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Atwood Magazine: For the Love of Music

 Genereras på Mars 08 2026 03:42 AM

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Atwood Magazine: For the Love of Music

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For the love of music, we've got you covered! Atwood Magazine is dedicated to giving an authentic voice to music discovery. We are celebrators of fresh creativity.

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Egendom Innehåll
locale en_US
type website
title Atwood Magazine: For the Love of Music
description For the love of music, we've got you covered! Atwood Magazine is dedicated to giving an authentic voice to music discovery. We are celebrators of fresh creativity.
url https://atwoodmagazine.com/
site_name Atwood Magazine
image https://atwoodmagazine.com/wp-content/uploads/2020/01/Atwood-Magazine-2020-For-the-Love-of-Music.png
image:width 1288
image:height 668
image:type image/png

Rubriker

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  • [H2] 50 Artists to Watch in 2026
  • [H2] HEADLINES
  • [H2] Today’s Song: Desert Collider Summon the Sandworm on “ThumpeRRR”
  • [H2] “We Live, We Learn, We Love”: David Keenan on Irish Storytelling, Belonging, and the Human Struggle Behind ‘Modern Mythologies’
  • [H2] “Am I the problem?:” Dogpark Break Down Industry Pressure and the World Behind ‘Corporate Pudding’
  • [H2] “I’m First and Foremost a Traveler”: Gabi Hartmann’s Mesmerizing Voice Carries Wonder, Fragility, and a World of Sound
  • [H2] “Nothing Bad’s Gonna Happen at 3am”: Ava Della Pietra Faces the Push and Pull of Love on “3am,” a Pulsing Portrait of Hopeful Denial & Late-Night Clarity
  • [H2] “A Defiant Declaration of Independence”: MisterWives’ Mandy Lee Debuts as Cherry Bomb With the Liberating Disco-Pop Breakup Anthem “Never Be Me (M★therf★cker)”
  • [H2] “Like Cauterizing a Wound or Missing Limb”: Feaster Channel Heartbreak & Loss into Fuzzed-Out Catharsis on “Gene”
  • [H2] Our Take: Bruno Mars Delivers Charming, Slow-Burning Fun on Fourth Solo Album ‘The Romantic’
  • [H2] “You Fall Back in Love With Life”: Mia Nicolai Bottles Joy, Rediscovery, & Human Connection on “Nothing Compares to This Feeling,” a Euphoric Pop Reverie
  • [H2] “Yes, It’s About Ants”: Carter Vail Turns Paranoia, Loneliness, and Absurdity into an Indie Pop Earworm on “Ants in My Room”
  • [H2] Editor's Picks
  • [H2] Editor's Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing!
  • [H2] 2026 New Music Releases & Upcoming Albums
  • [H2] THE BEST OF 2025
  • [H2] The Best Songs of 2025
  • [H2] The Best Albums of 2025
  • [H2] Atwood's Top Artist Discoveries of 2025
  • [H2] Atwood's Best Concerts of 2025
  • [H2] Stream our "Music of 2025" Playlist
  • [H2] Atwood's Artists to Watch in 2025!
  • [H2] ATWOOD MAGAZINE'S 2025 ARTISTS TO WATCH
  • [H2] Subscribe to our newsletter!
  • [H2] EDITOR'S PICKS
  • [H2] INTIMATE INTERVIEWS
  • [H2] EXCLUSIVE CONTENT
  • [H2] IN-DEPTH MUSIC REVIEWS
  • [H2] 2025 ARTISTS TO WATCH
  • [H2] TODAY'S SONGS
  • [H2] WEEKLY ROUNDUP
  • [H2] 50 YEARS OF HIP-HOP
  • [H2] Recent Articles
  • [H2] Today’s Song: Desert Collider Summon the Sandworm on “ThumpeRRR”
  • [H2] “We Live, We Learn, We Love”: David Keenan on Irish Storytelling, Belonging, and the Human Struggle Behind ‘Modern Mythologies’
  • [H2] “Am I the problem?:” Dogpark Break Down Industry Pressure and the World Behind ‘Corporate Pudding’
  • [H2] “I’m First and Foremost a Traveler”: Gabi Hartmann’s Mesmerizing Voice Carries Wonder, Fragility, and a World of Sound
  • [H2] “Nothing Bad’s Gonna Happen at 3am”: Ava Della Pietra Faces the Push and Pull of Love on “3am,” a Pulsing Portrait of Hopeful Denial & Late-Night Clarity
  • [H2] Weekly Roundup
  • [H2] Celebrating the Music of 2024
  • [H2] The Best Albums of the Year
  • [H2] The Best Songs of the Year
  • [H2] The Best EPs of the Year
  • [H2] Features
  • [H2] “We Live, We Learn, We Love”: David Keenan on Irish Storytelling, Belonging, and the Human Struggle Behind ‘Modern Mythologies’
  • [H2] “Am I the problem?:” Dogpark Break Down Industry Pressure and the World Behind ‘Corporate Pudding’
  • [H2] “I’m First and Foremost a Traveler”: Gabi Hartmann’s Mesmerizing Voice Carries Wonder, Fragility, and a World of Sound
  • [H2] Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing!
  • [H2] ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada
  • [H2] ARTISTS TO WATCH
  • [H2] FELICITY’S “THERE’S BEEN A LOT GOING ON” CHANNELS BURNOUT & EXHAUSTION INTO DREAMY, SOUL-STIRRING FINESSE
  • [H2] INDIANA'S WISHY SCORE BIG WITH “LOVE ON THE OUTSIDE”
  • [H2] More Artists to Watch!
  • [H2] Writers Roundtables
  • [H2] Roundtable Discussion: A Review of Doja Cat’s ‘Vie’
  • [H2] Roundtable Discussion: A Review of Florence + The Machine’s ‘Everybody Scream’
  • [H2] Roundtable Discussion: A Review of Not for Radio’s ‘Melt’
  • [H2] Roundtable Discussion: A Review of Taylor Swift’s ‘The Life of a Showgirl’
  • [H2] Roundtable Discussion: A Review of Djo’s ‘The Crux’
  • [H2] Roundtable Discussion: A Review of Miley Cyrus’ ‘Something Beautiful’
  • [H2] PREMIERES
  • [H2] “Nothing Bad’s Gonna Happen at 3am”: Ava Della Pietra Faces the Push and Pull of Love on “3am,” a Pulsing Portrait of Hopeful Denial & Late-Night Clarity
  • [H2] “Like Cauterizing a Wound or Missing Limb”: Feaster Channel Heartbreak & Loss into Fuzzed-Out Catharsis on “Gene”
  • [H2] “You Fall Back in Love With Life”: Mia Nicolai Bottles Joy, Rediscovery, & Human Connection on “Nothing Compares to This Feeling,” a Euphoric Pop Reverie
  • [H2] “Your Light Leaking In Pulled the Teeth Out My Fight”: Emory Duncan Follows the Warm Light of Love Toward Home on “Halifax,” a Smoldering Folk Reverie
  • [H2] Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning
  • [H2] “I Can’t Heal Myself”: Toronto Darkwave Duo TRAITRS Descend into Looping Nightmares and Identity Erosion on “Dream Drowning”
  • [H3] Recent Posts

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Anchor Typ Juice
Home Interna Passing Juice
About Interna Passing Juice
New Music Calendar Interna Passing Juice
2025 Artists to Watch Interna Passing Juice
Get Involved Interna Passing Juice
Pitching Us Interna Passing Juice
Contact Interna Passing Juice
Bio Services Interna Passing Juice
50 Artists to Watch in 2026 Interna Passing Juice
- Interna Passing Juice
Columns Interna Passing Juice
Music Interna Passing Juice
Today's Song Interna Passing Juice
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Features Interna Passing Juice
Interviews Interna Passing Juice
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Music Videos Interna Passing Juice
Premieres Interna Passing Juice
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Debut Interna Passing Juice
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Our Take Interna Passing Juice
Reviews Interna Passing Juice
- Interna Passing Juice
- Interna Passing Juice
Editor's Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! Interna Passing Juice
- Interna Passing Juice
- Interna Passing Juice
- Interna Passing Juice
- Interna Passing Juice
- Externa Passing Juice
- Interna Passing Juice
- Interna Passing Juice
- Interna Passing Juice
50 YEARS OF HIP-HOP Interna Passing Juice
Will Yarbrough Interna Passing Juice
Damien Joyce Interna Passing Juice
Miranda Urbanczyk Interna Passing Juice
Mitch Mosk Interna Passing Juice
- Interna Passing Juice
- Interna Passing Juice
- Interna Passing Juice
‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada Interna Passing Juice
- Interna Passing Juice
- Interna Passing Juice
- Interna Passing Juice
Roundtable Discussion: A Review of Doja Cat’s ‘Vie’ Interna Passing Juice
Roundtable Discussion: A Review of Florence + The Machine’s ‘Everybody Scream’ Interna Passing Juice
Roundtable Discussion: A Review of Not for Radio’s ‘Melt’ Interna Passing Juice
Roundtable Discussion: A Review of Taylor Swift’s ‘The Life of a Showgirl’ Interna Passing Juice
Roundtable Discussion: A Review of Djo’s ‘The Crux’ Interna Passing Juice
Roundtable Discussion: A Review of Miley Cyrus’ ‘Something Beautiful’ Interna Passing Juice
View Roundtable Interna Passing Juice
“Your Light Leaking In Pulled the Teeth Out My Fight”: Emory Duncan Follows the Warm Light of Love Toward Home on “Halifax,” a Smoldering Folk Reverie Interna Passing Juice
Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning Interna Passing Juice
“I Can’t Heal Myself”: Toronto Darkwave Duo TRAITRS Descend into Looping Nightmares and Identity Erosion on “Dream Drowning” Interna Passing Juice
Privacy policy Interna Passing Juice
Live Interna Passing Juice
Music You Should Know Interna Passing Juice
Nostalgia Tracks Interna Passing Juice

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