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The Strad, essential reading for the string music world since 1890

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The Strad, essential reading for the string music world since 1890

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Since its launch in 1890, the magazine has brought its readers the best features, comment and analysis on all issues of interest to string teachers, players, students, instrument makers and enthusiasts. Authoritative, trusted and influential, The Strad keeps readers informed about the latest news, groundbreaking research and techniques in all aspects of playing and making stringed instruments through its print and digital platforms.

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site_name The Strad
url https://www.thestrad.com
title The Strad, essential reading for the string music world since 1890
description Since its launch in 1890, the magazine has brought its readers the best features, comment and analysis on all issues of interest to string teachers, players, students, instrument makers and enthusiasts. Authoritative, trusted and influential, The Strad keeps readers informed about the latest news, groundbreaking research and techniques in all aspects of playing and making stringed instruments through its print and digital platforms.
image:width 1024
image:height 536
image https://www.thestrad.com/Magazine/dest/graphics/social/logo.png?v=1
image:alt The Strad

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  • [H2] Your browser is not supported
  • [H2] This holiday season, explore The Strad in full
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  • [H2] Latest
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  • [H2] Violinist Timothy Chooi named Wiener Concert-Verein artistic partner
  • [H2] Netherlands Philharmonic appoints new principal bassist
  • [H2] Violinist Chloé Kiffer joins Paris teaching faculty
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  • [H2] Harness your superpower: self-efficacy for adult learners
  • [H2] Technique: Integrating improvisation into your daily practice
  • [H2] Premium for Subscribers
  • [H2] Harness your superpower: self-efficacy for adult learners
  • [H2] Technique: Integrating improvisation into your daily practice
  • [H2] In Focus: A c.1880–90 viola by Enrico Marchetti
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  • [H2] Masterclass
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  • [H2] Masterclass: Brahms Cello Sonata no.1 in E minor op.38, third movement
  • [H2] Podcasts
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  • [H2] The Strad Podcast: How to practise effectively with violinist Ray Chen
  • [H2] Podcasts
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  • [H2] The Strad Podcast: How to hold a masterclass with violinist Paul Huang
  • [H2] The Strad Podcast: How to teach collaborative skills with violinist Annie Fullard of the Cavani Quartet
  • [H2] Competitions
  • [H2] Winners named for 2025 German Musical Instrument Fund competition
  • [H2] Cello contestants announced for 2026 Queen Elisabeth Competition
  • [H2] Ysaÿe International Violin Competition announces 2026 finalists
  • [H2] Videos
  • [H2] Michael Stephen Brown gives the viola the spotlight in a new work
  • [H2] Lutherie
  • [H2] Australian Chamber Orchestra acquires 1610 Maggini viola
  • [H2] In Focus: A c.1880–90 viola by Enrico Marchetti
  • [H2] ‘Struck by the instrument’s unique voice’: playing the Pressenda double bass
  • [H2] What violin does Nemanja Radulović play?
  • [H2] Making history: Pressenda double bass
  • [H2] Making Matters: an expert team varnishes a copy of the ‘Farina’ Montagnana cello
  • [H2] Lutherie
  • [H2] Australian Chamber Orchestra acquires 1610 Maggini viola
  • [H2] In Focus: A c.1880–90 viola by Enrico Marchetti
  • [H2] ‘Struck by the instrument’s unique voice’: playing the Pressenda double bass
  • [H2] What violin does Nemanja Radulović play?
  • [H2] Making history: Pressenda double bass
  • [H2] Making Matters: an expert team varnishes a copy of the ‘Farina’ Montagnana cello
  • [H2] Concert Reviews
  • [H2] Concert review: Nicolas Altstaedt (cello) Thomas Dunford (lute)
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  • [H2] Recording Reviews
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  • [H2] Book review: Music’s Odyssey: An Invitation to Western Classical Music
  • [H2] Book review: How to Perform with 100% Accuracy and Spend Less Time Practicing
  • [H2] Book review: Ray Brown: His Life and Music
  • [H2] Debate
  • [H2] Opinion: why string players should pay attention to large muscle groups
  • [H2] Opinion: SongHa Choi on ‘aura’ in live performance
  • [H2] Debate
  • [H2] Opinion: why string players should pay attention to large muscle groups
  • [H2] Opinion: SongHa Choi on ‘aura’ in live performance
  • [H2] Accessories
  • [H2] Products March 2026: Pirastro KorfkerSpring chin rest
  • [H2] Products March 2026: Swiss Wood Solutions Sonowood pegs
  • [H2] Products March 2026: Thomastik-Infeld Rondo Gold viola strings
  • [H2] Concert Reviews
  • [H2] Concert review: Nicolas Altstaedt (cello) Thomas Dunford (lute)
  • [H2] Concert review: María Dueñas (violin) Philadelphia Orchestra/Yannick Nézet-Séguin
  • [H2] Concert review: Juilliard Quartet, Catherine Cho (viola) Marcy Rosen (cello) Marc-André Hamelin (piano)
  • [H2] Book Reviews
  • [H2] Book review: Music’s Odyssey: An Invitation to Western Classical Music
  • [H2] Book review: How to Perform with 100% Accuracy and Spend Less Time Practicing
  • [H2] Book review: Ray Brown: His Life and Music
  • [H2] Recording Reviews
  • [H2] The Strad Recommends: Ning Feng: Brahms, Goldmark
  • [H2] The Strad Recommends: Leila Josefowicz: Adès
  • [H2] The Strad Recommends: Tamsin Waley-Cohen: Reflection
  • [H2] Artists
  • [H2] Nemanja Radulović: music in the moment
  • [H2] Beauty unbound by history: cellist Tommy Mesa explores the many voices of his 1767 Gagliano
  • [H2] Stella Chen: a bright future
  • [H2] Education Resources
  • [H2] The Strad Directory
  • [H2] Keep informed
  • [H3] March 2026
  • [H3] February 2026: Editor’s welcome and contents
  • [H3] Michael Stephen Brown gives the viola the spotlight in a new work
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  • [H3] Bach in a new space: Francesca Dego performs the Chaconne
  • [H3] Video: Richard Tognetti performs at the top of Sydney Opera House
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  • [H3] Student Hub
  • [H3] Degrees
  • [H3] String Courses
  • [H3] Available from The Strad Shop
  • [H3] Keep informed

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Latest Internas Passa sumo
Recipients of the 2026 Sphinx Medal of Excellence announced Internas Passa sumo
Violinist Timothy Chooi named Wiener Concert-Verein artistic partner Internas Passa sumo
‘Chamber music at its finest is an act of generosity’: Daniel Hope on shaping Wolf Trap Internas Passa sumo
Netherlands Philharmonic appoints new principal bassist Internas Passa sumo
Violinist Chloé Kiffer joins Paris teaching faculty Internas Passa sumo
Violist Sheila Browne joins the Cleveland Institute of Music faculty Internas Passa sumo
Form Revealed: Bruch’s Violin Concerto and the Discipline of Fire Internas Passa sumo
Thank you ASTA!: 2026 conference photos and round-up Internas Passa sumo
Cello contestants announced for 2026 Queen Elisabeth Competition Internas Passa sumo
Why practice doesn’t prepare musicians for performance Internas Passa sumo
Lufthansa Group changes hand luggage rules following negotiations with violinist Carolin Widmann Internas Passa sumo
Oscar Strasnoy: reinventing the double concerto Internas Passa sumo
Harness your superpower: self-efficacy for adult learners Internas Passa sumo
In my studio: multi-instrumentalist, composer and producer Anna Phoebe Internas Passa sumo
The road to a world premiere: notes from a composer and duo Internas Passa sumo
Premium for Subscribers Internas Passa sumo
Premium ❘ Feature Internas Passa sumo
Technique: Integrating improvisation into your daily practice Internas Passa sumo
In Focus: A c.1880–90 viola by Enrico Marchetti Internas Passa sumo
Nemanja Radulović: music in the moment Internas Passa sumo
Making history: Pressenda double bass Internas Passa sumo
Sentimental Work: Orin O’Brien on Stravinsky’s ballet Orpheus Internas Passa sumo
‘Constant questioning makes life so beautiful’ - Nicolas Altstaedt’s life lessons Internas Passa sumo
Postcard from Genoa: Premio Paganini Competition Internas Passa sumo
‘It always comes back to listening to others’ - Alasdair Tait’s life lessons Internas Passa sumo
Auction Report January 2026: Lights in the darkness Internas Passa sumo
Opinion: Creating a musical environment Internas Passa sumo
February 2026: Editor’s welcome and contents Internas Passa sumo
Buy this magazine Externas Passa sumo
Winners named for 2025 German Musical Instrument Fund competition Internas Passa sumo
Ysaÿe International Violin Competition announces 2026 finalists Internas Passa sumo
Premiere of the Month: Shelley Washington’s new cello concerto Internas Passa sumo
Competitions, Awards and Appointments: March 2026 Internas Passa sumo
Masterclass Internas Passa sumo
Masterclass: Hoffmeister Viola Concerto in D major, first movement Internas Passa sumo
Masterclass: Beethoven Violin Sonata no.10, op.96, first movement Internas Passa sumo
Masterclass: Brahms Cello Sonata no.1 in E minor op.38, third movement Internas Passa sumo
Podcasts Internas Passa sumo
The Strad Podcast: How to tailor the Suzuki Method to different students with violinist Meghan Faw Internas Passa sumo
The Strad Podcast: How to hold a masterclass with violinist Paul Huang Internas Passa sumo
The Strad Podcast: How to teach collaborative skills with violinist Annie Fullard of the Cavani Quartet Internas Passa sumo
The Strad Podcast: How to practise effectively with violinist Ray Chen Internas Passa sumo
Podcasts Internas Passa sumo
Videos Internas Passa sumo
Michael Stephen Brown gives the viola the spotlight in a new work Internas Passa sumo
- Externas Passa sumo
- Externas Passa sumo
- Externas Passa sumo
Lutherie Internas Passa sumo
Australian Chamber Orchestra acquires 1610 Maggini viola Internas Passa sumo
‘Struck by the instrument’s unique voice’: playing the Pressenda double bass Internas Passa sumo
What violin does Nemanja Radulović play? Internas Passa sumo
Making Matters: an expert team varnishes a copy of the ‘Farina’ Montagnana cello Internas Passa sumo
Lutherie Internas Passa sumo
Concert Reviews Internas Passa sumo
Concert review: Nicolas Altstaedt (cello) Thomas Dunford (lute) Internas Passa sumo
Bruce Hodges Internas Passa sumo
Concert review: María Dueñas (violin) Philadelphia Orchestra/Yannick Nézet-Séguin Internas Passa sumo
Concert review: Juilliard Quartet, Catherine Cho (viola) Marcy Rosen (cello) Marc-André Hamelin (piano) Internas Passa sumo
Leah Hollingsworth Internas Passa sumo
Recording Reviews Internas Passa sumo
The Strad Recommends: Ning Feng: Brahms, Goldmark Internas Passa sumo
Tully Potter Internas Passa sumo
The Strad Recommends: Leila Josefowicz: Adès Internas Passa sumo
The Strad Recommends: Tamsin Waley-Cohen: Reflection Internas Passa sumo
Joanne Talbot Internas Passa sumo
Book Reviews Internas Passa sumo
Book review: Music’s Odyssey: An Invitation to Western Classical Music Internas Passa sumo
Robin Stowell Internas Passa sumo
Book review: How to Perform with 100% Accuracy and Spend Less Time Practicing Internas Passa sumo
Celia Cobb Internas Passa sumo
Book review: Ray Brown: His Life and Music Internas Passa sumo
Opinion: SongHa Choi on ‘aura’ in live performance Internas Passa sumo
Products March 2026: Pirastro KorfkerSpring chin rest Internas Passa sumo
Products March 2026: Swiss Wood Solutions Sonowood pegs Internas Passa sumo
Products March 2026: Thomastik-Infeld Rondo Gold viola strings Internas Passa sumo
Concert Reviews Internas Passa sumo
Book Reviews Internas Passa sumo
Recording Reviews Internas Passa sumo
Beauty unbound by history: cellist Tommy Mesa explores the many voices of his 1767 Gagliano Internas Passa sumo
Stella Chen: a bright future Internas Passa sumo
Student Hub Internas Passa sumo
Degrees Internas Passa sumo
Our comprehensive directory of short music courses Internas Passa sumo
The Strad Directory Internas Passa sumo
THE STRAD SHOP Externas Passa sumo
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from competition masterclass new podcast playing how violinist cello strad

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violinist 24
how 15
strad 15
podcast 14
masterclass 14

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