archipelago.city

Evaluation du site archipelago.city

archipelagocity

 Généré le 15 Janvier 2026 21:40

Vieilles statistiques? UPDATE !

Le score est de 44/100

Optimisation du contenu

Titre

archipelagocity

Longueur : 15

Parfait, votre titre contient entre 10 et 70 caractères.

Description

Cargo

Longueur : 5

Idéalement, votre balise META description devrait contenir entre 70 et 160 caractères (espaces compris). Utilisez cet outil gratuit pour calculer la longueur du texte.

Mots-clefs

Très mauvais. Nous n'avons pas trouvé de balise META keywords sur votre page. Utilisez ce générateur gratuit de balises META en ligne pour créer des mots-clés.

Propriétés Open Graph

Cette page ne profite pas des balises META Open Graph. Cette balise permet de représenter de manière riche n'importe quelle page dans le graph social (environnement social). Utilisez ce générateur gratuit de balises META Open Graph pour les créer.

Niveaux de titre

H1 H2 H3 H4 H5 H6
7 17 0 0 0 0
  • [H1]
  • [H1] The Archipelago Studio
  • [H1] I thought of people struggling within this speck of the world against silence and obliteration
  • [H1] THE BEACH NOW UNDERGOES TEMPESTUOUS CHANGE (2)
  • [H1] PUBLIC SPACE:  A FIELD WHERE COINCIDENCE IS PROBABLE
  • [H1]
  • [H1]
  • [H2] The Archipelago invents real design actions + architectures vs. conditions of Crisis: constant, pervasive climate and social crises. It pursues research + design across global, networked sites - places without a center - un-centering \u2018solutions,\u2019 reframing problems unresolvable by single discipline, finding resiliency in the periphery. The Archipelago rebuilds and works with what we have. Repair is its primary tool, by storytelling, craft, activism. It builds partnerships with agents of change; visual essay films + exhibitions; shelter, sanctuary, public spaces of freedom and joy. The Archipelago enables change: reuse, rebuiding, resistance.\n \n\n\n\n\t\nThis page features Research and Thesis works from January 2020 to December 2024:  28 short films and project experiments for Architecture and Urbanism against global Crises - climate and social, intertwined.Archipelago is a network of islets and of urban voids; 16 artefacts of 3 migrations; a river, a flood, a fire; typologies for quid-pro-quo reuse; stations along a walkscape; objects on a floorscape; a tactical migration vessel or a traveling construction site; events in a city past the point of no return; incomplete buildings; subacqueous spaces; floating memorials; a design fiction (or utopia) across space\/time. \nHow can architecture & its media respond to a world on fire?\n\tI thought of people struggling within this speck of the world against silence and obliteration(2)Such explorations begin as narrative documentations of expanded sites and crises (not areas or plots but actors, vectors, fields, objects); establish inquiries and positions, define partnerships (not programs) and produce actionable designs: field operations, tactical or incremental urbanism, informal occupations, policy, public space, adaptive reuse, indigenous allyship, and strategic design projects.  They conclude in an exhibition, a visual essay, and an  argument.\n\n\n\nAtlas:  guide:  action: shelter: commons:  sanctuary. This Archipelago is both figure and ground.  A mesh of vectors, actors, field, objects. It enables spaces of Freedom & Joy.\n\n\tThere may be circumstances - ways of measuring that island - that cause its circumference to be infinite(1) \nTHE BEACH NOW UNDERGOES TEMPESTUOUS CHANGE (2)\n\n\tThe ARCHIPELAGO is not metaphorical.  It does not contain iconic nodes and tabula rasa.  It includes a deep field condition charged with information, as well as distinct objects\/islands, collectively forming a CITY\/SEA: not an ideal space, but a real condition, a subaqueous and urban field which we have inherited and where we find ourselves working.  activists, adaptive reuse, aquaculture, backyards, beehives, builders, cloisters, continental shelves, contours, corner stores, cycles, desert islets, domestic urbanism, earthworks, entropic gardens, farmers, flotsam, forests, free zones, garbage patches, grand tour, housing, hybrid creatures, hydrographics, hyper-objects, indigenous stories, internet cables, invasive species, landfill,  landmarks, laneways, mammals, markets, metissage, migrations, microplastics, mnemotechnics, mud flats, navigators, nomads, nuns, piers, photovoltaics, plants, polycarbonates, poachers, port machines, pools, pressure points, rafts, rangers, red sand, reefs, refineries, relationality, ruins of modernism, sandbanks, senior citizens, sheds, sheet metal, shellfish, slums, solidarity, sovereignties, stations, suburban families, temporary structures, terraces, trenches, unaccompanied minors, the unsmiling rock, urban voids, vessels, walkscapes, and wind turbines.\n\n Incremental, temporary or incomplete;  inductive, rather than deductive, vectors and cuts rather than masterplans; agents and partners rather than clients; urgent needs rather than program. The CITY\/SEA cannot be controlled.\n\tI wondered whether, in little countries such as ours, economic prospects (their inspiration) ought not to be more like the beach at Le Diamant:  cyclical, changeable, mutating, running through an economy of disorder whose detail would be meticulously calculated but whose comprehensive view would change rapidly depending on different circumstances.\nThat is what we have to shake off.  To return to the sources of our cultures and the mobility of their relational content, in order to have a better appreciation of this disorder and to modulate every action according to it.  To adapt action to the various possibilities in turn.(2)\n\n\n\nPUBLIC SPACE:  A FIELD WHERE COINCIDENCE IS PROBABLE\n\n\n\n\n\tHow can we un-build and re-build anything?\n\n\n\t\n\tWE ARE ALL HUMBLED BY THE ANTHROPOCENE:  BUT  \u2018RESILIENCE\u2019 IS NOT THE ONLY LOGICAL RESPONSE IN THE POLITICAL HORIZON.\n(3)\n\n\n\n\t\n\n\ue119\ufe0e\ufe0e\ufe0e1.The Course \ue119\ufe0e\ufe0e\ufe0e2. Visual Essays\ue119\ufe0e\ufe0e\ufe0e3. Thesis\n\n\tThere are three things:\nto walk,to see,and to see what you see.\n(4)\n\n\n\n\tThe 3 parts feed into each other.  Documents, maps, artefacts, voices and witnesses (1.) build up storytelling, research methods, thesis questions and positions (2.)  These frame design projects across the world, against different Crises (3.),  in ways that Might Actually Work.\n\t\n\n\n\n\t\n\tIs architectural activism an architecture without architects?\n\n\n\n\t(1)  Timothy Morton, \u201cMolten Entities,\u201d New Geographies 08: Island (2016): 72 \n (3)  Jonathan Pugh, \u201cRelationality and island studies in the Anthropocene,\u201d Island Studies Journal, 13 (2), 2018:  105\n\t(2) \u00c9douard Glissant, \u201cThe Black Beach,\u201d in Poetics of Relation, trans. Betsy Wing (Ann Arbor: The University of Michigan Press, 1997), 125-126(4) Benton MacKaye, \u201cATC Members\u2019 Handbook.\u201d\n\n\tArchipelago 01 (2020-21): Jennifer Bai, Ivy Chan, Atieh Daneshian, Yvonne Fu, Safina Moloo, Irina Rouby-Apelbaum, Lynn Sang, JiaJia Shi, Stephanie TungArchipelago 02 (2021-22):  Meena Alcozai, Latoya Barnett, Alejandra Chauca Velez, Delaney McVeigh, Keenan Ngo, Veronika Salamun, Priyanka Shah,  Kon Shin, Hongtao Shen, Dipra ShettyArchipelago 03 (2022-23):  Farah Aldaghestani, Zanira Ali, Mia Chen, Ramisa Eva, Chuan He, Yimin Hu, Jerry Lin, Katrina Santos, Marcelline Siu, Clement Sung, Osei Wirecko, Tianyu ZhangArchipelago 04 (2023-24):  Zikun An, Andreia Afonso, Jessica Babe, Will Banks, Nada Basamh, Maggie Ghobrial, Jimmy Hung, Yanchen Huo, Jordan Nisenbaum, Silya Sarieddine, Qiaochu Yang.Archipelago 05 (2024 @RISD):  Alexandra Croft, Alex Grosek, Tom Hu, Minho Kwon, Huyn Roh, Nur Setin, Eddie Minwoo Sohn, Anand Upadhayay, Catherine Wang.\n\n\n\n\n\n\t\u00a9 Archipelago Studio @ the John H. Daniels Faculty of Architecture, Landscape, and Design, University of Toronto.\n","content_no_html":"\n\n\n\nThe Archipelago Studio is a 1-year Masters of Architecture Research + Design Thesis Studio at the John H. Daniels Faculty of Architecture, Landscape, and Design, University of Toronto and other institutions, run by Petros Babasikas between 2020-26.\n\n\tThe Archipelago invents real design actions + architectures vs. conditions of Crisis: constant, pervasive climate and social crises. It pursues research + design across global, networked sites - places without a center - un-centering \u2018solutions,\u2019 reframing problems unresolvable by single discipline, finding resiliency in the periphery. The Archipelago rebuilds and works with what we have. Repair is its primary tool, by storytelling, craft, activism. It builds partnerships with agents of change; visual essay films + exhibitions; shelter, sanctuary, public spaces of freedom and joy. The Archipelago enables change: reuse, rebuiding, resistance.\n \n\n\n\n\t\nThis page features Research and Thesis works from January 2020 to December 2024:  28 short films and project experiments for Architecture and Urbanism against global Crises - climate and social, intertwined.Archipelago is a network of islets and of urban voids; 16 artefacts of 3 migrations; a river, a flood, a fire; typologies for quid-pro-quo reuse; stations along a walkscape; objects on a floorscape; a tactical migration vessel or a traveling construction site; events in a city past the point of no return; incomplete buildings; subacqueous spaces; floating memorials; a design fiction (or utopia) across space\/time. \nHow can architecture & its media respond to a world on fire?\n\tI thought of people struggling within this speck of the world against silence and obliteration(2)Such explorations begin as narrative documentations of expanded sites and crises (not areas or plots but actors, vectors, fields, objects); establish inquiries and positions, define partnerships (not programs) and produce actionable designs: field operations, tactical or incremental urbanism, informal occupations, policy, public space, adaptive reuse, indigenous allyship, and strategic design projects.  They conclude in an exhibition, a visual essay, and an  argument.\n\n\n\nAtlas:  guide:  action: shelter: commons:  sanctuary. This Archipelago is both figure and ground.  A mesh of vectors, actors, field, objects. It enables spaces of Freedom & Joy.\n\n\tThere may be circumstances - ways of measuring that island - that cause its circumference to be infinite(1) \nTHE BEACH NOW UNDERGOES TEMPESTUOUS CHANGE (2)\n\n\tThe ARCHIPELAGO is not metaphorical.  It does not contain iconic nodes and tabula rasa.  It includes a deep field condition charged with information, as well as distinct objects\/islands, collectively forming a CITY\/SEA: not an ideal space, but a real condition, a subaqueous and urban field which we have inherited and where we find ourselves working.  activists, adaptive reuse, aquaculture, backyards, beehives, builders, cloisters, continental shelves, contours, corner stores, cycles, desert islets, domestic urbanism, earthworks, entropic gardens, farmers, flotsam, forests, free zones, garbage patches, grand tour, housing, hybrid creatures, hydrographics, hyper-objects, indigenous stories, internet cables, invasive species, landfill,  landmarks, laneways, mammals, markets, metissage, migrations, microplastics, mnemotechnics, mud flats, navigators, nomads, nuns, piers, photovoltaics, plants, polycarbonates, poachers, port machines, pools, pressure points, rafts, rangers, red sand, reefs, refineries, relationality, ruins of modernism, sandbanks, senior citizens, sheds, sheet metal, shellfish, slums, solidarity, sovereignties, stations, suburban families, temporary structures, terraces, trenches, unaccompanied minors, the unsmiling rock, urban voids, vessels, walkscapes, and wind turbines.\n\n Incremental, temporary or incomplete;  inductive, rather than deductive, vectors and cuts rather than masterplans; agents and partners rather than clients; urgent needs rather than program. The CITY\/SEA cannot be controlled.\n\tI wondered whether, in little countries such as ours, economic prospects (their inspiration) ought not to be more like the beach at Le Diamant:  cyclical, changeable, mutating, running through an economy of disorder whose detail would be meticulously calculated but whose comprehensive view would change rapidly depending on different circumstances.\nThat is what we have to shake off.  To return to the sources of our cultures and the mobility of their relational content, in order to have a better appreciation of this disorder and to modulate every action according to it.  To adapt action to the various possibilities in turn.(2)\n\n\n\nPUBLIC SPACE:  A FIELD WHERE COINCIDENCE IS PROBABLE\n\n\n\n\n\tHow can we un-build and re-build anything?\n\n\n\t\n\tWE ARE ALL HUMBLED BY THE ANTHROPOCENE:  BUT  \u2018RESILIENCE\u2019 IS NOT THE ONLY LOGICAL RESPONSE IN THE POLITICAL HORIZON.\n(3)\n\n\n\n\t\n\n\ue119\ufe0e\ufe0e\ufe0e1.The Course \ue119\ufe0e\ufe0e\ufe0e2. Visual Essays\ue119\ufe0e\ufe0e\ufe0e3. Thesis\n\n\tThere are three things:\nto walk,to see,and to see what you see.\n(4)\n\n\n\n\tThe 3 parts feed into each other.  Documents, maps, artefacts, voices and witnesses (1.) build up storytelling, research methods, thesis questions and positions (2.)  These frame design projects across the world, against different Crises (3.),  in ways that Might Actually Work.\n\t\n\n\n\n\t\n\tIs architectural activism an architecture without architects?\n\n\n\n\t(1)  Timothy Morton, \u201cMolten Entities,\u201d New Geographies 08: Island (2016): 72 \n (3)  Jonathan Pugh, \u201cRelationality and island studies in the Anthropocene,\u201d Island Studies Journal, 13 (2), 2018:  105\n\t(2) \u00c9douard Glissant, \u201cThe Black Beach,\u201d in Poetics of Relation, trans. Betsy Wing (Ann Arbor: The University of Michigan Press, 1997), 125-126(4) Benton MacKaye, \u201cATC Members\u2019 Handbook.\u201d\n\n\tArchipelago 01 (2020-21): Jennifer Bai, Ivy Chan, Atieh Daneshian, Yvonne Fu, Safina Moloo, Irina Rouby-Apelbaum, Lynn Sang, JiaJia Shi, Stephanie TungArchipelago 02 (2021-22):  Meena Alcozai, Latoya Barnett, Alejandra Chauca Velez, Delaney McVeigh, Keenan Ngo, Veronika Salamun, Priyanka Shah,  Kon Shin, Hongtao Shen, Dipra ShettyArchipelago 03 (2022-23):  Farah Aldaghestani, Zanira Ali, Mia Chen, Ramisa Eva, Chuan He, Yimin Hu, Jerry Lin, Katrina Santos, Marcelline Siu, Clement Sung, Osei Wirecko, Tianyu ZhangArchipelago 04 (2023-24):  Zikun An, Andreia Afonso, Jessica Babe, Will Banks, Nada Basamh, Maggie Ghobrial, Jimmy Hung, Yanchen Huo, Jordan Nisenbaum, Silya Sarieddine, Qiaochu Yang.Archipelago 05 (2024 @RISD):  Alexandra Croft, Alex Grosek, Tom Hu, Minho Kwon, Huyn Roh, Nur Setin, Eddie Minwoo Sohn, Anand Upadhayay, Catherine Wang.\n\n\n\n\n\n\t\u00a9 Archipelago Studio @ the John H. Daniels Faculty of Architecture, Landscape, and Design, University of Toronto.\n","content_partial_html":"\n\n\n\nThe Archipelago Studio is a 1-year Masters of Architecture Research + Design Thesis Studio at the John H. Daniels Faculty of Architecture, Landscape, and Design, University of Toronto and other institutions, run by Petros Babasikas between 2020-26.\n\n\tThe Archipelago invents real design actions + architectures vs. conditions of Crisis: constant, pervasive climate and social crises. It pursues research + design across global, networked sites - places without a center - un-centering \u2018solutions,\u2019 reframing problems unresolvable by single discipline, finding resiliency in the periphery. The Archipelago rebuilds and works with what we have. Repair is its primary tool, by storytelling, craft, activism. It builds partnerships with agents of change; visual essay films + exhibitions; shelter, sanctuary, public spaces of freedom and joy. The Archipelago enables change: reuse, rebuiding, resistance.\n \n\n\n\n\t\nThis page features Research and Thesis works from January 2020 to December 2024:  28 short films and project experiments for Architecture and Urbanism against global Crises - climate and social, intertwined.Archipelago is a network of islets and of urban voids; 16 artefacts of 3 migrations; a river, a flood, a fire; typologies for quid-pro-quo reuse; stations along a walkscape; objects on a floorscape; a tactical migration vessel or a traveling construction site; events in a city past the point of no return; incomplete buildings; subacqueous spaces; floating memorials; a design fiction (or utopia) across space\/time. \nHow can architecture & its media respond to a world on fire?\n\tI thought of people struggling within this speck of the world against silence and obliteration(2)Such explorations begin as narrative documentations of expanded sites and crises (not areas or plots but actors, vectors, fields, objects); establish inquiries and positions, define partnerships (not programs) and produce actionable designs: field operations, tactical or incremental urbanism, informal occupations, policy, public space, adaptive reuse, indigenous allyship, and strategic design projects.  They conclude in an exhibition, a visual essay, and an  argument.\n\n\n\nAtlas:  guide:  action: shelter: commons:  sanctuary. This Archipelago is both figure and ground.  A mesh of vectors, actors, field, objects. It enables spaces of Freedom & Joy.\n\n\tThere may be circumstances - ways of measuring that island - that cause its circumference to be infinite(1) \nTHE BEACH NOW UNDERGOES TEMPESTUOUS CHANGE (2)\n\n\tThe ARCHIPELAGO is not metaphorical.  It does not contain iconic nodes and tabula rasa.  It includes a deep field condition charged with information, as well as distinct objects\/islands, collectively forming a CITY\/SEA: not an ideal space, but a real condition, a subaqueous and urban field which we have inherited and where we find ourselves working.  activists, adaptive reuse, aquaculture, backyards, beehives, builders, cloisters, continental shelves, contours, corner stores, cycles, desert islets, domestic urbanism, earthworks, entropic gardens, farmers, flotsam, forests, free zones, garbage patches, grand tour, housing, hybrid creatures, hydrographics, hyper-objects, indigenous stories, internet cables, invasive species, landfill,  landmarks, laneways, mammals, markets, metissage, migrations, microplastics, mnemotechnics, mud flats, navigators, nomads, nuns, piers, photovoltaics, plants, polycarbonates, poachers, port machines, pools, pressure points, rafts, rangers, red sand, reefs, refineries, relationality, ruins of modernism, sandbanks, senior citizens, sheds, sheet metal, shellfish, slums, solidarity, sovereignties, stations, suburban families, temporary structures, terraces, trenches, unaccompanied minors, the unsmiling rock, urban voids, vessels, walkscapes, and wind turbines.\n\n Incremental, temporary or incomplete;  inductive, rather than deductive, vectors and cuts rather than masterplans; agents and partners rather than clients; urgent needs rather than program. The CITY\/SEA cannot be controlled.\n\tI wondered whether, in little countries such as ours, economic prospects (their inspiration) ought not to be more like the beach at Le Diamant:  cyclical, changeable, mutating, running through an economy of disorder whose detail would be meticulously calculated but whose comprehensive view would change rapidly depending on different circumstances.\nThat is what we have to shake off.  To return to the sources of our cultures and the mobility of their relational content, in order to have a better appreciation of this disorder and to modulate every action according to it.  To adapt action to the various possibilities in turn.(2)\n\n\n\nPUBLIC SPACE:  A FIELD WHERE COINCIDENCE IS PROBABLE\n\n\n\n\n\tHow can we un-build and re-build anything?\n\n\n\t\n\tWE ARE ALL HUMBLED BY THE ANTHROPOCENE:  BUT  \u2018RESILIENCE\u2019 IS NOT THE ONLY LOGICAL RESPONSE IN THE POLITICAL HORIZON.\n(3)\n\n\n\n\t\n\n\ue119\ufe0e\ufe0e\ufe0e1.The Course \ue119\ufe0e\ufe0e\ufe0e2. Visual Essays\ue119\ufe0e\ufe0e\ufe0e3. Thesis\n\n\tThere are three things:\nto walk,to see,and to see what you see.\n(4)\n\n\n\n\tThe 3 parts feed into each other.  Documents, maps, artefacts, voices and witnesses (1.) build up storytelling, research methods, thesis questions and positions (2.)  These frame design projects across the world, against different Crises (3.),  in ways that Might Actually Work.\n\t\n\n\n\n\t\n\tIs architectural activism an architecture without architects?\n\n\n\n\t(1)  Timothy Morton, \u201cMolten Entities,\u201d New Geographies 08: Island (2016): 72 \n (3)  Jonathan Pugh, \u201cRelationality and island studies in the Anthropocene,\u201d Island Studies Journal, 13 (2), 2018:  105\n\t(2) \u00c9douard Glissant, \u201cThe Black Beach,\u201d in Poetics of Relation, trans. Betsy Wing (Ann Arbor: The University of Michigan Press, 1997), 125-126(4) Benton MacKaye, \u201cATC Members\u2019 Handbook.\u201d\n\n\tArchipelago 01 (2020-21): Jennifer Bai, Ivy Chan, Atieh Daneshian, Yvonne Fu, Safina Moloo, Irina Rouby-Apelbaum, Lynn Sang, JiaJia Shi, Stephanie TungArchipelago 02 (2021-22):  Meena Alcozai, Latoya Barnett, Alejandra Chauca Velez, Delaney McVeigh, Keenan Ngo, Veronika Salamun, Priyanka Shah,  Kon Shin, Hongtao Shen, Dipra ShettyArchipelago 03 (2022-23):  Farah Aldaghestani, Zanira Ali, Mia Chen, Ramisa Eva, Chuan He, Yimin Hu, Jerry Lin, Katrina Santos, Marcelline Siu, Clement Sung, Osei Wirecko, Tianyu ZhangArchipelago 04 (2023-24):  Zikun An, Andreia Afonso, Jessica Babe, Will Banks, Nada Basamh, Maggie Ghobrial, Jimmy Hung, Yanchen Huo, Jordan Nisenbaum, Silya Sarieddine, Qiaochu Yang.Archipelago 05 (2024 @RISD):  Alexandra Croft, Alex Grosek, Tom Hu, Minho Kwon, Huyn Roh, Nur Setin, Eddie Minwoo Sohn, Anand Upadhayay, Catherine Wang.\n\n\n\n\n\n\t\u00a9 Archipelago Studio @ the John H. Daniels Faculty of Architecture, Landscape, and Design, University of Toronto.\n","thumb":"92258934","thumb_meta":{"thumbnail_crop":{"percentWidth":"100","marginLeft":0,"marginTop":0,"imageModel":{"id":92258934,"project_id":16882755,"image_ref":"{image 24}","name":"LANDING-PAGE-04.jpg","hash":"2e509b7889f9bf32160581dbf7761205e081d8969dc3f9187b0db8a80e250a1f","width":2500,"height":2483,"sort":3,"exclude_from_backdrop":false,"date_added":"1608064942"},"stored":{"ratio":99.32,"crop_ratio":"16x9"},"cropManuallySet":false}},"thumb_is_visible":false,"sort":1,"index":0,"set_id":0,"page_options":{"using_local_css":true,"local_css":"[local-style=\"16882755\"] .container_width {\n\twidth: 49% \/*!variable_defaults*\/;\n}\n\n[local-style=\"16882755\"] body {\n}\n\n[local-style=\"16882755\"] .backdrop {\n\twidth: calc(100% - 49%)\/*!right_fit*\/;\n\tleft: 0 \/*!right_fit*\/;\n}\n\n[local-style=\"16882755\"] .page {\n\tmin-height: 100vh \/*!page_height_100vh*\/;\n}\n\n[local-style=\"16882755\"] .page_background {\n\tbackground-color: initial \/*!page_container_bgcolor*\/;\n}\n\n[local-style=\"16882755\"] .content_padding {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"16882755\"] bodycopy {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"16882755\"] bodycopy a {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"16882755\"] bodycopy a:hover {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"16882755\"] h1 {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"16882755\"] h1 a {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"16882755\"] h1 a:hover {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"16882755\"] h2 {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"16882755\"] h2 a {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"16882755\"] h2 a:hover {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"16882755\"] small {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"16882755\"] small a {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"16882755\"] small a:hover {\n}\n\n[local-style=\"16882755\"] .container {\n\tmargin-right: 0 \/*!content_right*\/;\n}","local_layout_options":{"split_layout":true,"split_responsive":true,"full_height":true,"advanced_padding_enabled":true,"page_container_bgcolor":"","show_local_thumbs":false,"page_bgcolor":"","content_position":"right_fit","content_width":"49"}},"set_open":false,"images":[{"id":92258934,"project_id":16882755,"image_ref":"{image 24}","name":"LANDING-PAGE-04.jpg","hash":"2e509b7889f9bf32160581dbf7761205e081d8969dc3f9187b0db8a80e250a1f","width":2500,"height":2483,"sort":3,"exclude_from_backdrop":false,"date_added":"1608064942"},{"id":92259010,"project_id":16882755,"image_ref":"{image 25}","name":"LANDING-PAGE-06.jpg","hash":"647dd49426f5bd825d5f07900726e4e5ae0ecdff47c7c1161eef28bb1c6f40ac","width":4846,"height":6389,"sort":5,"exclude_from_backdrop":false,"date_added":"1608065059"},{"id":92259718,"project_id":16882755,"image_ref":"{image 28}","name":"LANDING-PAGE-03.jpg","hash":"0f5989f76627a49309b3831c02587b6efcdceeedccc723aaf0481da9b6e7d3ad","width":2500,"height":2493,"sort":4,"exclude_from_backdrop":false,"date_added":"1608065615"},{"id":92278712,"project_id":16882755,"image_ref":"{image 31}","name":"LANDING-07a.jpg","hash":"06349eafce7b18bcdb65cf618b46247edeff88f7a470c0fe671c1e46744e5451","width":608,"height":712,"sort":6,"exclude_from_backdrop":false,"date_added":"1608078414"},{"id":92278713,"project_id":16882755,"image_ref":"{image 32}","name":"LANDING-08.jpg","hash":"c8f3b2e717ba22d8375c6a8129e7de2ea142a7d71a86f40cbf7b508e8754400d","width":2500,"height":3431,"sort":7,"exclude_from_backdrop":false,"date_added":"1608078416"},{"id":207147088,"project_id":16882755,"image_ref":"{image 34}","name":"KATRINA-ILIGAN.jpg","hash":"6e1bf9ac63dedf48f8559965bf84077bcf5f46cf842b9690cbef878051eb1943","width":1504,"height":2000,"sort":0,"exclude_from_backdrop":false,"date_added":"1710879449"},{"id":207147089,"project_id":16882755,"image_ref":"{image 35}","name":"KEENAN-CARRYING-TRAIL.jpg","hash":"04571e06d1c13f9cdf93d3a7b54f2dd394524305403e164a70369731010b84bb","width":2000,"height":1126,"sort":0,"exclude_from_backdrop":false,"date_added":"1710879450"},{"id":207147090,"project_id":16882755,"image_ref":"{image 36}","name":"OSEI-WASTE.jpg","hash":"d7e97fa415c110d537564477e6a98193d8e10046660018e5ce098ed792c38ae6","width":2000,"height":2000,"sort":0,"exclude_from_backdrop":false,"date_added":"1710879450"},{"id":207147091,"project_id":16882755,"image_ref":"{image 37}","name":"ZANIRA-PRISON-ABOLITION.jpg","hash":"7b2d65da12d2d17fb1c0ba7a5e6867220323320fff5c9ebca5d48c0a92c9fabd","width":2000,"height":1499,"sort":0,"exclude_from_backdrop":false,"date_added":"1710879450"},{"id":207215988,"project_id":16882755,"image_ref":"{image 38}","name":"Meena_Kabul.jpg","hash":"4ae644d862650e90c8c059854a25e0a0a0791bf676b5a99c6aae63f2dcfefef0","width":1299,"height":2000,"sort":0,"exclude_from_backdrop":false,"date_added":"1710956117"},{"id":207215989,"project_id":16882755,"image_ref":"{image 39}","name":"Clement_Jeju-Do.jpg","hash":"38d8033758982933e14fc7bd75ae38c5d9b256d79562a3aa6076728c4863831f","width":2000,"height":1294,"sort":0,"exclude_from_backdrop":false,"date_added":"1710956126"},{"id":207216132,"project_id":16882755,"image_ref":"{image 40}","name":"Hongtao_microdistrict-2.jpg","hash":"0d1d4e63faf682698ae2cbb06f5a5bbf8cb31802262c1190d09e54fbf443b42a","width":3043,"height":3522,"sort":0,"exclude_from_backdrop":false,"date_added":"1710956574"},{"id":207228716,"project_id":16882755,"image_ref":"{image 41}","name":"Dipra_Washing-Place.jpg","hash":"c3008f09733627acf27989389c53d781f888a242e302fe36f6afa34375d74b0c","width":2000,"height":1420,"sort":0,"exclude_from_backdrop":false,"date_added":"1710972303"},{"id":207277615,"project_id":16882755,"image_ref":"{image 42}","name":"Pri_float-2.jpg","hash":"d29ec2e4f6f1c0bf4d14f60bb103d36f4505dfafb4bd476002bd668bdd2208d6","width":1504,"height":2000,"sort":0,"exclude_from_backdrop":false,"date_added":"1711037996"}],"backdrop":{"id":2705226,"site_id":966983,"page_id":16882755,"backdrop_id":3,"backdrop_path":"wallpaper","is_active":true,"data":{"scale_option":"cover","repeat_image":false,"margin":0,"pattern_size":100,"limit_size":false,"overlay_color":"transparent","bg_color":"transparent","cycle_images":true,"autoplay":true,"slideshow_transition":"slide","transition_timeout":7,"transition_duration":1,"randomize":false,"arrow_navigation":false,"focus_object":"{}","backdrop_viewport_lock":false,"use_image_focus":"false","image":"92304840","requires_webgl":"false"}}},{"id":16882756,"site_id":966983,"project_url":"Text-over-Backdrop-Desktop","direct_link":"https:\/\/archipelago.city\/Text-over-Backdrop-Desktop","type":"page","title":"Text over Backdrop \u2014\u00a0Desktop","title_no_html":"Text over Backdrop \u2014\u00a0Desktop","tags":"","display":false,"pin":true,"pin_options":{"position":"top","overlay":true,"exclude_mobile":true,"fixed":true,"accommodate":false},"in_nav":false,"is_homepage":false,"backdrop_enabled":false,"is_set":false,"stack":false,"excerpt":"The Archipelago Studio \n\n\n\n\n\ue119\ufe0eThe Course\n\n\n\n\ue119\ufe0eVisual Essays\ue119\ufe0eThesis","content":"\n\tThe Archipelago Studio \n\n\ue119\ufe0eThe Course\n\n\n\ue119\ufe0eVisual Essays\ue119\ufe0eThesis\n\t\n\n","content_no_html":"\n\tThe Archipelago Studio \n\n\ue119\ufe0eThe Course\n\n\n\ue119\ufe0eVisual Essays\ue119\ufe0eThesis\n\t\n\n","content_partial_html":"\n\tThe Archipelago Studio \n\n\ue119\ufe0eThe Course\n\n\n\ue119\ufe0eVisual Essays\ue119\ufe0eThesis\n\t\n\n","thumb":"","thumb_meta":null,"thumb_is_visible":false,"sort":2,"index":0,"set_id":0,"page_options":{"using_local_css":true,"local_css":"[local-style=\"16882756\"] .container_width {\n\twidth: 50% \/*!variable_defaults*\/;\n}\n\n[local-style=\"16882756\"] body {\n\tbackground-color: initial \/*!variable_defaults*\/;\n}\n\n[local-style=\"16882756\"] .backdrop {\n\twidth: calc(100% - 50%) \/*!left_fit*\/;\n\tright: 0 \/*!left_fit*\/;\n}\n\n[local-style=\"16882756\"] .page {\n\tmin-height: 100vh \/*!page_height_100vh*\/;\n}\n\n[local-style=\"16882756\"] .page_background {\n\tbackground-color: initial \/*!page_container_bgcolor*\/;\n}\n\n[local-style=\"16882756\"] .content_padding {\n\tpadding-top: 1.5rem \/*!main_margin*\/;\n}\n\n[data-predefined-style=\"true\"] [local-style=\"16882756\"] bodycopy {\n\tcolor: rgba(255, 255, 255, 1);\n}\n\n[data-predefined-style=\"true\"] [local-style=\"16882756\"] bodycopy a {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"16882756\"] bodycopy a:hover {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"16882756\"] h1 {\n\tcolor: rgba(255, 255, 255, 1);\n}\n\n[data-predefined-style=\"true\"] [local-style=\"16882756\"] h1 a {\n\tcolor: rgba(255, 255, 255, 1);\n}\n\n[data-predefined-style=\"true\"] [local-style=\"16882756\"] h1 a:hover {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"16882756\"] h2 {\n\tcolor: rgba(255, 255, 255, 1);\n}\n\n[data-predefined-style=\"true\"] [local-style=\"16882756\"] h2 a {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"16882756\"] h2 a:hover {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"16882756\"] small {\n\tcolor: rgba(255, 255, 255, 1);\n}\n\n[data-predefined-style=\"true\"] [local-style=\"16882756\"] small a {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"16882756\"] small a:hover {\n}\n\n[local-style=\"16882756\"] .container {\n\tmargin-left: 0 \/*!content_left*\/;\n\talign-items: flex-start \/*!vertical_top*\/;\n\t-webkit-align-items: flex-start \/*!vertical_top*\/;\n}","local_layout_options":{"split_layout":true,"split_responsive":true,"full_height":true,"advanced_padding_enabled":true,"page_container_bgcolor":"","show_local_thumbs":false,"page_bgcolor":"","content_position":"left_fit","content_width":"50","main_margin_top":"1.5"},"pin_options":{"position":"top","overlay":true,"exclude_mobile":true,"fixed":true,"accommodate":false}},"set_open":false,"images":[],"backdrop":{"id":2705215,"site_id":966983,"page_id":16882756,"backdrop_id":15,"backdrop_path":"pixelation","is_active":true,"data":{"layout_mode":"grid_mode","rows":53,"columns":16,"grid_size":11,"zoom":-7,"flip_it":false,"stir_grid":true,"stir_freq":80,"stir_strength":90,"stir_disorder":78,"elasticity":86,"color":"rgba(0, 0, 0, 0.11)","hex":"#000000","alpha":"0.11","mouse_interaction":true,"mouse_sensitivity":97,"tolerance":71,"mouse_zoom":15,"image":"42486859","requires_webgl":"true","image_width":"1500","image_height":"1500"}}},{"id":16882757,"site_id":966983,"project_url":"Text-over-Backdrop-Mobile","direct_link":"https:\/\/archipelago.city\/Text-over-Backdrop-Mobile","type":"page","title":"Text over Backdrop \u2014\u00a0Mobile","title_no_html":"Text over Backdrop \u2014\u00a0Mobile","tags":"","display":false,"pin":true,"pin_options":{"position":"top","overlay":true,"exclude_mobile":false,"fixed":false,"accommodate":false,"exclude_desktop":true},"in_nav":false,"is_homepage":false,"backdrop_enabled":false,"is_set":false,"stack":false,"excerpt":"The Archipelago Studio\n\n\ue119\ufe0eResearch\n\ue119\ufe0eExcerpts\ue119\ufe0eThesis","content":"\n\tThe Archipelago Studio\ue119\ufe0eResearch\ue119\ufe0eExcerpts\ue119\ufe0eThesis\n","content_no_html":"\n\tThe Archipelago Studio\ue119\ufe0eResearch\ue119\ufe0eExcerpts\ue119\ufe0eThesis\n","content_partial_html":"\n\tThe Archipelago Studio\ue119\ufe0eResearch\ue119\ufe0eExcerpts\ue119\ufe0eThesis\n","thumb":"","thumb_meta":null,"thumb_is_visible":false,"sort":3,"index":0,"set_id":0,"page_options":{"using_local_css":true,"local_css":"[local-style=\"16882757\"] .container_width {\n\twidth: 50% \/*!variable_defaults*\/;\n}\n\n[local-style=\"16882757\"] body {\n\tbackground-color: initial \/*!variable_defaults*\/;\n}\n\n[local-style=\"16882757\"] .backdrop {\n\twidth: calc(100% - 50%) \/*!left_fit*\/;\n\tright: 0 \/*!left_fit*\/;\n}\n\n[local-style=\"16882757\"] .page {\n\tmin-height: 100vh \/*!page_height_100vh*\/;\n}\n\n[local-style=\"16882757\"] .page_background {\n\tbackground-color: initial \/*!page_container_bgcolor*\/;\n}\n\n[local-style=\"16882757\"] .content_padding {\n\tpadding-top: 1.5rem \/*!main_margin*\/;\n}\n\n[data-predefined-style=\"true\"] [local-style=\"16882757\"] bodycopy {\n\tcolor: rgba(255, 255, 255, 1);\n}\n\n[data-predefined-style=\"true\"] [local-style=\"16882757\"] bodycopy a {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"16882757\"] bodycopy a:hover {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"16882757\"] h1 {\n\tcolor: rgba(255, 255, 255, 1);\n}\n\n[data-predefined-style=\"true\"] [local-style=\"16882757\"] h1 a {\n\tcolor: rgba(255, 255, 255, 0.85);\n}\n\n[data-predefined-style=\"true\"] [local-style=\"16882757\"] h1 a:hover {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"16882757\"] h2 {\n\tcolor: rgba(255, 255, 255, 1);\n}\n\n[data-predefined-style=\"true\"] [local-style=\"16882757\"] h2 a {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"16882757\"] h2 a:hover {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"16882757\"] small {\n\tcolor: rgba(255, 255, 255, 1);\n}\n\n[data-predefined-style=\"true\"] [local-style=\"16882757\"] small a {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"16882757\"] small a:hover {\n}\n\n[local-style=\"16882757\"] .container {\n\tmargin-left: 0 \/*!content_left*\/;\n\talign-items: flex-start \/*!vertical_top*\/;\n\t-webkit-align-items: flex-start \/*!vertical_top*\/;\n}","local_layout_options":{"split_layout":true,"split_responsive":true,"full_height":true,"advanced_padding_enabled":true,"page_container_bgcolor":"","show_local_thumbs":false,"page_bgcolor":"","content_position":"left_fit","content_width":"50","main_margin_top":"1.5"},"pin_options":{"position":"top","overlay":true,"exclude_mobile":false,"fixed":false,"accommodate":false,"exclude_desktop":true}},"set_open":false,"images":[],"backdrop":{"id":2705216,"site_id":966983,"page_id":16882757,"backdrop_id":15,"backdrop_path":"pixelation","is_active":true,"data":{"layout_mode":"grid_mode","rows":53,"columns":16,"grid_size":11,"zoom":-7,"flip_it":false,"stir_grid":true,"stir_freq":80,"stir_strength":90,"stir_disorder":78,"elasticity":86,"color":"rgba(0, 0, 0, 0.11)","hex":"#000000","alpha":"0.11","mouse_interaction":true,"mouse_sensitivity":97,"tolerance":71,"mouse_zoom":15,"image":"42486859","requires_webgl":"true","image_width":"1500","image_height":"1500"}}}]} [] {"page_id":"16882755"} {"id":4784477,"name":"Grid","path":"grid","mode_id":1,"site_id":966983,"page_id":null,"iterator":1,"is_active":true,"data":{"crop":false,"thumb_crop":"16x9","column_size":8,"columns":"5","thumb_horizontal_align":"left","thumbnails_padding":"1.5","responsive":true,"show_title":true,"show_tags":false,"show_excerpt":false,"filter_type":"all","filter_tags":"","filter_set":"","show_thumbs":false,"mobile_data":{"column_size":11,"thumbnails_padding":"1","separate_mobile_view":false,"columns":"2"},"meta_data":{},"thumbnails_width":"100","responsive_columns":"2","responsive_row_height":"75","random_limit":999,"responsive_thumbnails_padding":"1","thumbnails_bgcolor":"rgba(0, 0, 0, 0)"}} [{"name":"Grid","path":"grid","sort":0,"mode_id":1},{"name":"Columns","path":"columns","sort":1,"mode_id":2},{"name":"Justify","path":"justify","sort":2,"mode_id":3},{"name":"Freeform","path":"freeform","sort":3,"mode_id":5},{"name":"Montessori","path":"montessori","sort":4,"mode_id":4}] [] {{#if this.is_set}} {{#each pages}} {{#if this.is_set}} {{>page_master}} {{else}} {{>page}} {{/if}} {{/each}} {{else}} {{>page}} {{/if}} {{#if pin}} {{!-- Do not render pins in this view --}} {{else}} {{print "content"}} {{{ page_options.svg_overlay }}} {{{ page_options.local_css }}} {{#if_all backdrop backdrop_enabled}} [script type="text/json" data-set="backdrop_data">{{{stringify backdrop}}}[/script> {{/if_all}} {{/if}} {{#each content}} {{#if pin}}{{!-- Do not render pins in this view --}} {{else}} {{#if this.is_set}} {{>page_master}} {{else}} {{>page_master}} {{/if}} {{/if}} {{/each}} Homepage {{#each site_menu_tree.pages}} {{>sitemenu_item}} {{/each}} × {{#if is_set}} {{#if in_nav}} {{#if_equal set_id 0}} {{#if has_children}} {{#if_equal previous_type "page"}} {{/if_equal}} {{/if}} {{/if_equal}} {{#if in_nav}} {{title}} {{/if}} {{/if}} {{#each pages}} {{>sitemenu_item}} {{/each}} {{#if in_nav}} {{/if}} {{else}} {{#if in_nav}} {{title}} {{/if}} {{/if}} {{#if_option "title_in_project"}} {{#if show_title}} {{{title}}} {{/if}} {{/if_option}} {{print "content"}} {{{ page_options.svg_overlay }}} {{{ page_options.local_css }}} {{#if_all backdrop backdrop_enabled}} [script type="text/json" data-set="backdrop_data">{{{stringify backdrop}}}[/script> {{/if_all}} {{#each pinned}} {{#if pin}} {{#if_equal pin_options.position 'top'}} {{>pin}} {{/if_equal}} {{/if}} {{/each}} {{#each pinned}} {{#if pin}} {{#if_equal pin_options.position 'bottom'}} {{>pin}} {{/if_equal}} {{/if}} {{/each}} {{>thumbnail_subview}} window.scrollMonitor=function(){var t,i,o,e,s,n=function(){return window.pageYOffset||document.documentElement&&document.documentElement.scrollTop||document.body.scrollTop},h={},c=[],l="visibilityChange",r="enterViewport",a="fullyEnterViewport",p="exitViewport",w="partiallyExitViewport",u="locationChange",m="stateChange",f=[l,r,a,p,w,u,m],d={top:0,bottom:0},b=function(){return window.innerHeight||document.documentElement.clientHeight},v=function(){return Math.max(document.body.scrollHeight,document.documentElement.scrollHeight,document.body.offsetHeight,document.documentElement.offsetHeight,document.documentElement.clientHeight)};function g(){if(h.viewportTop=n(),h.viewportBottom=h.viewportTop+h.viewportHeight,h.documentHeight=v(),h.documentHeight!==t){for(o=c.length;o--;)c[o].recalculateLocation();t=h.documentHeight}}function V(){h.viewportHeight=b(),g(),k()}function I(){clearTimeout(e),e=setTimeout(V,100)}function k(){for(s=c.length;s--;)c[s].update();for(s=c.length;s--;)c[s].triggerCallbacks()}function y(t,o){var e,s,n,c,b,v,g=this;this.watchItem=t,this.offsets=o?o===+o?{top:o,bottom:o}:{top:o.top||d.top,bottom:o.bottom||d.bottom}:d,this.callbacks={};for(var V=0,I=f.length;V0?this.top=this.bottom=this.watchItem:this.top=this.bottom=h.documentHeight-this.watchItem:(this.top=this.watchItem.top,this.bottom=this.watchItem.bottom);this.top-=this.offsets.top,this.bottom+=this.offsets.bottom,this.height=this.bottom-this.top,void 0===t&&void 0===i||this.top===t&&this.bottom===i||k(this.callbacks[u])}},this.recalculateLocation(),this.update(),e=this.isInViewport,s=this.isFullyInViewport,n=this.isAboveViewport,c=this.isBelowViewport}h.viewportTop=null,h.viewportBottom=null,h.documentHeight=null,h.viewportHeight=b(),y.prototype={on:function(t,o,e){switch(!0){case t===l&&!this.isInViewport&&this.isAboveViewport:case t===r&&this.isInViewport:case t===a&&this.isFullyInViewport:case t===p&&this.isAboveViewport&&!this.isInViewport:case t===w&&this.isAboveViewport:if(o.call(this,i),e)return}if(!this.callbacks[t])throw new Error("Tried to add a scroll monitor listener of type "+t+". Your options are: "+f.join(", "));this.callbacks[t].push({callback:o,isOne:e||!1})},off:function(t,i){if(!this.callbacks[t])throw new Error("Tried to remove a scroll monitor listener of type "+t+". Your options are: "+f.join(", "));for(var o,e=0;o=this.callbacks[t][e];e++)if(o.callback===i){this.callbacks[t].splice(e,1);break}},one:function(t,i){this.on(t,i,!0)},recalculateSize:function(){this.height=this.watchItem.offsetHeight+this.offsets.top+this.offsets.bottom,this.bottom=this.top+this.height},update:function(){this.isAboveViewport=this.toph.viewportBottom,this.isInViewport=this.top=h.viewportTop,this.isFullyInViewport=this.top>=h.viewportTop&&this.bottom ︎ The Archipelago Studio
  • [H2] ︎The Course ︎Visual Essays
  • [H2] ︎Thesis
  • [H2]
  • [H2]
  • [H2] ︎Research︎Excerpts
  • [H2] ︎Thesis
  • [H2] The Archipelago invents real design actions + architectures vs. conditions of Crisis: constant, pervasive climate and social crises. It pursues research + design across global, networked sites - places without a center - un-centering ‘solutions,’ reframing problems unresolvable by single discipline, finding resiliency in the periphery. The Archipelago rebuilds and works with what we have. Repair is its primary tool, by storytelling, craft, activism. It builds partnerships with agents of change; visual essay films + exhibitions; shelter, sanctuary, public spaces of freedom and joy. The Archipelago enables change: reuse, rebuiding, resistance.
  • [H2] How can architecture & its media respond to a world on fire?
  • [H2] (2)
  • [H2] There may be circumstances - ways of measuring that island - that cause its circumference to be infinite(1)
  • [H2] I wondered whether, in little countries such as ours, economic prospects (their inspiration) ought not to be more like the beach at Le Diamant:  cyclical, changeable, mutating, running through an economy of disorder whose detail would be meticulously calculated but whose comprehensive view would change rapidly depending on different circumstances. That is what we have to shake off.  To return to the sources of our cultures and the mobility of their relational content, in order to have a better appreciation of this disorder and to modulate every action according to it.  To adapt action to the various possibilities in turn.(2)
  • [H2] How can we un-build and re-build anything?
  • [H2] WE ARE ALL HUMBLED BY THE ANTHROPOCENE:  BUT  ‘RESILIENCE’ IS NOT THE ONLY LOGICAL RESPONSE IN THE POLITICAL HORIZON. (3)
  • [H2] There are three things: to walk,to see,and to see what you see. (4)
  • [H2]
  • [H2] Is architectural activism an architecture without architects?

Images

Nous avons trouvé 0 image(s) sur cette page Web.

Bien, la plupart ou la totalité de vos images possèdent un attribut alt

Ratio texte/HTML

Ratio : 0%

le ratio de cette page texte/HTML est au-dessous de 15 pour cent, ce qui signifie que votre site manque de contenu textuel.

Flash

Parfait, aucun contenu FLASH n'a été détecté sur cette page.

Iframe

Dommage, vous avez des Iframes sur vos pages Web, cela signifie que son contenu ne peut pas être indexé par les moteurs de recherche.

Réécriture d'URLs

Bien. Vos liens sont optimisés!

Tiret bas dans les URLs

Nous avons détectés des soulignements dans vos URLs. Vous devriez plutôt utiliser des tirets pour optimiser votre référencement.

Liens dans la page

Nous avons trouvé un total de 8 lien(s) dont 0 lien(s) vers des fichiers

Texte d'ancre Type Juice
{{title}} Interne Passing Juice
︎The Course Interne Passing Juice
︎Visual Essays Interne Passing Juice
The Archipelago Studio Interne Passing Juice
︎Research Interne Passing Juice
︎Excerpts Interne Passing Juice
︎Thesis Interne Passing Juice
John H. Daniels Faculty Externe Passing Juice

Mots-clefs

Nuage de mots-clefs

Cohérence des mots-clefs

Mot-clef Contenu Titre Mots-clefs Description Niveaux de titre

Ergonomie

Url

Domaine : archipelago.city

Longueur : 16

Favicon

Génial, votre site web dispose d'un favicon.

Imprimabilité

Aucun style CSS pour optimiser l'impression n'a pu être trouvé.

Langue

Bien. Votre langue est : en.

Dublin Core

Cette page ne profite pas des métadonnées Dublin Core.

Document

Doctype

HTML 5

Encodage

Parfait. Votre charset est UTF-8.

Validité W3C

Erreurs : 0

Avertissements : 0

E-mail confidentialité

Génial, aucune adresse e-mail n'a été trouvé sous forme de texte!

HTML obsolètes

Tags obsolètes Occurrences
<font> 4

Les balises HTML obsolètes sont des balises qui ne sont plus utilisés. Il est recommandé de supprimer ou de remplacer ces balises HTML, car elles sont désormais obsolètes.

Astuces vitesse

Excellent, votre site n'utilise pas de tableaux imbriqués.
Mauvais, votre site web utilise des styles css inline.
Génial, votre site web contient peu de fichiers CSS.
Parfait, votre site web contient peu de fichiers javascript.
Parfait : votre site tire parti de gzip.

Mobile

Optimisation mobile

Icône Apple
Méta tags viewport
Contenu FLASH

Optimisation

Sitemap XML

Votre site web dispose d’une sitemap XML, ce qui est optimal.

https://archipelago.city/sitemap.xml

Robots.txt

https://archipelago.city/robots.txt

Votre site dispose d’un fichier robots.txt, ce qui est optimal.

Mesures d'audience

Manquant

Nous n'avons trouvé aucun outil d'analytics sur ce site.

Un outil de mesure d'audience vous permet d'analyser l’activité des visiteurs sur votre site. Vous devriez installer au moins un outil Analytics. Il est souvent utile d’en rajouter un second, afin de confirmer les résultats du premier.

PageSpeed Insights

Dispositif
Les catégories

Free SEO Testing Tool

Free SEO Testing Tool est un outil gratuit de référencement qui vous aidera à analyser vos pages web