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Goodman Gallery

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Goodman Gallery

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  • [H1] Guy Simpson | Was Here
  • [H1] Atta Kwami | Dynamic Equilibrium
  • [H1] Hank Willis Thomas | Forever Now
  • [H1] Laura Lima
  • [H1] Banele Khoza | I was always within and without
  • [H1] Kate Gottgens | Her own myth
  • [H1] Investec Cape Town Art Fair
  • [H1] Clive van den Berg | Remnant
  • [H1] Yinka Shonibare’s First Major Survey in Africa Opens in Madagascar
  • [H1] Insight | Wang Bing: Man in Black | with Ben Luke
  • [H3] On View
  • [H3] News and Events
  • [H3] Press
  • [H3] Locations
  • [H4] Kate Gottgens | Her own myth
  • [H4] Atta Kwami | Dynamic Equilibrium
  • [H4] Banele Khoza | I was always within and without
  • [H4] Laura Lima | Communal Nests for Windows, Balconies, Verandas, Gardens, and Forests
  • [H4] Clive van den Berg | Remnant
  • [H4] Performance of 'Oh To Believe in Another World' in Barcelona
  • [H4] Carrie Mae Weems and A$AP Rocky for Bottega Veneta
  • [H4] "Carrie Mae Weems: Remember to Dream" opening soon at Hessel Museum of Art/CCS Bard
  • [H4] Faith Ringgold at Art Basel Unlimited 2024 in collaboration with ACA Galleries
  • [H4] Goodman Gallery is one of the 10 Best Booths at Art Basel 2024
  • [H4] Grada Kilomba: Opera to a Black Venus at Staatliche Kunsthalle Baden-Baden
  • [H4] Pamela Phatsimo Sunstrum 'The Gods and The Underdogs' at KM21
  • [H4] The Best Booths at Art Basel, featuring Goodman Gallery
  • [H4] Yto Barrada 'Part-Time Abstractionist' is now open at the International Center of Photography
  • [H4] Goodman Gallery representing Pélagie Gbaguidi
  • [H4] Canada's entry at Venice Biennale shows how glass beads shaped the modern world
  • [H4] Yinka Shonibare: ‘The argument that things are safer at the British Museum is a little bit shaky now’
  • [H4] Now Representing Atta Kwami
  • [H4] Cassi Namoda in conversation With Maryam Nassir Zadeh
  • [H4] Listen: Misheck Masamvu on Art Worlds: Zimbabwe
  • [H4] EMPIRE LINES podcast discuss the group show Against Apartheid at KARST
  • [H4] A Week in Art Podcast: Grada Kilomba
  • [H4] Story and Symbol: Faith Ringgold and Hank Willis Thomas'
  • [H4] Carrie Mae Weems: the photographer recreating and reframing famous historical moments
  • [H4] Reflecting on the continent, more than 300 works later with Leonardo Drew
  • [H4] ‘Man In Black’: Cannes Review
  • [H4] Leonardo Drew in Forbes
  • [H4] Five exhibitions to attend this Women’s History Month
  • [H4] Shirin Neshat on Forough Farrokhzad in AnOther
  • [H4] Ernest Cole’s photographs of 1960s South Africa during apartheid
  • [H4] Ways of seeing, ways of knowing: Cassi Namoda in FT Magazine
  • [H4] 7 Leading Curators Predict the Defining Art Trends of 2023 featuring Ravelle Pillay
  • [H4] Paolo Salvador at Goodman Gallery London
  • [H4] Dor Guez in conversation with Ben Luke
  • [H4] Liza Essers features in Power 100
  • [H4] Liza Essers features on the 2022 Artnet Innovators List
  • [H4] Protests in Iran // Shirin Neshat speaks to The Art Newspaper
  • [H4] Jabulani Dhlamini to exhibit at PhotoSaintGermain Festival
  • [H4] BBC Radio 3 - Private Passions: William Kentridge
  • [H4] FT Weekend podcast - Shirin Neshat on the women-led protests in Iran
  • [H4] Ghada Amer's solo exhibition at Mucem in Marseilles
  • [H4] Kendell Geers features in Setouchi Triennale 2022
  • [H4] Remy Jungerman awarded the Dr A.H. Heineken Prize for Art 2022
  • [H4] Goodman Gallery at Frieze London 2022
  • [H4] Alfredo Jaar in Mexico's Hacer Noche
  • [H4] William Kentridge premieres at TIFF - Toronto International Film Festival
  • [H4] A4 Arts Foundation | Customs
  • [H4] Grada Kilomba | O Barco/ The Boat | The Courtyard, Somerset House
  • [H4] The Un-Private Collection: Hank Willis Thomas + Robin D. G. Kelley
  • [H4] William Kentridge | WJK @ WAM & Wits 100: William Kentridge artworks from WAM collection
  • [H4] Misheck Masamvu participates in the 8th Biennial of Painting
  • [H4] Kapwani Kiwanga: Off Grid | The New Museum
  • [H4] Misheck Masamvu participating in 'The Show Is Over' at South London Gallery
  • [H4] Paul Maheke | Performance at the High Line
  • [H4] Candice Breitz: Never Ending Stories | FMAV Modena
  • [H4] Candice Breitz - Whiteface | Museum Folkwang, Essen
  • [H4] Dor Guez | Group exhibition: ECMNESIA
  • [H4] Shirin Neshat | Land of Dreams | Tribeca Film Festival
  • [H4] William Kentridge awarded The Queen Sonja Lifetime Achievement Award
  • [H4] 5 FM | By The Way: Kendell Geers
  • [H4] William Kentridge | SIBYL | Barbican
  • [H4] Gabrielle Goliath | This song is for... | Kunsthaus Baselland
  • [H4] Nicholas Hlobo | Art21 film
  • [H4] Alfredo Jaar | Whitney Biennial 2022 | Quiet As It's Kept
  • [H4] Goodman featured in 'African Artists: From 1882 to Now'
  • [H4] Mikhael Subotzky & Lindokuhle Sobekwa | A4 Arts Foundation, Cape Town, SA
  • [H4] Kudzanai Chiurai, Nolan Oswald Dennis, Grada Kilomba & Tabita Rezaire | Group Exhibition | Palais de Tokyo, France
  • [H4] Naama Tsabar | Solo Exhibition | Bass Museum, Miami, USA
  • [H4] Nicholas Hlobo | Solo Exhibition | Center for Contemporary Art Tel Aviv, Israel
  • [H4] Art Joburg Open City Gallery Weekend | Screening under the Stars
  • [H4] Alfredo Jaar | Hasselblad Award | Hasselblad Foundation, Gothenburg, Sweden
  • [H4] Clive van den Berg | Survey Exhibition | KZNSA, Durban, South Africa
  • [H4] Grada Kilomba | Public Installation | MAAT Lisbon, Portugal
  • [H4] Kapwani Kiwanga | Solo Exhibition | The Moody Center for the Arts, Houston, USA
  • [H4] Pamela Phatsimo Sunstrum | Group Exhibition | Museum of Contemporary Art Toronto, Canada
  • [H4] Paul Maheke | Group Exhibition | British Art Show, Hayward Gallery, UK
  • [H4] Alfredo Jaar | Solo Exhibition | Museum of Applied Arts, Austria
  • [H4] Nolan Oswald Dennis | Group Exhibition | Boras Biennale, Sweden
  • [H4] Samson Kambalu | Solo Exhibition | Modern Art Oxford, UK
  • [H4] Gabrielle Goliath | Solo Exhibition | Talbot Rice Gallery, UK
  • [H4] Grada Kilomba | Solo Exhibition | Amant, New York
  • [H4] New Seasonal Gallery | East Hampton
  • [H4] New Seasonal Gallery | East Hampton
  • [H4] New Seasonal Gallery | East Hampton
  • [H4] Yinka Shonibare CBE | Solo Exhibition | Musem Der Morderne Salzburg, Austria
  • [H4] Candice Breitz | Group Exhibitions | Museum of Contemporary Photography & Louisiana Museum of Modern Art
  • [H4] Gabrielle Goliath & Kapwani Kiwanga | Group Exhibition | Musée d’Art Moderne de Paris
  • [H4] Gabrielle Goliath | Solo Exhibition | Konsthall C, Stockholm
  • [H4] Shirin Neshat | Solo Exhibition | The Modern, Fort Worth
  • [H4] William Kentridge | Solo Exhibition | Mudam Luxembourg
  • [H4] Yto Barrada & Yinka Shonibare CBE | Group Exhibition | Cantor Arts Center
  • [H4] Alfredo Jaar |Solo Exhibition | Zeitz MOCAA (Cape Town)
  • [H4] Candice Breitz | Catalogue Raisonne | Exhibitions | Baltimore Museum (Maryland), Mathildenhöhe Darmstadt Institute (Germany)
  • [H4] Hank Willis Thomas & Naama Tsabar | Group Exhibition | Ballroom Marfa (Texas)
  • [H4] Haroon Gunn-Salie | Residency & Solo Exhibition | Zeitz MOCAA (Cape Town) Group Exhibition | Swiss Institute (New York)
  • [H4] Kapwani Kiwanga | Solo Exhibitions | Centre Pompidou (Paris), Haus der Kunst (Munich)
  • [H4] Kendell Geers designs football shirts
  • [H4] Kiluanji Kia Henda | Solo Exhibition | Galerias Municipais (Lisbon)
  • [H4] Lisa Brice | Solo Exhibition | GEM Museum for Contemporary Art (The Hague)
  • [H4] mounir fatmi | Group Exhibition | Christie’s (London)
  • [H4] Shirin Neshat | Group exhibition | Musée universitaire de Louvaine (Belgium)
  • [H4] Tabita Rezaire | Group Exhibition | M.Bassy (Hamburg), feldfünf e.V (Berlin)
  • [H4] William Kentridge and Shirin Neshat | Performa Online Exhibition Platform
  • [H4] William Kentridge | Solo Exhibitions | Deichtorhallen Museum (Hamburg), CCCB Barcelona
  • [H4] Yinka Shonibare CBE | Group Exhibition | RA Summer Exhibition
  • [H4] Grada Kilomba | Frieze Tate Fund 2020
  • [H4] Kapwani Kiwanga Awarded 2020 Prix Marcel Duchamp
  • [H4] Alfredo Jaar & Hank Willis Thomas | Group Exhibition | Kunsthal Kade (Amersfoort)
  • [H4] Alfredo Jaar, Kapwani Kiwanga and Kiluanji Kia Henda Propose Artworks for High Line Plinth Commission (New York)
  • [H4] Candice Breitz | Exhibitions | Auckland Art Gallery (New Zealand), SITE Sante Fe (New Mexico), Louisiana Museum of Modern Art (Humlebaek) & Prague City Gallery (Czech Republic)
  • [H4] Grada Kilomba | Group Exhibition | SESC Pompéia (Sao Paulo)
  • [H4] Hank Willis Thomas | Retrospective | Cincinnati Art Museum (USA)
  • [H4] Kapwani Kiwanga | Exhibitions | FKA Witte de With (Rotterdam) & Renaissance Society (Chicago)
  • [H4] Kendell Geers | Solo Exhibition | M77 Gallery (Milan)
  • [H4] Kiluanji Kia Henda, David Koloane, Mikhael Subotzky and Sue Williamson | Group exhibition | Centre Pompidou (Paris)
  • [H4] Mikhael Subotzky |Group exhibition |Multimedia Art Museum Moscow (Russia)
  • [H4] Shirin Neshat | Group exhibition |Joburg Contemporary Art Foundation (Johannesburg)
  • [H4] Tabita Rezaire and Shirin Neshat | Group exhibition | Statens Museum for Kunst (Copenhagen)
  • [H4] Yinka Shonibare CBE | Solo Exhibition | M WOODS (Beijing)
  • [H4] Reopening | Goodman Gallery Johannesburg
  • [H4] Alfredo Jaar || The Rwanda Project, Zeitz MOCAA (Cape Town, South Africa)
  • [H4] Misheck Masamvu || Biennale of Sydney, Shortlisted for Henrike Grohs Art Award
  • [H4] Candice Breitz || Too Long, Didn't Read, Baltimore Museum of Art (USA), SITE Santa Fe (New Mexico, USA)
  • [H4] El Anatsui || Triumphant Scale, Kunstmuseum Bern (Switzerland)
  • [H4] Kiluanji Kia Henda || Winner of Proposal to Build Public Slave Memorial (Lisbon, Portugal)
  • [H4] William Kentridge || Among the Trees, Hayward Gallery (London, UK), Honorary Doctorate Vrije Universiteit Brussels
  • [H4] Kapwani Kiwanga || Things Entangling, Museum of Contemporary Art Tokyo (Japan)
  • [H4] Tabita Rezaire, Kiluanji Kia Henda || Potential Worlds 1: Planetary Memories, Migros Museum (Zurich, Switzerland)
  • [H4] Hank Willis Thomas || Object Lessons, Edward Hopper House (New York, USA) | Sanctuary, Aga Khan Museum (Toronto, Canada)
  • [H4] Kiluanji Kia Henda || China-Africa, Centre Pompidou (Paris, France)
  • [H4] Samson Kambalu and Carrie Mae Weems || Fotofest Biennial (Texas, USA)
  • [H4] Shirin Neshat, Carrie Mae Weems and Sue Williamson || Push the Limits, Fondazione Merz (Torino, Italy)
  • [H4] Mikhael Subotzky || Residency and Exhibition, The High Museum of Art (Atlanta, USA)
  • [H4] Candice Breitz Mid-career Survey Exhibition, Kunstmuseum Bonn, Germany
  • [H4] William Kentridge European touring survey, Lille Métropole Museum of Modern Art, France
  • [H4] Kapwani Kiwanga, Solo exhibition, Kunsthaus Pasquart, Switzerland
  • [H4] Mikhael Subotzky, Hank Willis Thomas and Kiluanji Kia Henda participate in ‘Masculinities: Liberation Through Photography’, The Barbican, London, UK
  • [H4] Grada Kilomba, Yebisu International Festival for Art & Alternative Visions 2020, Tokyo
  • [H4] Hank Willis Thomas, Group exhibition, Weatherspoon Art Museum, North Carolina and Solo exhibition tours to Crystal Bridges Museum of American Art, Arizona, USA
  • [H4] Alfredo Jaar: Collection exhibition at Tate Modern and talks at Raw Academie and Portland State University
  • [H4] Broomberg & Chanarin on group exhibition in London
  • [H4] Carrie Mae Weems and Kendell Geers on Group Exhibition at A4 Arts Foundation
  • [H4] Hank Willis Thomas talk at Art Funders Forum and group exhibition at Peabody Essex Museum, Massachusetts
  • [H4] Kapwani Kiwanga: Group exhibitions in Morocco and United States
  • [H4] Kendell Geers and mounir fatmi on a group exhibition at Aperto, Montpellier
  • [H4] Kiluanji Kia Henda opens first institutional solo exhibition in Europe
  • [H4] mounir fatmi on group exhibitions in the USA and Spain
  • [H4] Samson Kambalu: Solo exhibition at Peer, UK; two-person show at Mu.ZEE, Belgium
  • [H4] William Kentridge, Alfredo Jaar, Kiluanji Kia Henda, Yinka Shonibare CBE and Mikhael Subotzky on the opening exhibition of El Espacio 23 in Miami
  • [H4] William Kentridge's production of Alban Berg Opera 'Wozzeck' opens at the Metropolitan Opera in New York
  • [H4] Alfredo Jaar talk at the Tate, coinciding with solo exhibition at Goodman Gallery in London
  • [H4] Hank Willis Thomas: Collaboration with MASS design group on High Line in New York; artist conversation with Deborah Willis at the Barnes Foundation
  • [H4] Shirin Neshat and Alfredo Jaar on Biennale Arcipelago Mediterraneo
  • [H4] Shirin Neshat: Curates exhibition in New York; screenings at Azzedine Alaïa Association, Glenstone Museum and National Gallery Victoria
  • [H4] Sue Williamson on 2020 Casablanca Biennale
  • [H4] Grada Kilomba and Kiluanji Kia Henda on Biennale de Lubumbashi in the Democratic Republic of Congo
  • [H4] Jabulani Dhlamini included on group exhibition at Rencontres de Bamako - Biennial of Photography
  • [H4] Grada Kilomba: Solo exhibition at Bildmuseet & at 4. Berliner Herbstsalon
  • [H4] Shirin Neshat: Major survey exhibition opens at Broad Museum in LA; group exhibition at MAXXI, Rome
  • [H4] Hank Willis Thomas: Solo exhibition at the Portland Museum of Art
  • [H4] Tabita Rezaire on group exhibition at the Centre Pompidou and OzAsia Festival
  • [H4] Yinka Shonibare CBE on group exhibition ICA Boston
  • [H4] Nolan Oswald Dennis on Young Congo Biennale
  • [H4] Kentridge's new operatic production, 'Waiting for the Sybil', premieres in Rome
  • [H4] Kiluanji Kia Henda wins major sculptural commission award in London
  • [H4] Kapwani Kiwanga included on inaugural Toronto Biennial of Art which opens in September
  • [H4] Sue Williamson on group exhibition at Migros Museum, Zurich
  • [H4] Largest William Kentridge exhibition on the African continent in a decade opens at Zeitz MOCAA and the Norval Foundation in Cape Town
  • [H4] Tabita Rezaire's work features on 'Feminist Histories: Artists After 2000' at MASP in Brazil
  • [H4] Haroon Gunn-Salie's 'Senzenina' on view at the Norval Foundation to remember the 2012 Marikana massacre
  • [H4] Hank Willis Thomas on exhibitions at Rubin Museum and C/O Berlin
  • [H4] Candice Breitz's video works on Aichi Triennale in Japan, and major museum exhibition in Finland
  • [H4] Sam Nhlengethwa launches print retrospective exhibition catalogue
  • [H4] Gabrielle Goliath exhibition opens at Standard Bank Gallery and Iziko South African National Gallery in October
  • [H4] Solo exhibition for Kapwani Kiwanga at The Southern Alberta Art Gallery in Canada
  • [H4] Candice Breitz on two-person group show at FACT, Liverpool
  • [H4] Shirin Neshat and William Kentridge on ‘Bodies of Knowledge’ at the New Orleans Museum of Art
  • [H4] Kapwani Kiwanga named winner of Canada’s largest annual art award
  • [H4] A brush with...Hank Willis Thomas
  • [H4] Ernest Cole, anti-apartheid photographer gets his due
  • [H4] William Kentridge’s ship of fools
  • [H4] Double Take: Simnikiwe Buhlungu and Pamela Phatsimo Sunstrum
  • [H4] Kapwani Kiwanga “Rudiments” in MOUSSE Magazine
  • [H4] London Oomph 2024: Curated roundup of the best exhibitions featuring Kapwani Kiwanga
  • [H4] Frieze week highlights: featuring Kapwani Kiwanga's solo exhibition 'Rudiments'
  • [H4] Heading to London for Frieze? Don't Miss These 14 Major Gallery Shows While You're There
  • [H4] Lindokuhle Sobekwa // Navigating Personal and Photographic Landscapes
  • [H4] Top Cultural Shows To Catch In London This Fall
  • [H4] Art Basel Opens Amid Market Fears: What Sold on VIP Day
  • [H4] Artist Yinka Shonibare has brought Winston Churchill down to size
  • [H4] Feature on Lindokuhle Sobekwa's new book 'I Carry Her Photo With Me'
  • [H4] In Two Shows in New York, Yto Barrada Mingles Politics and Play
  • [H4] Personal accounts of survival and repair. A conversation with Gabrielle Goliath
  • [H4] Yinka Shonibare CBE’s timely solo exhibition at the Serpentine makes the invisible visible
  • [H4] Faith Ringgold is on of the Highlights at Art Basel Unlimited 2024
  • [H4] Goodman Gallery in Financial Times
  • [H4] Curator Gaëtane Verna on Her Path to Venice and What Follows
  • [H4] A brush with... Kapwani Kiwanga
  • [H4] A brush with… Zineb Sedira
  • [H4] At Kapwani Kiwanga’s Pavilion in Venice, Tiny Glass Beads Carry the Weight of History
  • [H4] Conflict, migration exposed
  • [H4] EMPIRE LINES: With Zineb Sedira
  • [H4] Grids and Boundaries: Mapping the Cultural Landscape in Remy Jungerman’s Art
  • [H4] Kapwani Kiwanga considers value and commerce for the Canada Pavilion at the Venice Biennale 2024
  • [H4] Laura Lima, How To Eat The Sun and The Moon
  • [H4] Laura Lima’s work taps into time and change
  • [H4] Ravelle Pillay: The Weight of History
  • [H4] Seven must-see exhibitions in Cape Town this month including Ravelle Pillay
  • [H4] 'The Artist Studio' Penny Siopis and Nolan Oswald Dennis
  • [H4] The Pain of Others: Alfredo Jaar
  • [H4] The Venice Biennale’s 'Foreigners Everywhere' Has Global Aims. But It’s At Its Strongest When It Looks Inside, Not Out
  • [H4] Unraveling Narratives: Laura Lima
  • [H4] Walter Oltmann at Norval Foundation
  • [H4] Zineb Sedira: Dreams Have No Titles review – magic moments in the bar that can take you anywhere
  • [H4] Liza Essers in conversation with Pauline Loeb for Artfair Magazine
  • [H4] ARTFORUM | The Best of 2023
  • [H4] FRIEZE | The Top Ten Shows Around the World in 2023
  • [H4] The Top 5 Art Exhibitions to see before Christmas
  • [H4] David Goldblatt 'No Ulterior Motive opens
  • [H4] Sam Nhlengethwa: A classic collection
  • [H4] Kentridge comes up for air in Cape Town
  • [H4] Sculpting time: Pamela Phatsimo Sunstrum’s ‘You’ll be sorry’
  • [H4] Shirin Neshat’s ‘The Fury’ Is A Powerful, Politically Charged Artwork
  • [H4] The acclaimed artist Isaac Julien pays a personal tribute to the groundbreaking auteur Shirin Neshat
  • [H4] Shirin Neshat on women’s rights, oppression and the Middle East
  • [H4] Financial Times: Frieze fairs open in style with big-hit art sales
  • [H4] In Pictures: Frieze London 2023
  • [H4] Art Basel: Why the Upper East Side is one of the best places to see art in New York today
  • [H4] i-D: 10 galleries you should not miss at Frieze Seoul 2023, selected by art contributors
  • [H4] South Africa's Goodman Gallery expands to New York with an office and viewing room
  • [H4] Carrie Mae Weems at the Barbican review: a transcendent show from an artist who has delivered for 30 years
  • [H4] Epic drama: six of the best works in Art Basel's Unlimited section for large-scale art
  • [H4] Art Monthly | Alfredo Jaar
  • [H4] OSMOS Magazine | Slips of the Eye, Alfredo Jaar’s Media Critique
  • [H4] The Memory Work of Sue Williamson and Lebohang Kganye | Frieze
  • [H4] Zineb Sedira and the sea | British Journal of Photography
  • [H4] The Sunday Times: 'The Head and the Load' has landed
  • [H4] Studio International | Ravelle Pillay: Idyll
  • [H4] ‘We are daring to invent the future’ — the generation that rewrote Africa’s story
  • [H4] ArtReview Interview with Grada Kilomba
  • [H4] Sue Williamson in Plymouth — stories of pain and resistance
  • [H4] Cassi Namoda in Lapoon Magazine
  • [H4] Misheck Masamvu's Safety Pin in Sunday Times
  • [H4] A Different Now...in ArtThrob
  • [H4] Mail & Guardian - A Different Now: Curating, according to Bonaventure
  • [H4] A Different Now... featured in Art Review’s 10 Ways to kickstart your January in the Art world
  • [H4] Dor Guez featured in top 5 exhibitions to see in January 2023
  • [H4] Aperture: William Kentridge The Excess of the Studio
  • [H4] The Brooklyn Rail: Gabrielle Goliath with Amadour
  • [H4] Dor Guez featured in London Gallery Round-Up December 2022
  • [H4] Liza Essers and Durjoy Rahman on art and the Global South
  • [H4] Shirin Neshat in ARTNEWS
  • [H4] FRIEZE - Zineb Sedira Review
  • [H4] Jabulani Dhlamini in the British Journal of Photography
  • [H4] William Kentridge in The New York Times
  • [H4] Nicholas Hlobo in Business Day
  • [H4] Trading Places: Visiting the Changing Spaces of Zineb Sedira
  • [H4] Cinthia Sifa Mulanga in ArtThrob
  • [H4] Jabulani Dhlamini in FT Weekend
  • [H4] Frieze: The Monumental World of William Kentridge
  • [H4] David Goldblatt in Mail & Guardian
  • [H4] Ghada Amer in Harpers Bazaar
  • [H4] Lunch with FT: William Kentridge: 'The history of the 20th century shows us the danger of all claims to certainty'
  • [H4] NATAAL - Grada Kilomba discusses her monumental installation at Somerset House
  • [H4] Grada Kilomba’s World of Illusions flips white-dominated story conventions on their head
  • [H4] The Art Newspaper - Major galleries sign Venice Biennale’s women artists—at last
  • [H4] Grada Kilomba in The Art Newspaper
  • [H4] Grada Kilomba in BBC - The slave ship in a London courtyard
  • [H4] APOLLO - Frieze week highlights: petrol-can pastiches and chopped-up Shostakovich
  • [H4] Shirin Neshat in The Guardian
  • [H4] Treading dark waters: Ravelle Pillay and Nicholas Hlobo in ArtThrob
  • [H4] Yinka Shonibare CBE RA in Sunday Times
  • [H4] Yinka Shonibare CBE RA in Mail & Guardian
  • [H4] Yto Barrada in Apartamento
  • [H4] Kudzanai Chiurai in BUBBLEGUMCLUB
  • [H4] Kudzanai Chiurai in Business Day: Wanted
  • [H4] Nicholas Hlobo in Mail & Guardian
  • [H4] Cassi Namoda in Artnet News
  • [H4] Samson Kambalu in BBC News
  • [H4] The Guardian | William Kentridge review – never ceases to mesmerise
  • [H4] Gabrielle Goliath in ARTnews
  • [H4] William Kentridge in The Guardian
  • [H4] William Kentridge in RA Magazine
  • [H4] William Kentridge in Wallpaper*
  • [H4] William Kentridge in Art Quarterly
  • [H4] William Kentridge in The Telegraph
  • [H4] NYT | Kapwani Kiwanga at the New Museum
  • [H4] The Guardian | Samson Kambalu - The Fourth Plinth
  • [H4] Grada Kilomba's Excavation of History in Frieze
  • [H4] Cassi Namoda in Nataal
  • [H4] Evening Standard: Cultural Capital talks to William Kentridge
  • [H4] NYT: Sibyl | With an Opera of His Own, William Kentridge Looks Into the Future
  • [H4] The Telegraph | Sibyl Review | William Kentridge blows up the future, in spectacular style
  • [H4] FT: South South — a collective voice for disparate cultures
  • [H4] Harper's Bazaar: Women in Art Featuring Cassi Namoda and Shirin Neshat
  • [H4] The Art Newspaper: William Kentridge on turning his drawings into films, being inspired by dreams—and catching Covid-19
  • [H4] Apollo: 40 Under 40 Africa - Mikhael Subotzky
  • [H4] Art Review: Grada Kilomba on mixing history, theory and performative practice to shine new light on old stories and reveal others that have been hidden
  • [H4] Huck: Capturing the everyday reality of lockdown in Soweto Township blues
  • [H4] Artsy: Photographer David Goldblatt Chronicled Apartheid in Profoundly Intimate Images
  • [H4] New York Times: How Three Artists Are Exploring Mythology and Race
  • [H4] Mail & Guardian: Gerhard Marx’s sculptural works map distance and detail
  • [H4] Elephant: David Goldblatt's Intimate Portrait of Domestic Life Under Apartheid
  • [H4] Morning Star: David Koloane 'Something out of Nothing'
  • [H4] The Guardian: The images of ordinary Soweto that captured apartheid's injustice
  • [H4] The Guardian: The people of Soweto by David Goldblatt - in pictures
  • [H4] Art in America: Kapwani Kiwanga Strives to Transcend Today’s Racial Impasse
  • [H4] ARTnews: Letter from Cape Town
  • [H4] Art Throb: Process & Tension in Jessica Webster's 'A Horse With No Name'
  • [H4] VISI: Arists Feature on ruby onyinyechi amanze
  • [H4] Why Now: 'the everyday waiting' by Jabulani Dhlamini
  • [H4] Christie's Magazine: 'The Female Century' profile Shirin Neshat & Liza Essers
  • [H4] British Journal of Photography: Jabulani Dhlamini captures Soweto in lockdown
  • [H4] Apollo: Photo Realist
  • [H4] The Economist: Opening the Black Box: An unorthodox artist finds enduring meaning in the news
  • [H4] Art Throb: 'A Golden Spike' review
  • [H4] Artnet: Liza Essers Op-Ed
  • [H4] Business Day: 'How To Disappear' Review
  • [H4] Daily Maverick: Authenticité – a culture fix that’s not streaming on Netflix
  • [H4] Financial Times: William Kentridge talks about his new work that combines illusion, animation and energy
  • [H4] Kiluanji Kia Henda Named An Emerging Artists That You Should Know by Artnet
  • [H4] The Guardian: David Goldblatt's portraits of criminals and victims – in pictures
  • [H4] Visi: Artist feature on Cassi Namoda
  • [H4] Gabrielle Goliath / Frieze / June 2019
  • [H4] Gabrielle Goliath / Whitewall Magazine / April 2019
  • [H4] Johannesburg
  • [H4] Cape Town
  • [H4] London
  • [H4] New York
  • [H4] Be the First to Know
  • [H4] Enquire about these artworks
  • [H4]
  • [H5] Explore
  • [H5] Receive the latest news about Goodman Gallery

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