dreamingbeyond.ai

Evaluation du site dreamingbeyond.ai

Dreaming Beyond AI

 Généré le 01 Mars 2026 01:26

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Le score est de 34/100

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Dreaming Beyond AI

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  • [H1] About
  • [H1] Team Members
  • [H1] Contact
  • [H1] Hello ☀️
  • [H1] Home
  • [H1] Projects
  • [H1] News
  • [H1] Podcasts
  • [H1] Index
  • [H1] People
  • [H1] Imprint/ Legal
  • [H1] Disclaimer
  • [H1] Accessibility/ Privacy Policy
  • [H1] Declaration of Accessibility
  • [H1] Data privacy notice
  • [H2] Nushin Yazdani
  • [H2] Iyo Bisseck (she/they)
  • [H2] Sarah Diedro Jordão (she/her)
  • [H2] 🌸 Happened lately 🌸
  • [H2] Coalition Building: Public presentation
  • [H2] 17.09 2025Online
  • [H2] Public Presentation
  • [H2] 🌸 Happened lately 🌸
  • [H2] Critical AI, Rethinking Intelligence, Bias, and Control
  • [H2] 19.11 2025University of Applied Arts ViennaThe conference "Critical AI: Rethinking Intelligence, Bias, and Control" investigates artificial intelligence as a cultural and design-driven phenomenon, foregrounding the ways in which agency is conceptualized, structured, and operationalized through AI systems. Rather than approaching AI as a neutral or autonomous technology, the event explores how design practices, software architectures, and human-machine interfaces embed normative assumptions about action, responsibility, and autonomy.
  • [H2] workshop
  • [H2] Critical AI, Rethinking Intelligence, Bias, and Control
  • [H2] 19.11 2025 University of Applied Arts Vienna
  • [H2] workshop
  • [H2] Coalition Building: Public presentation
  • [H2] 17.09 2025 Online
  • [H2] Public Presentation
  • [H2] Come hang with us in Barcelona
  • [H2] 17.05 2025 Canodrom Barcelona
  • [H2] Gathering
  • [H2] Coalition Building: Meet our residents
  • [H2] 12.12 2024
  • [H2] Residency
  • [H2] Open Call: Unwired Currents Fellowship
  • [H2] 19.11 2024 — 14.01 2025 Online with Dezentrum, Futuress, Franca López Barbera and Materia Oscura
  • [H2] Open Call
  • [H2] Join us at Mesh Festival
  • [H2] 17.10 2024 Basel, Switzerland
  • [H2] Discussion
  • [H2] Open Call: DBAI Residency 2025
  • [H2] 02.09 2024 — 21.10 2024 Online
  • [H2] Open Call
  • [H2] European Colour of Surveillance 2024
  • [H2] 26.06 2024 — 27.06 2024 Berlin
  • [H2] In-person collaborative creative meeting
  • [H2] Systemic Justice’s “Revisiting Systemic (In)justices: Community reflections”
  • [H2] 24.06 2024 — 25.06 2024 Berlin, Germany
  • [H2] In-person collaborative creative meeting
  • [H2] Join us at re:publica in Berlin
  • [H2] 29.05 2024 Berlin, Germany
  • [H2] In-person interactive conversation
  • [H2] Join us at re:publica in Berlin
  • [H2] 27.05 2024 — 29.05 2024 Berlin, Germany
  • [H2] Installation
  • [H2] DBAI at Embodied Restoration Lab
  • [H2] 18.04 2024 — 19.04 2024 Nieuwe Instituut, Rotterdam, Netherlands
  • [H2] In-person collaborative creative meeting
  • [H2] In the loop : Launch of the online platform
  • [H2] 28.03 2024
  • [H2] Launch
  • [H2] In the loop : Exhibition, artwork presentations and talks
  • [H2] 26.10 2023 — 27.10 2023 Kampnagel, Hamburg, Germany
  • [H2] Symposium
  • [H2] Kampgnagel Creative Technologies Meet-up
  • [H2] 27.06 2023 Kampnagel, Hamburg, Germany
  • [H2] Online talk
  • [H2] In the loop : Start of the residency
  • [H2] 26.06 2023 Hamburg, Germany
  • [H2] Residency
  • [H2] In the loop : Meet our residents
  • [H2] 05.06 2023
  • [H2] Residency
  • [H2] Presentation of Dreaming Beyond AI
  • [H2] 03.06 2023 Universität der Künste, Berlin, Germany
  • [H2] Presentation
  • [H2] In the loop : Call for application
  • [H2] 08.04 2023
  • [H2] Call for Application
  • [H2] Any | One Day the Future Has Died.
  • [H2] 27.10 2022 HGB Leipzig, Leipzig, Germany
  • [H2] Online Talk
  • [H2] Embodied Resistance: Healing and Liberation in the Age of AI
  • [H2] 20.10 2022 Akademie der Künste, Berlin, Germany
  • [H2] In-person collaborative creative meeting
  • [H2] Bureau des questions importantes
  • [H2] 02.09 2022 — 17.09 2022 eeeeh!, Nyon, Switzerland
  • [H2] Pluriverse exhibition
  • [H2] Launch of the online platform
  • [H2] 07.07 2022
  • [H2] Launch
  • [H2] Tender Intelligences Exhibition
  • [H2] 07.07 2022 — 12.07 2022 (im)Mutable Studio, Los Angeles, USA
  • [H2] Pluriverse exhibition
  • [H2] The Web this Black Woman Wants
  • [H2] Carrier Bag Click to read
  • [H2] Refusal
  • [H2] carrier bag future imagination intersectionality oppression racism refusal sexism social media
  • [H2] Available languages :
  • [H2] en
  • [H2] Wisdom of not knowing and decolonial AI
  • [H2] Article The article was originally published on Gunda-Werner Institute Feminism and Gender Democracy Click to read
  • [H2] Refusal
  • [H2] article colonialism extractivism future
  • [H2] Available languages :
  • [H2] en
  • [H2] A [love] letter to [black and brown] [queer] and [disabled] [feminists], [dreaming] [beyond] AI
  • [H2] Carrier Bag The need to dream beyond becomes necessary when we recognise that some concepts [like AI] have no revolutionary or liberatory potential insofar that they are inherently welded to infrastructures of domination, extraction and oppression. Click to read
  • [H2] Refusal
  • [H2] communities colonialism carrier bag future oppression racism refusal surveillance visionary fiction matrix of domination intersectionality classism
  • [H2] Available languages :
  • [H2] en
  • [H2] No Exit: Big Computing’s End Run Around User Rights and Refusal
  • [H2] Article Big Computing is making it harder to resist technological systems that make us less autonomous. Click to read
  • [H2] Refusal
  • [H2] tech-solutionism resources & infrastructure refusal oppression economy article
  • [H2] AncestryandMe: DNA Processing Kit
  • [H2] coalition building AncestryandMe: DNA Processing Kit counters the colonial and capitalist legacies of biometric surveillance. Unlike commercial DNA kits that focus on quantitative data, this community resource offers a reflective and critical exploration of ancestry, supporting individuals in confronting the emotional complexities of unearthing ancestral histories. Click to read
  • [H2] Refusal
  • [H2] artwork article care categories & classifications colonialism consent datasets extractivism healing identity labels practices predictions reality refusal science surveillance tech-solutionism indigenous
  • [H2] Available languages :
  • [H2] en
  • [H2] The Eye That Portrays and Self-Archive
  • [H2] In the loop residency - Artworks Bretas's production for the DBAI residency consists of two pieces of art: “The Eye That Portrays.” and “Self-Archive”. Click to read
  • [H2] Refusal
  • [H2] artwork colonialism deep-fakes exhibition identity indigenous oppression reality racism text video refusal
  • [H2] Available languages :
  • [H2] en
  • [H2] Light Bosons
  • [H2] Image Artwork The Light Bosons series was made to illustrate how close to the human psyche, AI and machine learning really are. Actually, I strongly believe what we call artificial intelligence (AI) today is, in reality, one layer of animal / human intelligence. Click to read
  • [H2] Machine Vision & Feeling
  • [H2] neural networks & deep learning datasets categories & classifications biometrics artwork
  • [H2] Available languages :
  • [H2] en fr
  • [H2] A respite from algorithmic violence: Memes, platforms and content moderation
  • [H2] Artwork One example of AI is *machine learning* where machines are trained to make judgments about objects, people, places and other variables and materialities like humans do. Computers are fed large quantities of data, from databases or repositories and asked to identify patterns. Click to read
  • [H2] AI Violence
  • [H2] article artwork categories & classifications content moderation datasets identity meme oppression natural language processing pop culture racism reality shadow banning social media sexism
  • [H2] Available languages :
  • [H2] en
  • [H2] Algorithms and the Convenience Matrix
  • [H2] Article In light of the rapid adoption of unregulated algorithmic optimisation around the world, unfortunately, many digital algorithms are neither fair nor a reflection of any ethical standard. The AI ethicist Sarah Wachter has put this into context: "if 96% of the world does not live in the United States, but a majority of our digital tools and platforms are based on US customs, political culture, and laws", how do we meaningfully talk about fairness in the digital world? Whose convenience are these digital tools and platforms really intended for? Click to read
  • [H2] AI Violence
  • [H2] article categories & classifications datasets extractivism identity intersectionality labels matrix of domination oppression racism recommendations surveillance predictions
  • [H2] Available languages :
  • [H2] en
  • [H2] I Grew Up in a Click Farm
  • [H2] coaliton building "I Grew Up in a Click Farm" archives an ongoing investigation into the capacities and consequences of Philippine digital labor. The title twists a quote from fraudster and fugitive Alice Guo, a Philippine mayor and multibillionaire whose work is tied to Philippine offshore gaming operators and scam hubs in the region. Click to read
  • [H2] AI Violence
  • [H2] surveillance extractivism labour oppression reality practices resources & infrastructure matrix of domination colonialism
  • [H2] Available languages :
  • [H2] en
  • [H2] Machine Unreadable
  • [H2] Article When I look in the mirror I don't see a man's face nor a woman's face, what I see is just me, my face. Many people probably read me as a man when I'm out in the street but I am non-binary and my face does not come with a binary gender attached. Click to read
  • [H2] AI Violence
  • [H2] article categories & classifications colonialism biometrics consent datasets facial recognition gender identity labels matrix of domination oppression non-binary refusal sexism surveillance reality queerness predictions carrier bag
  • [H2] Available languages :
  • [H2] en fr
  • [H2] Queer Feminist AI FaceFilter
  • [H2] Artwork Queer Feminist AI - a game character from the latest project by BBB_, Songs of Cyborgeoisie, is intimidating and strong, soft-tempered and steel-bodied Artificial General Intelligence - an uncanny, techno-futuristic human-like robot, indistinguishably intellectually intelligent, but still controllable, hardwired vessel for digital soul with a capacity to feel, dream and master unbound creativity. Click to read
  • [H2] AI Violence
  • [H2] artwork communities datasets extractivism future gender healing hope imagination embodiment poetry pop culture queerness robots video visionary fiction oppression non-binary music
  • [H2] Available languages :
  • [H2] en fr
  • [H2] Age of Data: A.I. Industry
  • [H2] Video and Music Artwork Age of Data: A.I. Industry posits the question of our current epoch's economic and labor boom, that of the data industry, which now extends itself worldwide. Co-created between two A.I. systems and the artist, the piece aims to pose questions on the current direction of the A.I. and data industries towards humanity. Click to read
  • [H2] Patterns
  • [H2] artwork categories & classifications datasets economy extractivism labour GANs pop culture oppression classism sound resources & infrastructure natural language processing neural networks & deep learning
  • [H2] Available languages :
  • [H2] en fr
  • [H2] Community of Intelligence
  • [H2] Artwork In the midst of scrolling and clicking, I invite you take a deep breath. Inhale, filling your whole abdomen with the blessings of oxygen. Exhale. Click to read
  • [H2] Intelligence
  • [H2] afrofuturism artwork communities ecology embodiment future healing hope intuition meditation mycelium nature & climate planetary practices sound
  • [H2] Available languages :
  • [H2] en fr
  • [H2] A Carrier Bag Filled with Glitches, Errors, and Artificial Stupidity
  • [H2] Carrier Bag We are internet teapot, a small Rotterdam-based research & design studio created by Karla Zavala Barreda and Adriaan Odendaal. The “internet teapot” is our sigil of sorts, based on an obscure internet error you might not have known existed. Just like you often find a webpage returning a frustrating 404 “Page Not Found” error, you might also stumble upon the absurd (yet equally legitimate) 418 “I’m a Teapot” error. It’s an actual, albeit nonsensical, HTTP error that the Internet Engineering Task Force IETF (charged with the serious task of setting internet standards and protocols) created in 1998 as a joke in case anyone would “attempt to brew coffee with a teapot” on the internet. Click to read
  • [H2] Intelligence
  • [H2] carrier bag categories & classifications datasets economy content moderation extractivism text labour labels classism meme communities tech-solutionism recommendations pop culture robots facial recognition
  • [H2] Available languages :
  • [H2] en
  • [H2] Mycelial Memory and the Mycelial Internet
  • [H2] Carrier Bag Click to read
  • [H2] Intelligence
  • [H2] afrofuturism ecology carrier bag communities future healing indigenous mycelium meme planetary visionary fiction
  • [H2] Available languages :
  • [H2] en
  • [H2] What does our feminist future look like?
  • [H2] Carrier Bag This virtual carrier bag, put together by Nushin Yazdani and Ulla Heinrich from the queer feminist collective dgtl fmnsm, is an invitation to immerse yourself in a stimulating and utopian world. A world in which artists and activists have long been laboring together on alternative futures from a feminist perspective - both aesthetically and politically. The selected videos, texts, works of art and audio pieces are made by people who help us to focus on the transformative potential of collective efforts – by dreaming up new futures together. Click to read
  • [H2] Future-Present Vibrations
  • [H2] afrofuturism care carrier bag categories & classifications communities facial recognition gender healing imagination identity music non-binary planetary pop culture queerness robots surveillance tech-solutionism visionary fiction
  • [H2] Available languages :
  • [H2] en de
  • [H2] fromBattlefields toRoborders
  • [H2] coaliton building A work on border violence from Battlefields to Roborders. The Walls Have Eyes – in the Author’s Note “The Power of Storytelling as an Act of Resistance” Petra Molnar writes: “Borders are violent. Yet they are also spaces of tremendous resistance and solidarity, often in very unexpected ways. Storytelling and story sharing is one form of resistance—and a profound and crucial element in any attempt to illustrate the opaque world of border technologies. [and] as writer Arundhati Roy reminds us: “There’s really no such thing as the ‘voiceless.’ There are only the deliberately silenced, or the preferably unheard. […] I do not and cannot attempt to speak for all. Nor do I want to fetishize human suffering or add to the spectacle of violence at the world’s borders. Instead, what helps me is the idea of story stewardship.” Click to read
  • [H2] Future-Present Vibrations
  • [H2] ableism accessibility article artwork biometrics classism colonialism communities counter-surveillance ecology refusal recommendations reality racism practices planetary oppression neural networks & deep learning natural language processing extractivism matrix of domination labour imagination facial recognition future exhibition robots video surveillance
  • [H2] Available languages :
  • [H2] en
  • [H2] Heal-GPT (Slowed + Reverb)
  • [H2] In the loop residency - Music Story Heal-GPT (Slowed + Reverb) is a music story about healing Generational Physical/Psychological Trauma. The lyrics explore the shape of time as it relates to the nebulous borders of generations. Our present healing reverberates through time. Neither time nor healing is linear. Click to read
  • [H2] Future-Present Vibrations
  • [H2] meditation care artwork labour music oppression science sound poetry text identity imagination hope healing
  • [H2] Available languages :
  • [H2] en
  • [H2] I think it's fake
  • [H2] coaliton building I THINK THIS IS FAKE is a triptych of three videos, one in English, one in Portuguese and one in Spanish, with AI-generated music based on commentaries made about memes dealing with artificial intelligence, either as a joke, as fear, or as subversion. Each commentary was collected from users in those respective languages. Click to read
  • [H2] Future-Present Vibrations
  • [H2] hope identity imagination matrix of domination manifesto meme music oppression pop culture reality refusal
  • [H2] Available languages :
  • [H2] en
  • [H2] Sinthomatic Music / Digital Intimacy
  • [H2] Artwork In the album *Learning What To Do With Your Sinthome Instead of Enjoying It,* a deep learning model's auditory latent space is re-appropriated for the purpose of various *anti*-solutional experiments. Through the lens of a number of different frameworks—including Lacanian psychoanalysis, spectral séance, and homotopy type theory—the piece reimagines various *dysfunctional* audio signals generated from GANs and VAEs as adversarial probes into latent signal space. These adversarial perturbations function as an attempt to reveal the patterns and structures of a contemporary world-historical unconscious. Click to read
  • [H2] Future-Present Vibrations
  • [H2] artwork datasets GANs neural networks & deep learning imagination music pop culture sound surveillance text article
  • [H2] Available languages :
  • [H2] en
  • [H2] Tequiologies: reclaiming the right to a dignified future
  • [H2] Carrier Bag This collection of resources is intended to inspire a journey of reflection and action for our collective dreams beyond AI. Click to read
  • [H2] Future-Present Vibrations
  • [H2] care carrier bag colonialism communities embodiment extractivism healing imagination indigenous oppression practices
  • [H2] Available languages :
  • [H2] en
  • [H2] Unionizing the speculative: Speculative fundraising towards generative AI - creative worker unionization
  • [H2] In the loop residency - Artwork How can creative workers unionize with generative AI? How can we as creative workers be accountable to AI-led automation? How did linotype and personal computers cause the demise of the International Typographical Union (ITU) which used to be one of the most influential unions in the US? What is the role and limitation of speculation as a strategy in this? Click to read
  • [H2] Future-Present Vibrations
  • [H2] economy imagination labour oppression visionary fiction exhibition datasets communities classism artwork
  • [H2] Available languages :
  • [H2] en
  • [H2] Visions
  • [H2] In the loop residency - Artwork Inspired by Sámi scholar Liisa-Ravna Finbog, this artwork explores axiological, epistemological, and ontological renewal in the context of technoscientific development. It conjures an origin for ancestral time and space in the future-present. The circle is a portal that represents sovereign new life springing forth from the land—a sanctuary and safe haven. The piece explores the regenerative interplay between plants, stones, and non-human kin, emphasizing the multiple forms of intelligence foundational to AI. Click to read
  • [H2] Future-Present Vibrations
  • [H2] artwork communities datasets exhibition GANs future gender hope identity imagination indigenous intuition oppression non-binary queerness reality video
  • [H2] Available languages :
  • [H2] en
  • [H2] Watering the Somatic Oasis
  • [H2] In the loop residency - VR artwork "Watering the Somatic Oasis" is a VR project that uses the immediacy of technologies and somatic techniques to “slow” down time. Viewers are invited to put on the VR headset and tune it to the guided meditation. Click to read
  • [H2] Future-Present Vibrations
  • [H2] care artwork hope healing imagination meditation sound visionary fiction
  • [H2] Available languages :
  • [H2] en
  • [H2] Radical AI for Forest Conservation
  • [H2] Article Counter to the way forests are perceived within the majority of machine learning and conservation projects, forests are not just sites of data, they are homes, sources of spiritual solace and cultural importance as well as sites of a wealth of medicines and resources for local communities. Click to read
  • [H2] Planet Earth & Outrastructure
  • [H2] bioacoustics categories & classifications communities embodiment ecology datasets extractivism mycelium nature & climate neural networks & deep learning planetary resources & infrastructure science sensors text article
  • [H2] Available languages :
  • [H2] en
  • [H2] Nichts als solide
  • [H2] Artwork The room installation "Nichts als solide" can be understood as an examination of those traces that people leave in their surroundings and that are burned into landscapes and places. In conversation with poems by the Jewish poet Mascha Kaléko and the Afro-German poet May Ayim, which serve as a data set for an artificial intelligence, a monologue emerges in which a new, fictional lyric self is formed. Click to read
  • [H2] AI & Relationality
  • [H2] neural networks & deep learning natural language processing categories & classifications datasets poetry oppression matrix of domination identity imagination embodiment video racism artwork
  • [H2] Available languages :
  • [H2] en
  • [H2] Retrieval
  • [H2] Artwork Retrieval is a conversation between Guerilla theorist Neema Githere and artist Petja Ivanova inverting hierarchies ascribing technology as superior to the body. Reclaiming our body is central to the political struggle of transforming the social positions and relations of all non conforming subjects that capitalist white supremacist hetero patriarchy keeps devaluing and rendering vulnerable. Jean-Luc Nancys Concept of ecotechnics weaves visually through 3d scanned casts of Neema's and Petja's body parts, blending them virtually, materially, metaphorically and spiritually into each other. The visual language of the data body compared to photogrammetry of memory disc designs, copper wires weaving through magnets, refers to and amplifies the unspoken correlation between memories stored in bodies and in computing devices alike. Click to read
  • [H2] AI & Relationality
  • [H2] video text practices artwork
  • [H2] Available languages :
  • [H2] en
  • [H2] X≠Y∴Z
  • [H2] Article What follows is an experiment in weaving relations between stories produced by an artificial intelligence trained on an archive of queer and trans life, and my experience of processing a heartbreak-induced depressive epsiode. This text weaves together excerpts of AI-generated text (*in italics*), reflections on the nature of this AI, theoretical musings and memoir in an effort to explore what kind of meaning is generated in the spaces between seemingly incoherent ideas. The task here, dear reader, is to wade through this squishy ecology of fragments, searching for what leaks as a result of their collisons. Click to read
  • [H2] AI & Relationality
  • [H2] text queerness oppression neural networks & deep learning natural language processing identity gender non-binary datasets categories & classifications communities article
  • [H2] Available languages :
  • [H2] en fr
  • [H2] Adriaan Odendaal
  • [H2] Alla Popp
  • [H2] Anasuya Sengupta
  • [H2] biarritzzz
  • [H2] Bretas
  • [H2] Charlie
  • [H2] Clemens Wildt
  • [H2] Dera Luce
  • [H2] Elif Sansoy
  • [H2] hiba ali
  • [H2] İdil Galip
  • [H2] Joycelyn Longdon
  • [H2] Karla Zavala Barreda
  • [H2] Kira Xonorika
  • [H2] Lucas LaRochelle
  • [H2] Mac Andre
  • [H2] Maithu Bùi
  • [H2] Max Ardito
  • [H2] Maya Indira Ganesh
  • [H2] Moisés Horta Valenzuela
  • [H2] Nakeema Stefflbauer
  • [H2] Neema Githere
  • [H2] Noam Youngrak Son
  • [H2] Nushin Yazdani
  • [H2] Paola Ricaurte
  • [H2] Petja Ivanova
  • [H2] Raziye Buse Çetin
  • [H2] Sarah Devi Chander
  • [H2] Seeta Peña Gangadharan
  • [H2] Seyi Akiwowo
  • [H2] Tabita Rezaire
  • [H2] Tadleeh
  • [H2] temi lasade-anderson
  • [H2] Ulla Heinrich
  • [H2] Vanessa A. Opoku
  • [H2] Xin xin
  • [H2] Zainab Aliyu
  • [H2] Zas Ieluhee
  • [H2] Adriaan Odendaal he/him
  • [H2] Contribution for Dreaming Beyond AI
  • [H2] Alla Popp (no pronoun)
  • [H2] Contribution for Dreaming Beyond AI
  • [H2] Anasuya Sengupta she/her
  • [H2] biarritzzz she/her
  • [H2] Contribution for Dreaming Beyond AI
  • [H2] Bretas he/they
  • [H2] Contribution for Dreaming Beyond AI
  • [H2] Charlie (they/them)
  • [H2] Contribution for Dreaming Beyond AI
  • [H2] Clemens Wildt he/him
  • [H2] Dera Luce he/him
  • [H2] Contribution for Dreaming Beyond AI
  • [H2] Elif Sansoy (she/her)
  • [H2] Contribution for Dreaming Beyond AI
  • [H2] hiba ali they
  • [H2] Contribution for Dreaming Beyond AI
  • [H2] İdil Galip (she/her)
  • [H2] Contribution for Dreaming Beyond AI
  • [H2] Joycelyn Longdon (she/her)
  • [H2] Contribution for Dreaming Beyond AI
  • [H2] Karla Zavala Barreda (she/her)
  • [H2] Contribution for Dreaming Beyond AI
  • [H2] Kira Xonorika she/her
  • [H2] Contribution for Dreaming Beyond AI
  • [H2] Lucas LaRochelle (they/them)
  • [H2] Contribution for Dreaming Beyond AI
  • [H2] Mac Andre any
  • [H2] Contribution for Dreaming Beyond AI
  • [H2] Maithu Bùi They/them
  • [H2] Contribution for Dreaming Beyond AI
  • [H2] Max Ardito (he/him)
  • [H2] Contribution for Dreaming Beyond AI
  • [H2] Maya Indira Ganesh she/her
  • [H2] Moisés Horta Valenzuela (he/him)
  • [H2] Contribution for Dreaming Beyond AI
  • [H2] Nakeema Stefflbauer (she/her)
  • [H2] Contribution for Dreaming Beyond AI
  • [H2] Neema Githere (they/she)
  • [H2] Contribution for Dreaming Beyond AI
  • [H2] Noam Youngrak Son they
  • [H2] Contribution for Dreaming Beyond AI
  • [H2] Nushin Yazdani
  • [H2] Contribution for Dreaming Beyond AI
  • [H2] Paola Ricaurte she/her
  • [H2] Contribution for Dreaming Beyond AI
  • [H2] Petja Ivanova (she/they)
  • [H2] Contribution for Dreaming Beyond AI
  • [H2] Raziye Buse Çetin she/her
  • [H2] Contribution for Dreaming Beyond AI
  • [H2] Sarah Devi Chander (she/her)
  • [H2] Contribution for Dreaming Beyond AI
  • [H2] Seeta Peña Gangadharan (she/her)
  • [H2] Contribution for Dreaming Beyond AI
  • [H2] Seyi Akiwowo she/her
  • [H2] Tabita Rezaire (she/her)
  • [H2] Contribution for Dreaming Beyond AI
  • [H2] Tadleeh (she/her)
  • [H2] temi lasade-anderson she/her
  • [H2] Contribution for Dreaming Beyond AI
  • [H2] Ulla Heinrich (no pronouns)
  • [H2] Contribution for Dreaming Beyond AI
  • [H2] Vanessa A. Opoku (she/her)
  • [H2] Contribution for Dreaming Beyond AI
  • [H2] Xin xin they/them
  • [H2] Zainab Aliyu she/her
  • [H2] Zas Ieluhee (they/them)
  • [H2] Contribution for Dreaming Beyond AI
  • [H3]
  • [H3]
  • [H3]
  • [H3]
  • [H3] Resident's presentation of their project
  • [H3] Coalition Building in Times of AI: Intersecting Struggles residency
  • [H3] Imagining Technologies Otherwise
  • [H3] AI & Digital Justice Tools Roundtable
  • [H3] Coalition Building in Times of AI: Intersecting Struggles
  • [H3] Liberation Practices in times of Fascism
  • [H3]
  • [H3] Liberation through digital healing
  • [H3] In the loop
  • [H3] Planting seeds towards materialising our collective dreams
  • [H3] On Artificial Intelligence and Time
  • [H3] On Artificial Intelligence and Time
  • [H3] Presenting our new In The Loop-residency!
  • [H3] On Artificial Intelligence and Time
  • [H3] On Artificial Intelligence and Time
  • [H3] at “Design and Digital Justice” DGTF
  • [H3] On Artificial Intelligence and Time
  • [H3] Conference on the Impossible Possibilities of Artificial Intelligence 
  • [H3] during the AI Anarchies Autumn School
  • [H3] Important Issues Office
  • [H3] Presentation
  • [H3] Use, design and care of community-driven AI
  • [H3] temi lasade-anderson
  • [H3] Raziye Buse Çetin
  • [H3] Sarah Chander
  • [H3] Seeta Peña Gangadharan
  • [H3] Zainab Aliyu
  • [H3] Bretas
  • [H3] Zas Ieluhee
  • [H3] Idil Galip
  • [H3] Nakeema Stefflbauer
  • [H3] Mac Andre Arboleda
  • [H3] Charlie
  • [H3] Alla Popp
  • [H3] Moisés Horta
  • [H3] Tabita Rezaire
  • [H3] Adriaan Odendaal & Karla Zavala (Internet Teapot)
  • [H3] Neema Githere and Petja Ivanova
  • [H3] Ulla Heinrich & Nushin Yazdani
  • [H3] Maithu Bùi
  • [H3] Dera Luce
  • [H3] biarritzzz
  • [H3] Elif Sansoy & Max Ardito
  • [H3] Paola Ricaurte
  • [H3] Noam Youngrak Son
  • [H3] Kira Xonorika
  • [H3] hiba ali
  • [H3] Joycelyn Longdon
  • [H3] Vanessa Opoku
  • [H3] Petja Ivanova and Neema Githere
  • [H3] Lucas LaRochelle
  • [H5] [00:00:00.000] - Speaker 1
  • [H5] [00:00:18.530] - Speaker 2
  • [H5] [00:01:51.160] - Speaker 2
  • [H5] [00:02:27.330] - Speaker 2
  • [H5] [00:03:09.150] - Speaker 1
  • [H5] [00:04:47.600] - Speaker 1
  • [H5] [00:04:49.510] - Speaker 2
  • [H5] [00:05:00.520] - Speaker 1
  • [H5] [00:05:34.230] - Speaker 2
  • [H5] [00:05:41.090] - Speaker 2
  • [H5] [00:06:05.750] - Speaker 1
  • [H5] [00:07:25.020] - Speaker 1
  • [H5] [00:08:22.500] - Speaker 2
  • [H5] [00:08:29.120] - Speaker 1
  • [H5] [00:09:49.040] - Speaker 1
  • [H5] [00:11:19.630] - Speaker 1
  • [H5] [00:12:45.610] - Speaker 1
  • [H5] [00:13:08.080] - Speaker 1
  • [H5] [00:13:11.580] - Speaker 2
  • [H5] [00:13:19.840] - Speaker 2
  • [H5] [00:14:36.960] - Speaker 2
  • [H5] [00:15:17.420] - Speaker 1
  • [H5] [00:16:42.170] - Speaker 1
  • [H5] [00:17:52.700] - Speaker 2
  • [H5] [00:18:45.250] - Speaker 1
  • [H5] [00:20:25.850] - Speaker 1
  • [H5] [00:22:00.690] - Speaker 1
  • [H5] [00:23:41.990] - Speaker 2
  • [H5] [00:24:14.350] - Speaker 1
  • [H5] [00:25:52.940] - Speaker 1
  • [H5] [00:27:23.590] - Speaker 1
  • [H5] [00:28:58.010] - Speaker 1
  • [H5] [00:30:52.140] - Speaker 1
  • [H5] [00:30:57.930] - Speaker 2
  • [H5] [00:31:02.080] - Speaker 1
  • [H5] [00:31:05.770] - Speaker 2
  • [H5] [00:32:09.840] - Speaker 1
  • [H5] [00:32:47.960] - Speaker 2
  • [H5] [00:33:18.790] - Speaker 1
  • [H5] [00:33:32.170] - Speaker 2
  • [H5] [00:33:48.460] - Speaker 1
  • [H5] [00:35:32.480] - Speaker 2
  • [H5] [00:35:45.750] - Speaker 1
  • [H5] [00:37:02.640] - Speaker 2
  • [H5] [00:37:27.350] - Speaker 1
  • [H5] [00:39:00.490] - Speaker 2
  • [H5] [00:39:07.760] - Speaker 1
  • [H5] [00:39:47.130] - Speaker 2
  • [H5] [00:39:52.320] - Speaker 1
  • [H5] [00:40:56.280] - Speaker 2
  • [H5] [00:41:13.560] - Speaker 1
  • [H5] [00:41:15.510] - Speaker 2
  • [H5] [00:41:25.600] - Speaker 1
  • [H5] [00:41:39.070] - Speaker 2
  • [H5] [00:41:40.710] - Speaker 1
  • [H5] [00:41:44.720] - Speaker 2
  • [H5] [00:00:02.820] - Speaker 1
  • [H5] [00:01:25.340] - Speaker 1
  • [H5] [00:01:41.000] - Speaker 2
  • [H5] [00:02:15.920] - Speaker 1
  • [H5] [00:02:44.660] - Speaker 2
  • [H5] [00:04:32.860] - Speaker 2
  • [H5] [00:06:33.740] - Speaker 1
  • [H5] [00:07:43.120] - Speaker 2
  • [H5] [00:10:00.830] - Speaker 2
  • [H5] [00:10:20.480] - Speaker 1
  • [H5] [00:11:23.180] - Speaker 2
  • [H5] [00:13:18.260] - Speaker 1
  • [H5] [00:14:07.120] - Speaker 2
  • [H5] [00:15:51.600] - Speaker 1
  • [H5] [00:17:03.820] - Speaker 1
  • [H5] [00:17:29.560] - Speaker 2
  • [H5] [00:19:37.420] - Speaker 2
  • [H5] [00:21:36.640] - Speaker 2
  • [H5] [00:22:32.900] - Speaker 1
  • [H5] [00:22:41.620] - Speaker 2
  • [H5] [00:23:22.720] - Speaker 1
  • [H5] [00:24:39.180] - Speaker 1
  • [H5] [00:24:58.500] - Speaker 2
  • [H5] [00:26:49.960] - Speaker 2
  • [H5] [00:29:05.430] - Speaker 2
  • [H5] [00:30:15.680] - Speaker 1
  • [H5] [00:31:14.380] - Speaker 2
  • [H5] [00:33:12.020] - Speaker 2
  • [H5] [00:34:27.840] - Speaker 1
  • [H5] [00:34:49.280] - Speaker 2
  • [H5] [00:34:54.400] - Speaker 1

Images

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Ratio texte/HTML

Ratio : 0%

le ratio de cette page texte/HTML est au-dessous de 15 pour cent, ce qui signifie que votre site manque de contenu textuel.

Flash

Parfait, aucun contenu FLASH n'a été détecté sur cette page.

Iframe

Dommage, vous avez des Iframes sur vos pages Web, cela signifie que son contenu ne peut pas être indexé par les moteurs de recherche.

Réécriture d'URLs

Bien. Vos liens sont optimisés!

Tiret bas dans les URLs

Parfait! Aucuns soulignements détectés dans vos URLs.

Liens dans la page

Nous avons trouvé un total de 73 lien(s) dont 5 lien(s) vers des fichiers

Texte d'ancre Type Juice
ifa – Institut für Auslandsbeziehungen Externe Passing Juice
Landecker Democracy Fellowship Externe Passing Juice
mur.at Externe Passing Juice
privacy policy Interne Passing Juice
legal notice Interne Passing Juice
terms of use Externe Passing Juice
www.internetteapot.com Externe Passing Juice
Twitter: @adriaan_o Externe Passing Juice
Instagram: @internetteapot Externe Passing Juice
homepage-bbb.com Externe Passing Juice
allapopp.com Externe Passing Juice
Instagram: @allapopp Externe Passing Juice
whoseknowledge.org Externe Passing Juice
sanmathi.org/anasuya Externe Passing Juice
linkedin.com/in/anasuya-sengupta-9466261 Externe Passing Juice
instagram.com/bretasvj Externe Passing Juice
are.na/de Externe Passing Juice
deraluce.com/ Externe Passing Juice
patreon.com/deraluce Externe Passing Juice
instagram.com/deraluce Externe Passing Juice
hibaali.info Interne Passing Juice
@h3ba.hyba.xba Externe Passing Juice
Meme Studies Research Network Externe Passing Juice
idilgalip.com Externe Passing Juice
Twitter: @idilgalip Externe Passing Juice
Instagram: @cybervolta Externe Passing Juice
climateincolour.com Externe Passing Juice
Instagram: @climateincolor Externe Passing Juice
Twitter: @karlazavala Externe Passing Juice
instagram.com/Xonorika Externe Passing Juice
lucaslarochelle.com Externe Passing Juice
Twitter: @queeringthemap_ Externe Passing Juice
Instagram: @ontario.mom Externe Passing Juice
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maxardito.com Externe Passing Juice
moiseshorta.audio Externe Passing Juice
Twitter: @hexorcismos Externe Passing Juice
Instagram: @hexorcismos Externe Passing Juice
nakeema.net Externe Passing Juice
Twitter: @DocStefflbauer Externe Passing Juice
presentism2020.com Externe Passing Juice
Instagram: @take.back.theinternet Externe Passing Juice
d-act.org Externe Passing Juice
instagram.com/noam_yr Externe Passing Juice
nushinyazdani.com Externe Passing Juice
poeticfutures.com Externe Passing Juice
Instagram: @poetic_futures Externe Passing Juice
linktr.ee/busecett Externe Passing Juice
Twitter: @sarahchander Externe Passing Juice
seyiakiwowo.com Externe Passing Juice
glitchcharity.co.uk Externe Passing Juice
uk.linkedin.com/in/seyiakiwowo Externe Passing Juice
tabitarezaire.com Externe Passing Juice
Twitter: #tabitarezaire Externe Passing Juice
Instagram: #tabitarezaire Externe Passing Juice
shapeplatform.eu/artist/tadleeh Externe Passing Juice
missy-magazine.de Externe Passing Juice
Twitter: @vaopoku Externe Passing Juice
Instagram: @vaopoku Externe Passing Juice
xin-xin.info Externe Passing Juice
instagram.com/xinemata Externe Passing Juice
zasieluhee.com Interne Passing Juice
Instagram: @ieluhee Externe Passing Juice
ifa.de Externe Passing Juice
Iyo Bisseck Externe Passing Juice
People Interne Passing Juice
https://dreamingbeyond.ai/ Interne Passing Juice
https://eye-able.com/ Externe Passing Juice
https://barrierefreiheit-bw.de/ Externe Passing Juice
https://dreamingbeyond.ai Interne Passing Juice
youtube.com/t/privacy Externe Passing Juice
vimeo.com/privacy Externe Passing Juice
megaphone.fm/terms/privacy Externe Passing Juice

Mots-clefs

Nuage de mots-clefs

Cohérence des mots-clefs

Mot-clef Contenu Titre Mots-clefs Description Niveaux de titre

Ergonomie

Url

Domaine : dreamingbeyond.ai

Longueur : 17

Favicon

Génial, votre site web dispose d'un favicon.

Imprimabilité

Aucun style CSS pour optimiser l'impression n'a pu être trouvé.

Langue

Bien. Votre langue est : en.

Dublin Core

Cette page ne profite pas des métadonnées Dublin Core.

Document

Doctype

HTML 5

Encodage

Vous n'avez pas spécifié le charset du document. Utilisez ce générateur gratuit de balises META pour préciser le charset du document.

Validité W3C

Erreurs : 0

Avertissements : 0

E-mail confidentialité

Attention! Au moins une adresse e-mail a été trouvée en texte clair. Utilisez une protection anti-spam gratuite pour cacher vos e-mails aux spammeurs.

HTML obsolètes

Génial! Nous n'avons pas trouvé de balises HTML obsolètes dans votre code.

Astuces vitesse

Excellent, votre site n'utilise pas de tableaux imbriqués.
Mauvais, votre site web utilise des styles css inline.
Mauvais, votre site web contient trop de fichiers CSS (plus de 4).
Mauvais, votre site web contient trop de fichiers javascript (plus de 6).
Dommage, votre site n'est pas optimisé avec gzip.

Mobile

Optimisation mobile

Icône Apple
Méta tags viewport
Contenu FLASH

Optimisation

Sitemap XML

Votre site web dispose d’une sitemap XML, ce qui est optimal.

https://www.dreamingbeyond.ai/en

Robots.txt

https://dreamingbeyond.ai/robots.txt

Votre site dispose d’un fichier robots.txt, ce qui est optimal.

Mesures d'audience

Manquant

Nous n'avons trouvé aucun outil d'analytics sur ce site.

Un outil de mesure d'audience vous permet d'analyser l’activité des visiteurs sur votre site. Vous devriez installer au moins un outil Analytics. Il est souvent utile d’en rajouter un second, afin de confirmer les résultats du premier.

PageSpeed Insights


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