs; using image-to-vector features in vector editing software and then editing the vector artwork by the adjusting nodes and bezier curves; using a wide variety of tools and techniques in 3D software.
- [H1] Despite using AI, some of the works in this museum required a week’s worth of human painting, editing, and tweaking, while other projects were completed much faster.
- [H1] The human artists behind the work: Works not credited to any human artist were created by artist and founder of Mass MOAA, Eric Fernandez. All works created by other artists are listed as such and the work is shown here with their explicit permission. They reserve the right to remove their work at any time and hold all rights to their work. Mass MOAA is honored to show their art and makes no claims on their work. Also, all of the writing on the site was written by Eric Fernandez without the use of AI.
- [H1] Are you a writer? We invite you to use any art in this museum as a writing prompt.
- [H1] If you are a writer and are looking for some writing inspiration, we invite you to use our images as a starting point for generating new work, and we give you full permission to do so. Here are some initial writing prompts to use as you look at each artwork, 1) Describe what is happening, what you see. What’s the story? 2) Make a list of everything you observe about the image. 3) Write down a single word or phrase that comes to you in association with the image. Use this as the first word or line of a story or poem. 4) Choose a character in one of the images and write from their point of view. 5) What led up to the moment shown in the image? Or: What will result afterward? 6) Write a fairy tale, myth, origin story, or tall tale based on the image.
- [H1] The entrance hall
- [H1] The Tyger
- [H1] New collection in the West Gallery: AI and the Hermann Rorschach inkblot test
- [H1] New collection in Featured Gallery A: Selected works of psymulate
- [H1] New collection in the East Gallery: Selected videos of artist clumsy.giba
- [H1] New collection in Featured Gallery B: Spring 2023 showcase featuring selected works by HopesAndDrums and ilia vlasov.
- [H1] New collection in the West Gallery: Character iterations on red cards
- [H1] New in the East Gallery: Text character art collection
- [H1] now entering the museum…
- [H1] The goal of the main gallery is to showcase a broad spectrum of visual styles and mediums and to juxtapose them so the viewer experiences the varied possibilities of static visual art that uses AI as part of its process. As mentioned, despite using AI, some of the works in this gallery required a week’s worth of human painting, editing, and tweaking, while other projects were completed much faster.
- [H1] Main Collection:
- [H1] Welcome to the West Gallery. While the main gallery juxtaposes individual pieces of art, the West Gallery is focused specifically on collections. Each project uses multiple pieces to build on a central unifying concept.
- [H1] West Gallery Collection 1 AI and the Hermann Rorschach inkblot test
- [H1] Interpretation
- [H1] West Gallery Collection 2 Character iterations on red cards
- [H1] West Gallery Collection 3 Unconscious Rebellion: What happened when AI was given instructions for simple geometric art. An experiment inspired by Sol LeWitt
- [H1] A human-AI collaboration that began with one simple instruction: “14 thick black lines coming from each corner of 3 boxes“
- [H1] A human-AI collaboration that began with one simple instruction: “colorful 14 thick black lines coming from each corner of 3 boxes“
- [H1] West Gallery Collection 4 Artificial Readymades: Using generative AI to explore Marcel Duchamp’s readymade concept.
- [H1] West Gallery Collection 5 Empathy for living things: a collection of animal portraits
- [H1] Welcome to the East Gallery. It features more experimental collections that explore the combination of AI with alternative formats and mediums.
- [H1] Selected videos of clumsy.giba
- [H1] Text character art collection
- [H2] Selected works of psymulate
- [H2] psymulate collection 1: Ice
- [H2] psymulate collection 2: “Bitch I’m a cow” – Doja Cat
- [H2] psymulate collection 3: Frogs rule everything around me
- [H2] psymulate collection 4: Psychedelic Interiors
- [H2] psymulate collection 5: Fun memories from the 2020 parallel universe burn
- [H2] psymulate collection 6: Kiss
- [H2] psymulate collection 7: Edible
- [H2] Spring 2023 Showcase
- [H2] Selected works from ilia vlasov.
- [H2] ilia vlasov is a generative AI artist and this brief collection features two of their most psychedelic and colorful pieces. You can see more of their work on twitter at: https://twitter.com/viglomir and on instagram at: https://www.instagram.com/ilia_vlasov7090/
- [H2] Selected works from HopesAndDrums.
- [H2] HopesAndDrums is a generative AI artist from “a place at the end of hurricanes where the ocean pulls sand into an undertow” and describes their work as “crafting sounds of a time that land forgot.” You can learn more at their instagram page: https://www.instagram.com/hopesanddrums/
- [H2] A collection of different conceptual characters and archetypes all set against the same background in a similar pose. They are all multiple iterations on the same form. Work with generative AI exposes the truth that a piece of artwork always exists within a complex web of similar iterations that extends out like a vast root network, always hidden in the background like infinite cosmic radiation. Exploring collections that iterate on the same forms helps us see art and our world through this more expansive dimension. As we look out into the real world, with enough practice, we may find that it is suddenly easy to imagine nature shifting and cycling through infinite variations as we stare into it. That feeling is wild and unsettling, but it pushes us to transcend the limits of our human minds, and helps us imagine all possibilities of the world around us and can function as a form of meditation in our daily lives.
- [H2] ASCII codes and Unicodes are used to represent text in computers, and text-based ASCII art was one of the earliest forms of computer art. In this collection, we portray what a hypothetical programmer at the dawn of the age of computing might imagine the first AI art to look like. A custom Python program was created to convert images that used AI as part of their process into text character art. It does this by analyzing light and dark values of each part of the image and assigns that part a specific Unicode character chosen by the artist. The resulting text files were imported into vector graphics programs for further editing. Custom fonts were also created to expand the possible characters beyond the limits of Unicode.
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