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Alphaville: Journal of Film and Screen Media
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Alphaville: Journal of Film and Screen Media
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Alphaville is a fully peer-reviewed journal edited and published by staff, PhD students and postdoctoral researchers in Film and Screen Media at University College Cork, Ireland. The journal offers a dynamic international forum open to the discussion of all aspects of film and screen media history, theory and criticism.
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| H1 | H2 | H3 | H4 | H5 | H6 |
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- [H3] https://doi.org/10.33178/alpha
- [H3] ISSN 2009-4078
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- [H3] This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License
- [H5] The recent cosmopolitan turn in film studies has coincided with the emergence of a new set of valuable theoretical perspectives. Compared to other disciplines across the humanities and social sciences, cinema has been relatively slow to adopt cosmopolitanism as a critical tool. Dimitris Eleftheriotis suggests that this delay is paradoxically due to the self-evident nature of cinema as a cosmopolitan medium, as films and cinematic culture...
- [H5] Racial minorities have long been excluded, marginalised and misrepresented on the big and the small screen. Often, the representation of ethnic minorities is lacking authenticity and is still characterised by decades-old stereotypes. Our increasingly diverse global society is still not reflected in the shows and films we see on TV or in the cinema. However, the representation of race has changed over the last decade. The shifting global political and societal milieu...
- [H5] Transmedial and transcultural expressions of nostalgia are ubiquitous in our contemporary popular culture. Revival styles, vintage fashions, retro phenomena, skeumorphs and remediations are common presences in our increasingly digital cultural landscape, which gives up the dreams of spotless perfection of the binary code for the indexical ruins of the analogical...
- [H5] The safeguarding, preservation and valorisation of the cultural heritage has increasingly become associated with the process of making cultural heritage assets available online (“Towards an Integrated Approach”). The process of digitisation of cultural assets, while playing a key role in sharing knowledge, still represents a challenge for European and global heritage...
- [H5] In celebration of its tenth issue, Alphaville is proud to introduce this special issue on Women and Media as a reflection of the journal’s enduring interest in, and desire to contribute to, this dialogue. The range of articles presented in this issue offers an insight into the expanded spectrum of work by and about women in the new millennium, providing a snapshot of the multifaceted ways in which women are working and being represented across the globe...
- [H5] Prescribing Deviate! as a special theme is not to suggest that to deviate must always be an inherently radical action: deviational change often presents as a slight shift or a series of such shifts and transitions. Hence, the moving image is rethought and reworked incrementally; these small, persistent changes giving rise to new ways of seeing the world, which enhance our understanding of it and often challenge that understanding...
- [H5] Though for a long time marginal to the historical and theoretical concerns of mainstream film culture, animation has recently received increasing attention from critics and scholars owing to its prominent status in contemporary screen media culture and the dramatic expansion it has undergone in the digital age. The articles that compose this issue are remarkably consistent in querying animation as a mode that “destabilises the image”, that asks questions about the image and, in particular, about its relationship to reality...
- [H5] Inspired by groundbreaking works that have helped to shift the critical discourse on corporeality and embodiment, this themed issue of Alphaville highlights a diverse range of fresh, original work from emerging and established scholars. In setting our mandate for the issue, we wondered how affective theorisations of cinema as embodied experience might usefully intersect with image studies of the human body as raced, gendered, and inextricably tied to broader social and cultural realities...
- [H5] This issue of Alphaville originates in a one-day symposium, “Reframing Cinema Histories”, which was organised at University College Cork in March 2013. The aim of the event was to bring together a select group of scholars working on a range of historical projects and, through presentations of specific case studies and a round table discussion, highlight the variety of methodological approaches that may be adopted by the researcher studying and writing about cinema history...
- [H5] This special issue considers the interstice as a framework for the nonspecificity of film, as a method for the rehabilitation of the analogue image within digital film, as a device to interpret the change that has taken place between classical film and artist’s cinema, as representative of interculturalism in national cinema, as blurring the lines between fact and fiction, as a mode of transition between Asian concepts of the void and independent American film, and as a form of both temporal and spatial elision...
- [H5] Issue 4 is Alphaville's first Open Theme edition. Despite this issue's open nature, however, thematic consistencies arise, with authors re-evaluating female roles and representations in filmic genres, engaging with issues developing from evolving modes of censorship, working through the complexities of filmic narrative and merging distinct analytic approaches with aesthetic readings of key films...
- [H5] It is a moment of rupture, when we become aware of the potential of film sound to reveal, and break out of, the apparatus to which it has been assigned. This special issue of Alphaville aims to be just one such moment, in which film sound, voice and music are singled out by the analysis in ways that both reveal their profound imbrication in the textual whole and shed light on the apparatus...
- [H5] Employing with lucidity and conviction a range of methodological approaches, these articles challenge us to rethink texts and genres from the vantage point of spatio-temporal constructs and relationships, showing how, rather than annihilate the principle of identity, the filmic observation of the infinitesimal variations of the space-time continuum has the power to both establish and interrogate it...
- [H5] The inaugural issue of Alphaville stems thematically from an international Film Studies conference on European Cinema (UCC, May 2010), which addressed the permeability of European spaces from a number of diverse perspectives, showcasing the geopolitical, sociocultural, aesthetic and productive "movement" that was historically and still is at the heart of European cinema...
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| Ankertekst | Type | samenstelling |
|---|---|---|
| Issue 29–30: Coming to Latin America | Intern | doFollow |
| Cosmologies of the Living Forest | Intern | doFollow |
| “X” Marks the What in Harun Farocki’s The Silver and the Cross? | Intern | doFollow |
| From From Thailand to Colombia: Apichatpong Weerasethakul’s Memoria (2021) | Intern | doFollow |
| Dossier: Mapping Screen Heritage | Intern | doFollow |
| - | Extern | doFollow |
| https://doi.org/10.33178/alpha | Extern | doFollow |
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